It's the second novel by Fleming to feature arch villain Ernst Stavro Blofeld of the Special Executive for Counter Intelligence, Espionage, Revenge, Terror, and Extortion (SPECTRE). Just like "THUNDERBALL", Blofeld's got a clandestine scheme in the works that could ruin Great Britain and make him a rich, rich man. The British secret service has their best man on the case and 007 is going to have to rely on his sharp wits and resourcefulness if he's going to foil SPECTRE's plans.
Of all the James Bond novels I've read, this one ranks as the best of the best! Nobody does it better than Ian Fleming. 5 STARS!
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Art & Fear is an unpretentious little paperback, written by two lifelong friends who have been artists, as well as other things, for most of their lives. Both of them have their feet firmly rooted in the real world that we all live in (however high their ideas and ideals might fly), and both of them have keen insights into what enables individuals to produce good art and to continue to produce good art, and what stumbling blocks stop many individuals. These insights are of value to artists in any medium whatsoever, and are in fact likely to be of significant value to many individuals who don't think of themselves as artists at all. One doesn't need to be an artist to be struggling with goals that seem beyond your reach and a lack of appreciation from others; it's just a little more pervasive in the artmaking world.
Reading this book is like sitting down with the authors for a long and lively conversation. You'll learn something of them, and something of yourself, and good things are sure to come from it. I've actually found it too good to keep to myself - I'm on my 6th copy now, as I keep giving them away to friends!
To any artist "stuck" in creative quicksand (whether it be fear, self-doubt, perfectionism -- whatever), the writers reach out a long and sturdy tree limb for you to grasp to pull yourself free and back onto solid ground. They don't just leave you standing there either, but provide you with the tools you'll need to find your own way home.
One of the many quotes from ART & FEAR that I like is: "To make art is to sing with the human voice. To do this you must first learn that the only voice you need is the voice you already have."
Other things I will say about ART & FEAR is that it is VERY thought provoking, thorough, insightful, and challenging with a few flourishes of humor. The information presented will apply to artists of all persuasions.
I will very likely read ART & FEAR again and again and will probably find new gems with each read (either previously overlooked or not yet understood).
Once read, you will want to lend ART & FEAR to your artist friends. I suggest you keep your copy and either recommend that they get their own, or, order one for them as a gift they will appreciate many times over.
Finally, because I feel that I have received much from reading ART & FEAR, I send a heartfelt "thank you" to the authors, David Bayles & Ted Orland. I very much appreciate the authors' wish to share what they have learned (and especially for bringing their wish to fruition) with anyone that is interested and that they managed to provide me, someone quite unknown to them, with a real sense of being seen and understood (without ever feeling condescended to). Quite a gift!
ART & FEAR is a book you will wish you'd known about before but you will be glad you managed to discover now. "When the student is ready the teacher will come."
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Look - it's a graphic novel. The best graphic novels have good content and excellent artwork. This novel has very little content and only good artwork. "Oh, but it has footnotes!" Look, you dork - footnotes?! In the VAMPIRE BIBLE? The footnotes are done INCREDIBLY poorly - you actually have to flip back and forth between the text on page (making up numbers here) 11 and the footnotes on page 23, and then MORE text on page 26, whose footnotes are on page 43... Yes, the footnotes are BETWEEN chapters. Brilliant.
The entire mythos presented is extremely thin - no flesh to this body - and the section describing the different clans is the most perfunctory piece of garbage I have read in quite some time - it actually feels like it was added on by an editor who thought there was too little content, but that adding more than a few sentences for each one would have somehow ruined the work.
Having read this and the Ericyes Fragments, I heartily recommend the latter - it's an excellent book. The Book of Nod has made it onto the short list of books in this genre I can't stand. Don't read this piece of tripe. Definitely don't buy it. If you feel the pressing need to read it, just go to a bookstore and read it. After all, it's only an hour long.
IT IS CALLED THE VAMPIRES BIBLE
And it lives up the nickname
Read it and be afraid of Lillith's curs on man.
Caine was exhiled from paradise to the land of Nod, and that is all the Holy Bible says about Caine's stay in Nod. This book goes in detail where our bible stops and TAKES US INTO THE IMAGINATIV WORLD WE LOVE TO EXPERIENCE.
