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By
Edith Hartnett
Let Edith Hartnett take you to first century Palestine amid "bales of silk, vials of nard," where courtesans are bejeweled with sapphires, rubies, and all the precious stones of the Orient. Through her you will discover oil of myrrh, aloes with healing powers, saving the life of a wounded centurion, Valerius.
It's a story you weren't told in Sunday School. Mary, at the top of her profession as a courtesan refuses to entertain the occupiers of her land until... Of course, until she meets a Roman who sweeps her off her feet. Ms. Hartnett takes as much pleasure in dressing Mary in "a diaphanous tunic" or "a film of blue gauze" as Mary does in taking them off.
Mary, according to one tradition, is counted as an apostle, and this woman author has Christ tell Mary, "You are one of my apostles." What will the patriarchal authorities say?
In this book, you will be captured by suspense, by love, by tears of love and wonder. If you haven't wept over a novel since adolescence, don't be surprised if the power of the writing causes you to look quickly away wiping your eyes.
Israel under Roman military occupation, the most infamous harlot of her times . . . and the rise of Jesus from obscure wanderer to sacrifice on the Cross. The author's eye for colorful detail, as authentic as history can make it, and her ability deftly to limn characters rich in personality as well as symbolism, makes The Color of Wine an absorbing, fast-paced, voluptuous read. Highly recommended. . .whether you are a Bibliophile, a fan of
ancient Middle Eastern history, or simply in search of a
provocative, different book.
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Edith Layton is simply one of the best and she did not let me down. I recently moved house and kept a bag of books easily accessible and to hand for reading until my boxes of books have all been unpacked. I deliberately put in a few Laytons as special treats - and boy, I was not disappointed with this one!
Like Balogh, Layton can be almost elegaic in her writing; often her novels are full of an almost philosophical element of introspection. With her heros, in particular, we become so intimate with their inner thoughts that we seem to know everything that makes them tick.
I don't want to resummarise the plot here but would instead like to point to some of the themes that Layton so skilfully develops. We have an abandoned bride from a common background whose parents displayed wholly inappropriate judgement, allowing their daughter to very nearly ruin her life. We have a hero who was badly burnt by an unscrupulous woman who still, thanks to a strong father figure in his life, and a loving family of mother and sisters, loves women and their company. We have a young man who is homosexual and whose dilemmas in life are very accurately portrayed. We have scrupulous evocation of period, landscape, food, politics and conversation that is fantastic between two people who at first loathe and then, finally, adore each other. We have misjudgements and restitution. We have a traitor and we have a host of fantastically interesting peripheral characters, servants, etc.
What we have here, in short, is a story that is carefully crafted and brilliantly realised. Layton truly works magic here. (I forgive her, again (!), stupid mistakes in correct use of titles - she is one of only a very few authors where I can overlook this because it truly, for once, matters not.)
Don't miss this one if you like intelligent, beautifully written, character-driven, introspective novels of people who truly, through love, grow and change - all for the better.
In "The Disdainful Marquis," our young and determined to make-her-own-way-in-the-world heroine, Catherine Robins, is hired by the Dowager Duchess of Crewe, to be her companion. Outwardly, it seems as if Catherine has landed onto a cushy job; for the Duchess doesn't seem to require for Catherine to do anything except wear pretty but daring clothes, look decorative and 'be nice' to her gentleman friends. What Catherine doesn't know is that the Duchess has made herself the byword of society, and is known for hiring beautiful courtesans to act as her companions. It takes a while for Catherine to work out what's going on but by that time everyone assumes that she is a courtesan as well. The Marquess of Bessacarr in particular. And he spend an awful lot of time being cruel and mean to Catherine. And while Catherine loathes and distrusts Bessacarr, she finds, to her distress that she is not as immune to his 'charms' as she would like to be. What is Catherine to do? Give in to Bessacarr's vile advances or remain strong and inviolate no matter how tempted she is by his love making?
