A great mystery book. This book is full of well developed characters. This book rounds up the usual suspects and adds a few more to the mix. The writing style of the book reminds me of the classic mystery books. We even get to have the round up of all the suspects to reveal all the possible motives and find out who really murdered Eleanor Lindquist. I enjoyed reading this book and would recommend it to anyone who likes a good mystery!!

I am not the first to review the book. Darryl Brock, author of Havana Heat, wrote the following blurb: A real page-turner. This suspensful tale by Norm Rudnick takes the reader for a delightfully tense walk on tjhe noir side.

I can not review the book impartially, as I am its author

Jean Renoir is one of the greatest masters of the art of cinema. This autobiographical work traces his life from his childhood in France to his later years in Beverly Hills, not in the conventional sense, but rather through the world of film. This is fitting since the world of film was truly Jean Renoir's world.

Jean Renoir, middle son of Pierre-Auguste Renoir, made his first public debut quite early, albeit quite reluctantly, as the little boy with the long, golden curls who figures so prominently in many of his famous father's paintings.

Jean Renoir's early life, in later 19th century France, was dominated by two people--his father and Gabrielle Renard, his maternal cousin, who was to become his nanny and later, his dearest friend. While it was Auguste Renoir who introduced Jean to the world of art, it was Gabrielle who led him to the cinema. Jean, himself, says, "To her I owe Guignol and the Theatre Montmarte. She taught me to realize that the very unreality of those entertainments was a reason for examining real life. She taught me to see the face behind the masks and the fraud behind the flourishes."

Jean Renoir begins and ends this book with Gabrielle Renard, and, along the way, he examines and reveals the profound influence this marvelous woman exerted over him. In characteristic fashion Jean writes more about others than about himself. He lets us peer into the lives of the actors, technicians and producers with whom he worked, in places as diverse as Paris, Hollywood and even India. And, also characteristic of Jean, the unknown often play a role as large or larger than do the very famous.

While most of Jean Renoir's personal life remains unrevealed (this is definitely not a vapid, "tell all" tale!), he does tell us how and why he became a filmmaker and he goes to great lengths when explaining the relationship between film and life. From the depths of his dazzling imagination, Jean Renoir created nearly forty films, films that Francois Truffaut called, "the most alive films in the history of cinema." Two of these films, Grand Illusion and The Rules of the Game, are often thought of as Jean Renoir's masterpieces.

But other films also live on, including The River, the lyrically beautiful film Jean Renoir made in India, and The Southerner, a poetic tale in which all the characters are heroic, in which every element plays its part and all come together in an act of homage to divinity.

This book should be required reading for all students of film everywhere for, as Garson Kanin said of Jean Renoir, "In the world he inhabits he is known as the best of men. In the cinema universe he is a living god."

Everyone, I believe, film student or just a lover of film, can find something to love in My Life and My Films, for Jean Renoir was a man of immense and daring imagination and creativity; he was both simple in outlook yet profound, but above all, he was a lover of humanity, one whose heart and spirit were always as generous as they were wise.

Jean Renoir, the son of the Impressionist painter Pierre Auguste Renoir, is regarded as one of the all-time great film directors. Two of his films, "La Grande Illusion" and "La Regle du Jeu", regularly feature on critics' lists of the greatest films ever created. Even now, over 60 years after some of his films were made, they still seem fresher and more modern (as well as more entertaining) than most of the films produced today.

This warm and witty book presents Renoir's own view of his life and career. It is not only filled with engaging insights into Renoir's own films and his views on cinema in general, but also amply stocked with vivid anecdotes, from visiting Berlin at the time of Hitler's rise to power to watching Jean Gabin and Marlene Dietrich quarrel in Hollywood.

For those who already know and love Renoir's films, this will be essential reading; for those who have not yet discovered them, this book should make them realize what they have been missing out on.

I am always browsing Amazon and I have never taken the time to write a review, but this book deserves it! I have read many books on WWII and Italy and this is the only one that made me REALLY feel like I was there. Excellent writing and shocking details. Must read!

