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The book starts out with a brief history of nature printing. It then details collecting, transporting, and pressing a wide variety of plants. Then paper & materials for printing and the printing process itself are discussed.
Specialized techniques for printing objects such as spider webs, shells, feathers, gyotaku (fish rubbing), Taku-ga (rubbing picture), bubble printing & cyanotype are demonstrated as well. All the instructions are easy to follow.
There are also many wonderful projects including fabric painting, wall printing & note cards. The resource guide is a nice bonus. This inexpensive craft is easy enough a child, yet rewarding for adults.
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Frankly, I've never used a book before to help me with a software package. I always figured that the Help Screens and/or the manual were more than enough. This book might convince me to change my mind.
But this book has done much more than that. The authors have provided an extremely well-written volume, filled with valuable insights. Instead of taking the standard "let's run down the menus" approach, they have given us a book filled with practical examples, excellent tips, and just plain good writing. I quickly picked up a handful of tricks that made my work easier and impressed my client!
The authors deserve praise for this excellent work, and computer book publishers everywhere should take notice. Hey guys, it IS possible to publish good stuff!!!
I particularly like the tear-out guide in the front, which includes great project-oriented information for those conducting a job search: using the provided templates, keeping contact information, and looking for a job on the Internet. (However, I suspect that anyone who learns to use WordPerfect as expertly as possible from using this book will not be out of a job-hunting for long!)
Once again, Laura & Read have pulled off a very easy-to-read yet comprehensive guide covering all of the program's basic features and quite a bit of advanced functionality too!
I recommended this book as a good reference to keep handy at your desk.
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Su obra está influída por el tubismo de Léger, el cubismo sintético y la pintura del quattrocento italiano, aunque de su maestro Lohte aprendió a componer según el principio de la rima plástica.
No obstante su formación rusa, se sentía polaca; rehuyó toda la vida lo ruso por haber sufrido en carne propia a manos de los bolcheviques. De madre y abuela aprendió el amor al arte. Se casó dos veces --de su primer marido Tadeusz Lempicki, el padre de su única hija ya fallecida, tomaría el nombre profesional-- y tuvo una hija que más adelante redactó sus memorias.
El éxito de su carrera se dio en la Europa de entreguerras, trabajaba incesantemente y llevó una vida social muy activa, cuestión que paradójicamente ocasinó que el mundo culto y bohemio en el que se movía, le demostrara cierta desconfianza: esta ambigüedad que la mantenía como una bohemia-aristócrata la definió toda su vida.
Hizo de su vida un relato espectacular, hecho que ha motivado que quienes intentan biografiarla, tengan que sortear los productos de su febril imaginación. Laura Claridge, a quien le debemos el trabajo más completo sobre la fascinante mujer, ha rescatado del olvido a esta notable pintora, cuya obra rebazó los dos millones de dólares en la década de los ochenta.
Su pintura, caracterizada por la geometrización de la figura, los primeros planos agobiantes y el manejo del erotismo sin trabas, es magnífica y puntualmente analizada por la autora, quien tiene en su haber otras publicaciones sobre arte, literatura y psicoanálisis.
El Museo Brady de Cuernavaca cuenta con dos piezas de Lempicka, una pintora que se ganó un lugar imborrable en la historia del arte occidental.
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First, the term "aggravating" is being misused here since the word is not synonymous with "annoying", which would have been the correct one to use. "Aggravating" means getting or making something worse but it has become one of those slang words currently en vogue (similar to "impact", which has lately become an annoying substitute for "affect"). Second, there are at least half a dozen misspelled words in the book (not typos, mind you, but misspelled words - the difference being that misspelled words are spelled that way on purpose, and for the wrong reason).
One example is "respiratory track (sic)". These misspelled words are distracting and do not inspire confidence in the thoroughness of the research.
Nevertheless, my overall evaluation of this book is overwhelmingly positive and I can't wait for the sequel (quite a few more annoying things I can think of!)
As for mispelled words in the text, I would not use that as a guage of how well or poorly a book is researched. After the author writes a book, it goes through the hands of several editors. This book has copius notes at the end that point to a great deal of research including scientific journals and personal interviews. This seems relatively uncommon for this type of light entertainment reference.
Incidentally, "respiratory" is the correct spelling according to Mirriam Webster, The Cambridge Dictionary of American English, Webster's Revised Unabridged, and The American Heritage Dictionary which I have here at my desk.
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The reader is not only treated to knowledge to empower her to good health to grow old by but the material is also practically related in Dr. Reichman's sharing of her own stories.
I think this is a must have for any woman's personal library!