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...begin with the basics. The Grand Dame of usage among the ranks of the American Medical Writers Association, Edie Schwager has always demonstrated punctiliousness and precision as thoroughgoing as is her charm. A warmly-welcomed and well-beloved member of AMWA's Delaware Valley Chapter, Edie has always been the first person for whom I've looked whenever I've attended any of the Association's meetings. She educates without condescension and is patient beyond belief.
Most of us come to the field of medical writing from a technical background, usually having been trained as scientists, health care providers, or allied professionals. Our compositional experience is generally restricted to communications with peers, and the niceties of precise English usage are not well-appreciated by those of us who scraped through the liberal arts side of our education only narrowly (and that only with the utilization of Cliff's Notes and every other kind of cheat-sheet we could get our hands upon). Enter Edie Schwager's very nice little book of tips and tricks.
If you aspire to a career as a writer in the health care field, this book belongs alongside your copy of Stedman's, right next to your copies of Iles' *Guidebook to Better Medical Writing* and Bob Bonk's *Medical Writing in Drug Development*.
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If you are a music therapist or special education professional, we think you will find these clearly defined guidelines, case samples, and step-by-step instructions will enable you to bring about dramatic improvements in both adults and children with Autistic Spectrum Disorders.
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Manrique writes about a number of subjects: family, childhood, nature, art, Latin American life, and gay love. His poetry is direct and passionate, and is marked by sensuous imagery. Many of the poems seem to be autobiographical in nature.
There are many standout poems in this excellent collection. One of my favorites is his beautiful "Ode to Hummingbird," which contains these memorable lines: "Others think I'm looking into infinite green; / a hummingbird is only visible to the eyes of love." The poem "Toadstools" has a wildly mystical flavor. Another poetic triumph is the title poem, a gentle narrative in which an elderly gay man remembers his night of passion with Spanish poet Federico Garcia Lorca.
Much of this book complements Manrique's excellent prose work "Eminent Maricones: Arenas, Lorca, Puig, and Me." That volume is a blend of autobiography and literary biography, and readers who enjoy "My Night.../Mi Noche..." will probably like "Eminent Maricones" too.
I highly recommend "My Night.../Mi Noche...". If you are interested in Latino/Hispanic studies, gay literature, or contemporary poetry, spend your own night of passion with Jaime Manrique.