This is quite possibly the best book about World War II AND the best book about Italy you're likely to find... Full of striking telling detail from the opening confusion of the Allied invasion on the beaches of Salerno (the author, a young British intelligence officer posted to Italy behind his knowledge of Spanish, finds himself under fire in a wilderness of typewriters and other randomly strewn office equipment) to the improbable eruption of Vesuvius (and the Neapolitans' belief, amply demonstrated by historical prededent, that otherwise inexorable flows of lava could be stopped by the relics of Catholic saints)... Lewis is a master observer of the particular and this book, written after a mid-1950s perusal of his old wartime notebooks following publication of half a dozen other volumes, shows off his unmatched gift for quiet understatement. The residents of Naples were reduced to medieval conditions of famine and hygiene and were heartily sick of the war in 1944, prostitution was rampant with young girls often the only employables in a family, electric lines and even manholes were plundered for their scrap value. A clandestine mail service between Naples and still-Nazi-occupied Rome was a particular vexation to Lewis and his intelligence collegues, especially as some of Naples' most prominent citizens (including a midget gynecologist who was able to use both hands for non-incision internal surgery, and who specialized in restoration of virginity), were among the amateur postmen. The doings of Lucky Luciano and other characters on the late-WWII scene in Italy, and the incredible bungling and callousness of the occupation authorities are ably chronicled. Don't miss this one.

Nazarene Israel is an amazing little book, jam-packed full of Scripture and historical references explaining to the reader what the original faith of the apostles actually was.

The book demonstrates logically how the original faith of the twelve was not called Christianity, but Nazarene Israel; and that what we call Christianity today was an entirely separate faith that existed even in the time of the Messiah; but which ultimately overshadowed the original Nazarene Israelite faith, finally outlawing it and destroying it militarily in the days of the Roman Emperor Constantine (circa 321 CE.)

The book also shows how the Messiah did not come to do away with the Jews, or the Law; but only to begin the prophecied regathering process of the Lost Ten Tribes of Israel (usually called "gentiles" in the New Covenant.)

This book is a must-read for anyone wanting to know what the Messiah actually came to teach His people Israel. It will help you read the New Covenant with new eyes. Don't miss it!

Nazarene Israel gives a detailed explanation, from Scripture and historical reference, as to why Nazarene Israel was the original faith of the apostles; and not Christianity. It shows how the Roman Empire used Christianity to destroy the original faith of the apostles; and why.

This book demonstrates by Scripture that:
1. the Pope is the anti-Messiah,
2. that the Messiah did not come to "do away with" the Law,
3. that the Jews are still a covenant people today, and
4. that The Messiah's actual mission was to begin the regathering process oc the Lost Ten Tribes of Israel, who were only "called" gentiles in Second Temple times.

This book does a remarkable job of packing the essential truth about the first century assembly into such a compact little volume. There is little speculation. Everything is verified from Scripture, and a few choice historical references.

Don't miss this one!

Norman Cohn has the superb ability to bring together obscure pieces of history and thought in a readable way. This book follows well on from his other books in showing how a particular episode in literature can be viewed differently over time. Highly recommended for anyone with an interest in where their current thinking might be coming from.

As a Geographer and an Anthropologist I am thrilled by that book. Norman Cohn's historical analysis of the Deluge interpretations leads to a better understanding of Science, and how the conditions (i.e. contextualization) of its production shapes knowledge. I will put it in my graduate students'reading list, and in my "best books"bookshelf

In the late 1970s PBS presented a hilarious trilogy of plays called "The Norman Conquests." I've been trying ever since to find them again. And here they are! This volume contains the scripts for all three of these amazing plays. Their premise: Norman is a real charmer who seduces (not necessarily sexually) everybody he meets. Each of the three plays takes place on a different stage. It's the same story and the same six characters, but seen from what happens only in each room in each play. It's an amazing accomplishment for a writer. This book carries an introduction by Ayckbourn that explains how he did it. And he says the plays are meant to be seen in any order. But I prefer the order given here: "Table Manners" (in the dining room), "Living Together" (the sitting room) and "Round and Round the Garden." If you haven't experienced it, the videos are available now (finally!), as well. The production (the same I saw on PBS) stars Tom Conti as an unforgettable Norman.

Terrific work (again!) from this major British playwright showing a disasterous family weekend where a would be Casanova sets his sights on his sister in law and the whole family ultimately become involved. Although written and set in the mid 1970s it remains just as funny (if not more so) now. All of the characters are classics and there are a feast of one liners. It really needs a stage production to be done justice though.

The exciting tale of the Norman Conquest of 1066 is once more brought back to life. This book begins where "Gildenford" by Valerie Anand, an incredible author, left off. It is just as engrossing as her first novel in this trilogy.

The story begins with Harold's eventual rise to fame, glory, and finally, later on, tragedy. Ringed with a traitor and a brother for friends, who needs enemies, right? Well, Brand Woodcutter, from the first novel ends up being one of Harold's staunchest friends, while his brother Tostig becomes the greatest betrayer of all. Then, we have Duke William of Normandy, who has his sights on the crown of England at any and all costs.

