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The book explains the "mysteries" and answers most questions regarding building a metal boat whether building from scratch and plans or from a computer cut kit. It explains the differences in the various materials with no great bias and plainly spells out the pluses & minuses of each. Welding techniques and materials are outlined as are methods for fitting out and installing systems.
Mr. Roberts-Goodson's writing style is down-to-earth, explaining items in plain English which makes it very easy to understand. I would heartily recommend this book to anyone considering building or buying a metal boat. Additionally metal boats owners would enjoy this book and would use it as a resource for repair and maintenance.
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The book served as my operating manual for the ASPEN software for modeling chemical processes. The book documented nearly every method used by ASPEN.
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Try reading the first chapter to your young reader to spark his interest. Then read the next chapter or two aloud together so he/she becomes familiar with the words and flow. Then sit back and listen as your child finishes reading this exciting book about greed, courage, and chivalry.
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My son picked this book (and another one by the same author / illustrator) "Quest for the crystal Castle")at a special store in Vermont (where I was trying orgnic cotton clothings). He seemed very engrossed for a long time, and I bought both recognizing the words"peaceful worrier" (had been mentioned a few times this summer).
Last month, I myself become a fan of Dan Millman's "Sacred JOurney of a peaceful worrior". It was definitely on my list of "books that changes life". So, I was glad to read these two children version of "peaceful worrior " book with my son last night. I found it a wonderfully written children book with insight and enlightment that my son really loved. He is an avid reader and has been reading lots of great novels, yet Dan's books still inspire him to a very deep level. We both appreciate the books greatly and start thinking about giving these books as gift to his playgroup friends since babyhood.
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Collectible price: $4.66
_Strategic Selling_ provides valuable insight into how to set up "Win/Win" situations: it begins by identifying the different kinds of "Buyers" in every sales situation, the roles they play, and what constitutes "Value" to them.
It then provides a mechanism for identifying what you do not "know" about the various Buyers, with the objective of finding out. It is an approach which helps you paint a complete picture of the dynamics at work in a selling situation, so that you can operate effectively within it.
Finally, it provides a mechanism for "keeping the sales funnel full" -- a challenge which most people operating in cyclical industries can identify with.
Following this methodology can help you ensure that you do not blunder around in ignorance in a Complex Sales environment -- you will know at least as much as the next guy, and probably much more. And you will be actively doing something about it.
Rackham's _SPIN Selling_ is a good complementary book to _Strategic Selling_, as it provides a tactical approach -- the "How To" as opposed to the "Why".
_Strategic Selling_ is an interesting -- though not uncomplementary -- contrast to Holden's _Power Base Selling_. Both approaches can provide insight into the inner workings of the Complex Sale; however, _Strategic Selling_ focuses less on manipulating the political forces at work, and may thus be more palatable for some
List price: $21.95 (that's 30% off!)
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I have many lighthouse books and all of Bruce Roberts' and Ray Jones' regional guides. I've read them all and used most of them while traveling. I've found them to be first rate, an excellent choice for people who want everything lighthouse between two covers. A joy to look at and informative to read.
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American Lighthouses
California Lighthouses
Eastern Great Lakes Lighthouses - I own this one
Western Great Lakes Lighthouses - I own this one
Southeastern Lighthouses - I own this one
Southern Lighthouses
New England Lighthouses
Mid Atlantic Lighthouses
Gulf Coast Lighthouses
List price: $17.95 (that's 30% off!)
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Before going further, you should realize that this book contains much female nudity of a challenging sort that would probably cause the images to exceed an R rating if they were a motion picture.
Most of the images were taken in New York City between 1980 and 1982. Ms. Lyon had won the first World Women's Bodybuilding Championship in Los Angeles in 1979. She refused to defend her title, stating that she was a "performance artist" who acts as a "sculptor whose raw material was her own body." Seeing her posing in these images makes me realize that aspect of her talent and interests. She and Mr. Mapplethorpe collaborated on what images to shoot, and enjoyed lively wrangles along the way.
The foreword by Samuel Wagstaff nicely summarizes the results. The images "escape the shackles of womanly stereotype." As the dust cover image shows, she could sit like a "lady" while showing her "muscle" at the same time. The joint effects are fascinating. As Mr. Wasgtaff points out, it's "a new freedom of tongue-in-cheek." One image has her standing totally bare wearing only an old-fashioned gas mask.
Ms. Lyon adds her own comment. "The pictures are a little hard, like us." As a body builder, she can pose so that you see extreme muscle definition or she can relax in a dress and simply look like a fascinating fashion model. This flexibility adds greatly to the viewer's enjoyment.
In the essay by Bruce Chatwin, you can learn a lot about Mr. Mapplethorpe's work here. "His eye for a face is the eye of a novelist in search of a character . . . ." ". . . [H]is eye for a body that of a classical sculptor in search of an 'ideal.'" Mr. Mapplethorpe's female sitters "seem mesmerized . . . by his presence, and they are temporarily transported into a dream-world."
As for Ms. Lyon, she describes herself this way. "My childhood was dark." Mr. Chatwin points out the wonderful contribution she makes to the images through her "histrionics, ability to sass, spoof, impersonation, parody, caricature, and charade." He feels that Mr. Mapplethorpe and she have created a "picaresque novel." Mr. Mapplethorpe was originally attracted by her "air of an Old Testament heroine."
I found almost all of the images to be outstanding. They are not named, so I will do my best to describe a few to give you a flavor for the work.
Emerging from the water, Fire Island, New York (this is a classic Venus pose);
Framed by foliage, Jamaica (this gives a feeling of full-bodied innocence in the Garden of Eden);
In repose on a raised cement curb, Jamaica (this gives a sculptoral feeling of looking at a Greek goddess);
Lifting torso on bench, Jamaica (this is a difficult muscle stunt that displays perfect form and strength, and gives the feeling of classic sculpture);
Silhouette with knife, New York City (this looks like a French cut-out);
Sitting on edge of shower, Jamaica (this feels like a woman in deep thought and is all about the mind, even though the body is nude);
Holding hand mirror wearing corset looking out, New York City (this one raises the question of, who am I?);
Flamenco dancer with her hand holding her skirt up to one side, New York City (this is an idealisation of the female identity);
Nude lit by flaming paper, New York City (this seems like a primitive woman celebrating the religious mysteries).
I found all of the many fashion shots to be delightful because they have a campy feeling. My favorite was the one of her wearing a fedora.
For comparison, I suggest you look at Boris Vallejo's fine photograpic studies of female bodybuilders for his illustrations. That will give you the full sense of how imaginative and wonderful these photographs are.
The question this collection poses is how to get beyond stereotypes. Often these preset notions are so grounded in our thinking that we are not even aware of them. As a result, we presume, assume, and misjudge. We project our fears onto what we see, and act accordingly. I suggest that you use this work to encourage you to project your love and caring instead.
Look beyond what you see now, to imagine what could be. Then act on the potential!