In "The Abandoned Bride," Julia Hawkins is kidnapped by her erstwhile husband's uncle, Nicholas Daventry. A few years ago, Julia had eloped with the dashing Robin Marlowe. But for some reason, Robin abandoned her on their wedding night, leaving Julia ruined in the eyes of her little country village. Since then, Julia has been trying to put the whole episode behind her and to live her notoriety down. What Julia doesn't know is that Robin has been spinning a yarn about her cruelty and rejection to Nicholas, using her as the reason why he lives on the Continent, and why he refuses to assume his responsibilities. Nicholas is determined to reunite Julia with Robin in spite of his poor opinion of Julia. Julia, however, is unwilling, and so he kidnaps her. What follows is a tale of how two people who initially despise each other begin to realise that they are ideally suited to each other. However there is the complication of Julia's previous marriage. What will happen when Julia and Robin are finally reunited? And why did Robin leave Julia anyway? (It's easy to guess why and one wonders why Edith Layton made such a heavy going of it, but then it was the '80s.) And will Julia and Nicholas be allowed to find happiness together?
While the men in both stories left a lot to be desired, the women were pure gems. Both Catherine and Julia are the kind of strong, resilient heroines that we all wish we came across more often. And they weren't shrill or peevish either. I cannot tell you how much I enjoyed the competent manner in which both women dealt with the men in their lives, or how much joy I took in the intelligent way in which they told them off either. No hysterics, no tantrums, and no high drama that may have shifted one's sympathies towards the men. Both men behave terribly, and the women are not shy about registering their anger and disapproval.
Both these novel are great reads, and are an excellent showcase for Edith Layton's talent. (Unfortunately, you will not be able to appreciate the original cover art for both books. These older dustjacket illustrations really captured that male aristocratic essence better then than they do now. For some reason the men on the dustjackets nowadays look more like farmers than they do jaded lords). So, if you're looking for two really full bodies heroines (character-wise, not size), look no further. Both Catherine and Julia will definitely engage and endear themselves to you.
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It is well indexed so one can quickly go right to an area of interest to get great ideas. Edith Gilbert's recommendations are easy to implement and make even those of us who are not particularly domestic look like seasoned entertainers.
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The system seems a little intimidating at first; my wife just about laughed me out of the house when I described it to her. But I have completely redone my office files and my home filing system using her method and it works!
I wish she would update her book and include a more computer based approach. Here are my suggested modifications based on having implemented it twice:
1. Start by typing all your folder subjects into the 2nd column of an Excel spreadsheet. Then it is easy to sort them alphabetically.
2. Do everything A-Z and don't worry about using the Prefix Method. If you want to keep a bunch of folders together, just use more than one letter when you create the identifiers in column 1 of your spreadsheet. e.g. MAN101, MAN102 for all your product manuals. Then sort by column 1. In a way, you are creating a "prefix" system within the overall alphabetical system. I moved all my TRR (Travel and Recreation) folders to a different location, but I only have to deal with a single spreadsheet.
3. The 3rd and 4th columns of your spreadsheet are the "see also" and "see" additions to the index that make it work so well
4. In addition to the numbers, add the subject to the folder tabs. Most of the time, I don't want to bother looking in the index. Also, I created a bunch of tables within Word that are just the right size to fit into the plastic tabs. Buy multcolored card stock at your local OfficeMax and you can now created color coded tabs.
5. Print out your excel spreadsheet as your index, leaving some blank rows between each letter, e.g. A101,A102,A103, 3 blank rows, B101, etc. This way you pencil in additions without messing with the spreadsheet.
The system is very easy to manage, once you get it set up. It is flexible and should work for almost any purpose. Her chapter on setting up a way of dealing with "pending" papers is priceless. Even my wife adopted that method to deal with all the papers that she deals with as an elementary school teacher.
If you already have a pretty good filing system that seems to work well for you, just use Pat's system to create an index for it. It shouldn't take more than an few hours to enter all of your existing file subjects into the spreadsheet. Then just create the numbering system and the cross referencing columns.
Every person who has come into my office after implementing this system has commented on how much bigger my office looks with all the piles of papers gone.