From history, we know that William succeeds, but the circumstances and events that lead up to it were incredible to believe, but true nonetheless. This is an extraordinary adventure into what life must have been like for these amazing figures from the past that still haunt the present day. If you enjoy this historical period you won't want to miss reading the first of the trilogy, "Gildenford" followed by this book "The Norman Pretender," and ending with "The Disputed Crown." Sadly, yes, they are all out-of-print, but very well worth finding!

Though the title refers to William of Normandy, this book revolves around Harold of England. The author really brings the characters to life and also creates some fictional ones as well. This is an easy-to-read, in-depth book that anyone would enjoy.

To say that you can spend hours browsing through this wonderful collection is an understatement. This is a book that can be savored over a lifetime.

It shows the progression of Rockwell's art from his early, almost Victorian style covers, to his most famous illustrations, to his political portraits. It always annoys me that people claim he is an illustrator, not an artist. Simply because these pictures tell a story should not detract from their artistic merit.

This volume has them all. From the beautiful, awkward, girl at the Mirror, Doctor's appointment and countless others that are not as well known, but still great! So many of these paintings allow us to learn more about America (Can you get much more American than Norman Rockwell?). His GI- Willie Gillis is truly everyman during WWII. We seem enjoying a hometown newspaper, on leave, with his comrades, and finally as a student on the GI Bill. So many ideas are timeless. The chronicle of a day in the life of a boy or girl seem to embody childhood. Commuters on a platform captures the rise of suburbia. THe one of a son sitting with his father and dog about to leave for college captures that bittersweet moment on the cusp of adolescence.

The sunlit, yet dusty, Marriage Liscense is generally recognized as art, but others should be too. I hope that with the recent Rockwell exhibets a new generation of Americans will appreciate this wodnerful artist who captured so much of our lives!

This is a great addition to any collection- you will never tire of looking through it!

If you can only have one Norman Rockwell book, look no further. This is the quintessential Norman Rockwell. You can spend hours and hours looking at the illustrations and still not fully grasp all the subtle nuances - like the cameo paintings within the painting; the relections in the mirror; the advertisements in the folded newspapers; and so on. I have only found one inconsistency. In "The Clock Mender" some areas in the painting make an abrupt departure from his trademark quasi-realistic style. It reminds me of Picasso's "Les Demoiselles d'Avignon". Was Rockwell cleverly introducing "Surrealism" into this particular painting, in an inverted Salvador Dali sort of way? Or was the original painting simply damaged and then retouched by someone else? It would make delightful reading if Mr Finch, or anyone else, could offer an explanation.

From Kelvin

My mother bought this book in 1970 and it is a precious family treasurer. Our library board which is in the process of fund-raising for a new library is considering this book as a drawing card for donations for a give-away. It is one which board members said they would love to own. Mother's large heavy book has several large prints that can be framed. It's a heartwarming book which emphasizes the truth that a picture can say a thousand words.

I have the one that is published in 1970. I have picture that can be removed out of mine, and I just love it I don't know if the 1997 published version has the same but I will never part with my book.

Just Great !

If you enjoy French literature in translation, you should already be familiar with the name of Norman Shapiro--one of our pre-eminent French-to-English translators. Quite simply, whatever Mr. Shapiro chooses to translate results in a highly enjoyable, entertaining addition to my French lit. bookshelf! If you find pleasure in Richard Wilbur's Moliere, Donald Frame's Montaigne and Rabelais, Richard Howard's Stendhal and Baudelaire, Burton Raffel's Chretien, or Merwin's Song of Roland--then you owe it to yourself to investigate Shapiro's La Fontaine translations--four volumes to date: "Fifty Fables" and "Fifty More Fables" published by Illinois, "La Fontaine's Bawdy" published by Princeton, and the present book, "Once Again, La Fontaine" published by Wesleyan. These books are--alas!--one of the best-kept secrets of High French Literature to Read for Pleasure.

Also, Shapiro has translated volumes of Verlaine and Baudelaire for the University of Chicago press (two very handsome paperback editions), and do be on the lookout for his edition of Ronsard/Marot/Bellay from Yale University Press!

The publisher's annotation fails to mention *anywhere* that the CD included with the disc features 26 fables read by actor Douglas Sills, of Broadway's The Scarlet Pimpernel fame. He does a delightful job of interpreting various characters.