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The first time I read this book, I found it long, boring, and dull. I didn't understand why everyone else who read it thought it was so excellent. So I really thought hard about it one night, and made up my mind that I would keep reading it until I understood the message. Finally, it came to me, and it was so overpowering that I broke down and cried.
Gibbie is a young, mute boy with an alcoholic father. He has a kind heart and is extremely gentle. His good friend, Sambo, is murdered, and he runs away. Gibbie is just a small boy in a large, cruel world, and he is treated badly by everyone on his journey but one woman, Janet. The variety of places he lived and the things he had to go through really taught me that not everyone has a full roof over their head, or enough clothes to cover more than a few body parts. This book gave me a lot to think about, such as the fact that some children are abused and don't show it at all to anyone. Or that most people just make assumptions about things that they know nothing about. I realize that I am guilty of these things, as everyone else is.
This book was very compelling and I learned a lot about grace and mercy from it. The forgiveness that Gibbie shows his father towards the end is unbelievable, and I thought it was amazing that a tiny, mute boy could show so much more faith, wisdom, and emotion than anyone I have ever met, or read in a book. The story definitely had an impact on my view of how the world treats people and how the smallest child (who isn't even real) could change your life. I would recommend this book to anyone and everyone - it is extremely good!
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to shape American thinking. Unfortunately, I can only
play the first 2 CDs on my CD player. I have a friend
who has a CD player that can play all of them. Apparently
it has something to do with the index numbering on each
CD. Instead of each CD starting at 1 it starts where the previous CD left off. I wouldn't take a chance that this
product won't play in your CD player. I think it is very
unfortunate that I paid so much for the complete set of speeches
and I can't listen to most of it.
I WOULD WAIT UNTIL THE NEXT VERSION COMES OUT THAT CORRECTS THIS
FLAW.
It would have been also nice to have some text to accompany the
audio CDs.
A must for every buddding philosopher, peace activist and politician.
Inspiring, informative, and soul-stirring, this tape brings to life the original recordings of Martin Luther King, Jr.
Having grown up in the era of the Vietnam war and civil rights demonstrations, I got this tape thinking it would help me remember some of the key issues of the time and compare them to where we are now.
What I was not expecting was the emotional and spiritual journey this tape took me on--it was a journey at a speed that made me look for my seat belt.
Let me interject a personal note here. I am not an African American. I am not black, but neither am I white. My family name is an "Americanized" version of a Sicilian name. While my family did not emerge from slavery on southern plantations, it did emerge from near slave conditions in Sicily. I would also like to note that Sicily was invaded by the African Moors, as is evident by the curly hair and nose structure of modern Sicilians--and by the fact we get sickle cell anemia (whites do not get this disease).
Italian-Americans, who make up 6% of the USA population also underwent an era of extreme prejudice and discrimination--as did African-Americans, who make up 13% of the American population.
Some people malign Dr. King as "that nigger who riled up all the niggers." Others said he was moving too fast. Others said he was asking for too much. And on and on. What these people fail to realize is Dr. King wasn't riling up anybody. He was not an agitator. He made a call to love. When you listen to his speeches, this all becomes very clear. I am not comparing King the Man to Christ the Lord, but to condemn his call to love does compare him to Christ and does condemn both King the man and Christ the Lord. To my mind, that is hypocritical and presumptuous.
In his speeches, Dr. King presented such concepts as:
*African-American slaves are not rightful property and never were. These people were kidnapped from their homes in the area of the Gold Coast.
*The Emancipation Proclamation of 1863 declared all men (grammatical convention makes the pronoun gender-neutral in this context) equal. Yet, 100 years later, American people of color had actually moved backwards in relation to "white people." King presented incontrovertible evidence of the nullification of the Emancipation Proclamation and the abandonment of law and order that allowed suppression and oppression of an entire race of people.
*The segregation movement was part of a "divide and conquer" strategy to keep poor whites--especially poor Southern whites in their place by creating an even lower class.
*As a unit, African-Americans have more wealth than most countries--including France!
*No violent uprising has ever succeeded, unless it had the support of the general population. African-Americans did not have, and could not possibly have, such support in the USA.