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In the beginning of the book, it tells you how to use the cards to discover your very own totem animals. After you discover what animals are your totems, you flip to the page the animal is on and find out all about the animal as well as what the animal has to teach you. The book is also very good to use if you see an animal in the wild or if you have visions. Pay close attention. These animals have alot to teach you.
This is one of my favorite divination decks as well as teaching animal medicine. The deck also includes some blank cards so you can include animals that may not appear in the deck. Don't get me wrong, the companion book is not the only book that can teach you about certain types of medicine, but if you don't have any other books, it is a good start. The animals never stop teaching us.
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I'll say one thing for sure. Stan Lee may have been the one primarily responsible for introducing the Matt Murdock/Daredevil character to the Marvel universe, but I truly believe it was Frank Miller who ended up placing him within the proper context. While most superheroes are often busy duking it out with supervillains in otherworldly places and the like, Miller's all-too-human Daredevil was firmly rooted in the gritty, uncompromising setting of New York City's Hell's Kitchen (the lower east side of Manhattan in real life) and dealing with the worst kind of criminal scum imaginable on a frequent basis. I admit, Miller's initial take on DD was somewhat flawed with the Elektra-based stories in terms of execution despite being well-written in general. However, I believe he more than made up for it in what could possibly be THE greatest Daredevil story ever told and certainly one of the best in the entire comic book medium. It all starts out with Murdock's former girlfriend and co-worker Karen Page selling his secret identity for the mere sake of a drug fix, information which inevitably finds its way to the Kingpin of Crime himself, Wilson Fisk. What happens thereafter is nothing short of riveting, as one slowly begins to witness Murdock's world come crashing down in the Kingpin's attempt to make a painful example out of the only person who ever truly got under his skin, particularly as the infamous crimson-clad crimefighter.
I could say more about this highly acclaimed piece of comic book storytelling, but the other reviewers pretty much filled out the remaining details in one form or another. It's also good to see this character finally getting the recognition he so rightfully derserves in the quality stories currently being written of him by some of the best in the business in addition to the much anticipated film set to come out this year. Only pick up this TPB and you can see for yourself why I think Daredevil continues to remain one of Marvel's most notoriously unheralded cornerstones, despite being there from the very beginning alongside more established characters like Spider-Man, the X-Men, Hulk, the Fantastic Four, etc.
Frank Miller's writing and David Mazzucchelli's art are career bests in this eight-issue story. Like so many great superhero stories of the modern era, this one interrogates a fundamental aspect of the comic book tradition - namely, what would happen if a hero's worst enemy discovered their secret identity?
The story is laden with Frank Miller's usual grit, but this feels integral to the story, rather than tacked on. In the hands of other comic book writers, themes such as prostitution, destitution, pornography, drug addiction and US military intervention abroad are often used to give superficial stories a faux-profundity. But in 'Born Again' these themes are served well, and not wallowed in any more than they need to be - Matt Murdock, Karen Page and Ben Urich may be sent to Hell in the story, but all three are then redeemed. The blossoming romance of Foggy Nelson and Murdock's ex Glori O'Breen is a corrective to all the misery as well.
As well as being Daredevil's finest moment, this is also the Kingpin's. No artist has made the Kingpin's bulk look more imposing than Mazzucchelli does, whether big baldie is seen on a yacht at sunset, in his trademark suit, working out with weights, or sitting in a sauna. Another beautiful artistic touch is that several issues of the story open with a page showing Matt Murdock waking up, each one a snapshot of the state of his life at that point. And in one sequence, where Ben Urich listens to a murder on the telephone surrounded by the chaos of the the Daily Bugle, his face becomes progressively less naturalistic in each panel to reflect his growing horror - eventually, he looks like a Picasso.
The godlike cameo of the Avengers towards the end of the story is a great example of the 'less is more' approach to comic books. And it's a pleasant surprise, in the last couple of issues, when Miller decides that since he's writing the best ever Daredevil story, he might as well have a crack at writing the best ever Captain America story at the same time. Cap Ap's tortured role in 'Born Again', torn between his patriotic ideals and US injustice, is exactly the same as Superman's role in the Batman story 'A Death in the Family' - but the set-up works better here.
