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That's how beautiful Duncan's full-color images are, and how easy-going they'll find the text. Its brevity and light touch leave the reader wanting to know more. And see more of Duncan's compelling photographs of boats old and new that almost defy description in their pursuit of aethetic - and mechanical - perfection.
It's a perfect gift for any boat lover in need or not. Think Christmas, think birthday, think any empty coffee table. Treat yourself. The very beauty of such hand-crafted masterpieces is an indulgence worth enjoying any time.
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This book includes 20 color photographies of the presentation of The Singing Sculpture in Sonnabend Gallery, NY, in 1991 and B&W photos, documents, and reviews of early presentations (1969-1973). Excellent material if you have special interest in the works of Gilbert & George. A book about an art work only, but a very important, relevant, original, and controversial art work.
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I found the stories to be very interesting. Nancy Roberts' writing style draws you in and makes you feel like you're there. Many chapters have pictures, some of which have apparitions added by a photographer...
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The book has maps pinpointing the areas discussed in the narrative as well as great illustrations of those places written.
Wallace started the ball rolling for Scotland's independence, but the Bruce wrapped things up. Even if you don't visit Scotland this is a great book to add to your collection.
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My students read "Phaedra" after Euripides's "Hippolytus" as part of an analogy criticism assignment, in which they compare/contrast the two versions, which are decidedly different, to say the least. In the "original" Greek version Hippolytus is a follower of Artemis, and the jealous Aphrodite causes his stepmother to fall in love with him. Phaedra accuses Hippolytus of rape and then hangs herself; Theseus banished his son who is killed before Artemis arrives to tell the truth. In Racine's version Hippolytus is a famous hater of women who falls in love with Aricia, a princess of the blood line of Athens. When false word comes that Theseus is dead, Phaedra moves to put her own son on the throne. In the end the same characters end up dead, but the motivations and other key elements are different.
While I personally would not go so far as to try and argue how Racine's neo-classical version represents the France of 1677, I have found that comparing and contrasting the two versions compels students to think about the choices each dramatist has made. Both the similarities and the differences between "Hippolytus" and "Phaedra" are significant enough to facilitate this effort. Note: Other dramatic versions of this myth include Seneca's play "Phaedra," "Fedra" by Gabriele D'Annunzio, "Thesee" by Andrea Gide, and "The Cretan Woman" by Robinson Jeffers.
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