*A violent uprising by African-Americans could never come to any possible good. At the outset, it would increase fear and mistrust. The government would be duty-bound to squash it, and had the power to do so. Violent uprisers would have to defeat the local police, then the county police, then the state police, then the state militia, then the National Guard, then the US Armed Forces--not exactly the recipe for success.
But non-violent action could succeed. This is what Dr. King espoused.
Dr. King said two conditions existed:
1. Power without love--this characterized the white system .
2. Love without power--this characterized the black community.
His goal was to combine power with love--not for black people, but for the brotherhood of mankind. His vision was that people would be judged by their character, not by the color of their skin.
This tape concludes with an incredibly moving speech, given to an audience of 10,000 in Tennessee. ...
It was Dr. King's last speech, given the day before a killer stopped Dr. King's campaign of love and brotherhood by severing Dr. King's spine just below his chin.
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"Oedipus at Colonus was produced posthumously in 401 B.C.E., and the legend is that it was used by Sophocles as his defense against the charge of senility brought by his children. In terms of its lack of dramatic structure (the scenes are connected by the character of Oedipus rather than by the loosely constructed plot) and the melancholy of its lyric odes it is the most atypical of the extant plays of Sophocles. "Oedipus at Colonus" is the most poetic of his plays while being the least dramatic as well. But it is the characterization of Oedipus as a noble figure that stands out. This is still the same proud and hot-tempered figure who vowed to solve the reason for the curse on Thebes in the earlier play. But this is also an Oedipus who has accepted his punishment, even though he insists that he is innocent. After all, the sin responsible for his exile was really that of his mother; if you read "Oedipus the King" carefully you will see that the incestuous part of the prophecy was added by the Oracle after Jocasta tried to have her infant son killed in order to save her husband's life. Consequently, when Oedipus claims to be a helpless victim of destiny, there is ample reason to agree with his interpretation of events.
The fact that this was the last play written by Sophocles offers a line of analysis for understanding "Oedipus at Colonus" as well. You can read in certain lyrics, such as the first "staismon" with its ode to Colonus and the characterization of King Theseus of Athens, the playwright's praise for the democratic institutions and proud history of Athens. On a more psychological level you can consider the play as articulating Sophocles' views on death. These other considerations tend to reduce the importance of the title character, but there is the compelling argument of the play that through his personal suffering Oedipus has been purified.
"Oedipus at Colonus was produced posthumously in 401 B.C.E., and the legend is that it was used by Sophocles as his defense against the charge of senility brought by his children. In terms of its lack of dramatic structure (the scenes are connected by the character of Oedipus rather than by the loosely constructed plot) and the melancholy of its lyric odes it is the most atypical of the extant plays of Sophocles. "Oedipus at Colonus" is the most poetic of his plays while being the least dramatic as well. But it is the characterization of Oedipus as a noble figure that stands out. This is still the same proud and hot-tempered figure who vowed to solve the reason for the curse on Thebes in the earlier play. But this is also an Oedipus who has accepted his punishment, even though he insists that he is innocent. After all, the sin responsible for his exile was really that of his mother; if you read "Oedipus the King" carefully you will see that the incestuous part of the prophecy was added by the Oracle after Jocasta tried to have her infant son killed in order to save her husband's life. Consequently, when Oedipus claims to be a helpless victim of destiny, there is ample reason to agree with his interpretation of events.
The fact that this was the last play written by Sophocles offers a line of analysis for understanding "Oedipus at Colonus" as well. You can read in certain lyrics, such as the first "staismon" with its ode to Colonus and the characterization of King Theseus of Athens, the playwright's praise for the democratic institutions and proud history of Athens. On a more psychological level you can consider the play as articulating Sophocles' views on death. These other considerations tend to reduce the importance of the title character, but there is the compelling argument of the play that through his personal suffering Oedipus has been purified.
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In the first section, instead of a human taking care of animals, the wolves are taking care of Miyax. When she is starving on the Tundra, the leader of the pack, Amaroq, slowly accepts her as one of the wolves and treats her as such by feeding her, and by keeping her company.