Daredevil is taken apart and put back together in 'Born Again', which is what makes the story so good. It contains an important revelation concerning Matt Murdock's family - typically, Miller delivers this bombshell with a light, blink-and-you'll-miss-it touch. And the story's final page, which shows Matt Murdock and Karen Page walking down a sunlit street in Hell's Kitchen, is immensely satisfying - a clean slate for the character. As the accompanying text says: 'My name is Matt Murdock. I was blinded by radiation. My remaining senses function with superhuman sharpness. I live in Hell's Kitchen and do my best to keep it clean. That's all you need to know.'
David Kirk does a wonderful job of creating an adorable "mis-fit" Miss Spider is so misunderstood! None of the other bugs want to come to tea. The story breaks your heart then shows how persistance and kindness pay off!
My daughter isn't as thrilled by the books as I am. but then again, I LOVE them. Thank God for people with such great imaginations as the author and illustrator of the Miss Spider series. I recommend Miss Spider to everyone, not just kids, the lessons are profound and the flowing prose style is wonderful. This is my very favorite book to read to children. I am a life long fan of Kirk!
~ The illustrations are beautiful and vividly intricate, but not too complex for children to enjoy, the story has a very gentle wit, that adults will appreciate.
~ Poor Miss Spider invites all kinds of insects to tea, but for some reason they seem reluctant to befriend her. : - )
~ Happily, her naturally sweet charm wins her popularity in the insect kingdom over, as well as a true fan in the reader. Children really seem to love this simple tale, mostly for the beauty of the illustrations, and the sense of a happy conclusion approaching.
I highly recommend this as a book you can enjoy reading with your child. And I would definitely also recommend the sequel "Miss Spider's Wedding"!
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Chichikov, the hero of Gogol's epic poem, shows the influence of Laurence Sterne's "Tristram Shandy," a novel with which Gogol was familiar. Like Shandy, we know little about Chichikov until well into the novel. This narrative indirection allows us more insight into the other characters and the conditions of Russia after the Napoleonic wars. Chichikov is a minor gentleman, who, having served in various government positions, decides to pursue the life of a land-owner. His scheme is to traverse Russia, gathering the legal rights to serfs who have died on estates since the last census. By turning an accumulated list of these 'dead souls' over to the government, he plans to make a small fortune, which he will use to buy an estate.
While Chichikov may appear to be a morally questionable swindler, like Herman Melville's "Confidence-Man," he does have noble motivations, despite his methods. Chichikov seeks what each person seeks, according to Gogol - to have a family, to do honor to one's country. Although his plan can seem to be a ludicrous, last-ditch sort of effort at establishing himself, Chichikov is, throughout, extremely level-headed about it. Chichikov knows how to speak and carry himself so that he will be accepted by everyone he meets. From the noble, efficient land-owner Kostanjoglo to the wild, hilarious liar Nozdryov - Chichikov mingles with and exposes us to "the whirligig of men."
Gogol points out throughout the novel that the written text is inadequate to convey the actual experience - the air, the sights, the smells, the people of Russia. He tries, then, to give us "a living book" - a testament to a way of life that was soon to change. Like Melville's "Confidence-Man," which was published shortly before the American Civil War, Gogol's "Dead Souls" came out only a few years before Marx's "Communist Manifesto" which would change and determine the fate of Russia in the first decades of the 20th century.
Read the lyrical "Dead Souls" - if you like his short stories, like "The Nose" or "The Overcoat," - you will find a wonderfully complex and sophisticated, and deeply involved intellect at his best.
A story of a swindler and a social satire on life in early 19th century Russia, Dead Souls is also a comment on class and hypocricsy. Small town Russian officials and landowners strive to keep up appearances, valuing them more importantly than susbtance. Even Chichikov knows this, in fact as the main character (anti-hero) he thrives on this.
Gogol's story is comic on its surface but reading it you get a glimpse of life just twenty years before Alexander II freeded the serfs from their landowners. Dead Souls is both comedy and satire.
One note the Peaver-Volokhonsky translation while newer is a bit "choppy" and the translators make the most awkward word selections from Russian to English. It makes reading this version a bit off-putting at times (The Guerney translation was the favorite of many Russian expat's). Dead Souls is worth the read.
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