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The Hiding Place is a slight piece of a ring of sentimental value being "lost" is moving, its sentimental value and hiding place recalled, and it's being returned to it's multilayered hiding place.
Musette Disappears is a short character piece of a small girl leaving church - and the memories of her.
Blacky's Story is the tale of the family dog, apparently never well trained, his exile, and the family joke/strain surrounding him.
The O'Connell Sister is the tale of twin spinisters who were anything but friendly to the neighborhood children.
Mr. Pierre is a story of the hairdresser with flair - a gambler, a cheat.
Thirst is a paragraph regarding dreams and thirst.
I am oversimplifying the stories - but they truly are more sketches, dreams, character studies, memories than stories of a more formal nature. Essentially a talented author has presented us with a solid collection of author's exercises.
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There is no problem with that, per se. It is just that the author does not appear to want to investigate the weaknesses in his claims (as of course there are in all such theories, whether they be from atheists or theists).
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(crafts-w o m a n). The handbags she has designed are whimsical AND elegant, and are coveted by celebrities and socialites. The book is interesting, inspiring and a whole lot of FUN. I highly recommend it to anyone who appreciates imagination, creativity, and uniqueness. BORING it's not!
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(...) I began this book at full-speed last November until I read Edward Lee's "The Stick Woman", and then I set the book aside for two months before slowly continuing with the others. If you've already read the above story, then you'll understand my shock. It was hard to digest such a brutal, appalling story--and what was even worse to imagine was that this sort of activity actually happens in our society. "The Stick Woman" left me completely desensitized, and it certainly reconfirmed my underlying belief that there is "no end to the absolute evil of men". (p 63)
In summary, this book was a complete gore fest with pretty much every author trying to outdo the other with the most traumatic, disgusting childhoods and fantasies. The majority of them are very disturbing and graphic. There are a few good stories in here though (i.e., "Skin Writers", "Ice Dreams"), but the rest are just polluted with extreme sex and violence. I would strongly discourage most people from reading this book. If you're used to reading about snuff and such, then proceed; otherwise, skip this one and preserve your sanity. In my opinion, somebody needs to stick a warning sticker or an NC-17 rating on this book.
A bit presumptuous, maybe, but there is some great work here. A poet finds a most unusual collaborator in Robert Levy's "Skinwriters"; a teenage girl takes a contemporary disorder to horrifying extremes in Lauren Fitzgerald's "Wasting"; a child's escape fantasy runs out of control in Wayne Allen Sallee's "Soul of the Beast Surrendered"; a girl discovers her underground origins in Caitlin Kiernan's "Tears Seven Times Salt" and Brian McNaughton's Lovecraftian "ystery orm" takes us to the frightening snowbound desolation of a foreign university, where a solitary student receives a warning...but of what? And honorable mention must go to Edward Lee's "The Stick Woman", a story of imprisonment and torment which is quite possibly one of the nastiest things I've ever read in my life.
Unfortunately, most of the second half isn't as impressive as the first. A few exceptions from David Silva, Jeffrey Osier and Jack Ketchum shine in the midst of a lot of pretty standard material. Still, it's an anthology worth picking up, as it shows the genre's death has been somewhat exaggerated. I wouldn't be surprised if some of these wound up in a year-end anthology somewhere.
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Not recommended
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