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The 30 pages of letters & diaries which open the book are slowish going, but do keep going ... This reader's first experience with a Dorothy Sayers mystery was marvellous & rewarding. "Busman's Honeymoon" is literature, if we can rob that august noun of any suggestion of the ponderous, the boring, the dull -- it is literature that effervesces!
There is, incidently, an extremely well-made 1930s film version of this particular work starring Robert Montgomery and Constance Cummings. Although Montgomery is not quite the image of Lord Peter Wimsey, he plays quite well, and Cummings is Harriet Vane brought to life on the screen. Sayers fans should enjoy the film almost as much as they enjoy the book!
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This style is still the pervasive one today.
Short stories were not all Mrs. Parker wrote. She wrote play reviews, and as Constant Reader book reviews. She could dismiss a play with "House Beautiful is Play Lousy," or take down her least favored AA Milne with "Tonstant Weader frowed up." She once spent the better part of a review complaining about her hang-over. She kept New Yorker readers coming back week after week, laugh junkies after a fix. And so she changed the voice of the reviewer as well. Previously, the reviewer voice had been detached and quite dry, rattling off obligatory lines about the costumes, the sets, the leading actor, the leading actress-- as predictable as the label on a shampoo bottle. The wonderful Libby Gelman-Waxner is her direct descendent. Pauline Kael is a niece, although she might have bristled at the suggestion. Andrew Harris and Elvis Mitchell can thank Mrs. Parker for their unfettered freedom.
The best thing about reading this collection is discovering the sheer joy Mrs. Parker took in writing. She was good and she knew it.
She once said, in reviewing the unfortunate book Debonair, that the curse of a satirist is that "she writes superbly of the things she hates," but when she tries to write of things she likes, "the result is appalling." Personally, I find Parker moving and eloquent in her reviews of the Journal of Katherine Mansfield, and Isadora Duncan's posthumously published autobiography, two books that touched and impressed her, but it is true that her distinctive voice croons most seductively when she doesn't like something. Unfortunately, one is left with the impression that she didn't like much other than gin, Seconal and dogs, but I don't think that's true. If she were as unhappy as is commonly believed, she would have escalated her suicidal behavior, and not have lived to the age of 74. She would not have had the passion to march for the acquittal of Sacco and Venzetti, to travel to Spain during the country's civil war, to volunteer as a war correspondent during WWII, and to join in voice and body the civil rights movement in her last decade.
I think disdain rather than anger is a better word for what she felt towards the targets of her wit-- and it is true that sometimes a retrospective view of her own behavior was the target, but the ability to laugh at oneself is the sign of, well, if not mental health, at least a well-rounded emotional self.
And by the way, since Parker had no heirs, she left her estate, including future earnings from her work, to Dr. Martin Luther King jr., and when he sadly died the year after she did, he passed on the right to profit from the Parker works to the NAACP, so for every copy of this book sold, the author's cut profits the NAACP.
For those gifted with a little anger at the world, this book offers a brilliant collection of ways to express it.
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The photography is really outstanding. Cheryl models her shawls in such a way to show the beauty of the shawl and at the same time make an artistic statement.
The shawls represented are quite varied; most are done, however, in sport weight yarn. This is convenient for those who don't want to attempt a project in cobweb-fine laceweight yarn. However, directions are given if you do want to change the yarn weight to suit your tastes.
The schematics include a layout of the shawl shape (oblong, diamond, triangle, etc) and the lace patterns are charted in many cases. There is a nice section on techniques.
All together, a really fine volume in the folk series from Interweave Press.
This is primarily a pattern book. Cheryl's designed 25 terrific rectangles, squares and triangles drawing upon international traditions (and her own imagination). She includes a brief history of the tradition as an introduction to each shawl. The photography is wonderful. As for Cheryl being the model, the story (straight from Cheryl's mouth) is that Cheryl was demonstrating how to wear the shawls to the model. The photographer said that there was no way the model would ever wear the shawls as gracefully as Cheryl -- hence Cheryl the model.
My only reservation on this book is that it's light on technique. There's a small opening segment with everything one needs to know for the book. But, if you aren't looking to make one of the shawls, this isn't the sort of book you're likely to use as a reference or source of inspiration for your own designs.
Skill range -- advanced beginner to expert.