The second section talks about Miyax's father, Kapugen, presumed dead in the beginning. He raised her to be an old-fashioned Eskimo instead of a contemporary one.
Finally in the third section, hunters in an airplane shoot down the wolf Amaroq for no reason. Hunters usually kill wolves for their ears but the hunters in this case killed him for fun. After she saves Kapu, another wolf, she travels to Point Hope, only to find her father alive. He is no longer an old fashioned Eskimo, but has married a white woman, owns an airplane, and flies hunters. Miyax almost runs away again, but then realizes that the day of the Eskimo is gone and "...points her toes toward Kapugen."
I think that everybody changes over time, and the old ways can't always be kept. Miyax successfully became an old fashioned Eskimo, but at the end of her journey she had to become Julie of the town.
...Jean ... She got the idea for this book after she saw a girl walking alone in the tundra to visit a faraway friend. Her other inspiration was a regal alpha male wolf in the Denali National Park. ...
The story begins in the freezing artic winter. Miyax, a thirteen-year-old Eskimo girl, is alone on the tundra-covered North Slope of Alaska. She has spent several days without much nourishment. Now she has turned to a pack of wolves. She is hoping to learn to communicate with them. Then, hopefully, the pack will give her food from their hunt. So far, her attempts have been hopeless. But, if her father, Kapugen had once done it, so could she.
Miyax had been watching the pack for days. She was Eskimo. Eskimos, like other Native Americans, had great respect for nature. Although Miyax sometimes believed the old Eskimo traditions were a little silly, she did love nature. ... The alpha male, or leader of the pack, was Amaroq, the Eskimo word for wolf. His mate was the beautiful Silver. Amaroq's friend was Nails. ...There was also another who didn't stick with the rest of the pack as much: Jello. He was small and quite wiggly.
Reading Julie of the Wolves was like going on an epic adventure through the artic tundra. On a scale of one to ten, I'd give this book an eleven. It's not at all surprising that Jean Craighead George won a Newbery Medal for this book. I liked it when Miyax communicated to the wolves. ... I recommend that anyone who enjoys nature read Julie of the Wolves!
Miyax, the main character, is thirteen years old and has to go and live with her aunt. She has an unexpected marriage to a boy named Daniel. She does not like her husband, Daniel. She decides to run away from her aunt and Daniel. She gets welcomed into a pack of wolves. Here she gets food and names the wolves. Miyax named the leader of the pack Amraque. She tries to survive in the Alaskan Wilderness with the wolves. Will Miyax survive in the Alaskan Wilderness? I like this book very much, because it is realistic fiction. Also because the climax is very exciting. If you read this book I am sure you will learn something. I learned that the wolves eat big chunks of meat and regurgitate the food for their pups. There is also a sequel to this book. It is called Julie Sky. If you read this book, I am sure you will like it.
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Bottom line: THE MILL ON THE FLOSS is an excellent novel. Enjoy!
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"Men At Work" reads like a tech manual. Hit, run, pitch, field. Okay fine, but when one distills baseball into such an exact science the passion leaves the game. "Men At Work" makes baseball into a game of economics- put in pitcher W against hitter X because he has a Y-to-Z ratio between his groundball outs and flyball outs . . . This is not why I love baseball.
Also, after a while Will's observations become redundant. George we spent fifty pages learning about the strategy employed by Tony Gwynn in hitting, why do we have to read twenty pages recapitulating the same things from Wade Boggs?
If you want to read a good baseball book, read "October 1964" or "Bunts". Don't read "Men At Work".
At times the book bogs down into a tech manual, giving even the most enthusiastic readers a little too much detail; at other times Will's rightwing political bias does emerge in the guise of a discussion of a strong work ethic, individual initiative for personal gain, and nostalgic idealization of the past.
But taken as a whole, "Men at Work" is a paean to what used to be called "America's favorite pastime". Will demonstrates why baseball appeals on many levels to a wide range of people. As a lifelong fan, someone who has never tired of the game because however lopsided the score, there is always something to pick up on (see Tony LaRussa's quote above), I recommend the book to readers of all ages.