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Picking up a secondhand copy of The Fraternity of the Stone on impulse a few years ago was my own introduction to David Morrell; little did I know then that he would become one of my biggest influences in fiction. Reading David Morrell made me want to become a writer, and I've been a fan ever since. I not only read his novels and short stories for enjoyment, but to learn. Now he shows you how he does it - how you can do it too.
Lessons From A Lifetime of Writing is an essential guide book for learning the craft of fiction, and David Morrell is a fantastic teacher. It's a bit like Stephen King On Writing, and just as good (see my review of this book as well). The former Professor of American Literature (and expert on the work of Ernest Hemingway) painstakingly explains in careful detail everything you need to know about dialogue and characterization, plotting and structure, pinpointing the pitfalls to watch out for that will spoil your chances of success. His advice on all aspects of writing (including the business side) is excellent. Lessons From A Lifetime of Writing is not only inspirational ... it's indispensable. Don't just read David Morrell's book ... keep it on your desk for reference.
Other related books I recommend: Black Evening by David Morrell, and any of his novels; Stephen King On Writing; Patricia Highsmith's Plotting and Writing Suspense Fiction; The Writing of One Novel by Irving Wallace.
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The second half of the book, while still engrossing, is a less comprehensive historic analysis of drug use and prohibition. Courtwright concentrates on economics at the expense of culture, emphasizing production and commerce rather than demand and moral opposition. Given the enormous social influences in the modern world, such as the American cultural war against 60's drug use and the pervasive use of alcohol and tobacco as social tools, the emphasis on money and power over cultural forces in the past strikes me as an incomplete analysis. It leads the author to unconvincingly argue that American prohibition and its repeal were primarily the results of economic interests (a "contradiction of capitalism"). Oddly, the same events in the Soviet Union are attributed to "popular resistance", without any comparative discussion of the two nations. Finally, the value of pleasure and the concept of individual rights are generally neglected.
In the end, my main problem with is that Courtwright doesn't give culture the excellent and amusing treatment he gives commerce. I can think of worse things to say about a book.
Courtwright also doesn't fail to mention that, even though with best intentions, scientists around the 1800's and the turn of the century were also responsible for some of the most addictive substances. Your jaw will drop when you read who devolped heroin and what is was originally used for.
Fun, informative, and mind blowing reading.
Forces of Habit more of a general history than his early works, which primarily dealt with narrow topics. In the book, Courtwright traces the spread of drug use (and abuse) from isolated, local customs to the largescale manufacture and distribution seen today. He explores the history of all psychoactive substances, both legal and illegal. Tobbaco, alcohol, and caffenine are explored in one chapter, where cocaine, marijuana, and opiates are dealt with in the next. Other, rare drugs are also discussed.
Courtwright presents a balanced view of the use of these substances, exploring the economic, political, and cultural impact of drug use. This book is always a pleasure to read, as Courtwright has the ability to convey information easily, without "dumbing it down" for the reader. This book is highly recommended.
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The poems are positive and hopeful. And they are written in a form that can be easily understood. I enjoyed them immensely.
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Having previously read the detailed accounts of lunar surface activities contained in the Apollo Lunar Surface Journal -- a web resource that documents the mission transcripts with a commentary -- it was a delight to read Harland's travelogue-style approach. The extremely lucid narrative really succeeds at putting the astronauts activities into context, with lunar geology being the scientific theme. One feels at times as though one is standing just a few feet away from the moonwalkers as they cope with the pressures of trying to perform work in the limited time available, the frustrations of apparatus not working as planned, and the exhilaration of surprise discoveries.
Supplementing the text are numerous maps, photos and some excellent assembled panoramas mosaicked specifically for this book. Appendices list the missions, the crews, and the moonrock samples described in the text. A glossary of geological terms and a description of all of the lunar surface experiments will be helpful to the non-geologist, non-scientist reader alike.
One will not likely find a better book on the subject of planetary field geology. Perhaps this ought to be required reading for the people who will someday return to the Moon.
Astronomer Patrick Moore provides the Foreword, and Apollo 15 Commander David Scott the Afterword to this exceptional work. Even the learned Dr. Moore, who has studied the Moon for many years, admits that he's learned new things from this book.
Having studied the lunar surface activities of the Apollo astronauts for some years now, I must say that this book is a must-have for any serious
Apollo buff. I'm sure that I'll be referring to my dog-eared copy for many years to come.
If you want to know what people did on the Moon, and why they did those things, read this book. I very highly recommend it.
Overall a really terrific book, but nevertheless, I agree with some other reader's criticisms:
1. The basic geological terms and principles should have been explained to laymen throughout the first half of the book. So much of the wonder and excitement of the adventure is dependent on a thorough understanding of what the scientists were searching for. Patient readers (like me) will wade through and learn "the hard way" (checking the glossary often) but Harland could have made the book a smoother ride with a little more "teaching."
2. The pictures could definitely be better. In particular, every mission should have a detailed traverse map up front with all craters and landmarks noted that are mentioned in the text. I found that I had to supplement the book with charts and photos from the internet in order to properly follow along.
That's it! I've learned a tremendous amount and am grateful to the author for making me into more of an expert on a subject that I have always loved.
It is true that a lot of geological concepts are thrown at the reader from the beginning and those (like myself) who have no previous background in geology might be intimidated but I find that a careful reading of the excellent glossary contained in the book should give enough background to make the science generally accessible. Harland makes clear why the various landing sites were chosen and what the geological issues were that were to be investigated. Traverse maps showing the various geological features to be explored are included for each mission. The many photographs presented illustrate the main discoveries and their significance. Of special note are the panoramas personally assembled by Harland (which are also available on the internet's Apollo Lunar Surface Journal) which give a stunning view of the Lunar environment as the astronauts saw it.
Finally, I strongly urge someone who finds himself becoming more interested in the subject of Lunar geology to also read Don Wilhelm's "To a Rocky Moon" which presents the historical development of our ideas about the Moon up through the famous Kona Conference in 1984 which determined that the Moon was probably created due to a giant body impacting with the fledgling Earth and also Paul Spudis' "The Once and Future Moon" which gives a summary of our state of knowledge up to the mid-1990's and directions for future exploration.
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This book is best taken daily; read a paragraph or a sentence, then reflect upon it. Being that it is like "mainlining" spirituality it is practically impossible to take in more that a bit at a time without going into overload.
The benifits of carefully reading and reflecting on this book over time *cannot*, i repeat *cannot* be overestimated, cannot even adequately be put into words.
This book is a perfect complement to "The Power of Now" as well; I found that working with both books simultaneously has a powerful synergistic effect. Tolle is a bit more gentle and hands-on, while Hawkins hits you (lovingly) with a 60ton anvil-over-the-head of direct spiritual truth.
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David Long invests the ordinary with so much meaning and life, without making his observations at all contrived. The Falling Boy will make you look at your own familiar surroundings in a new light.
A perfect read for a quiet day.
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Every baseball fan should be asking for and buying this true work of art. The book, in quiz form, does give charts, pictures and short stories on every possible topic from singles hitting to the home run.
The book takes the reader from the early years of the game, right up to the modern day players. You are inundated with numbers, facts and figures that should keep your conversations going for years to come.
I wasn't able to find any category that wasn't covered in this book. The book even covered the not so good players, as well as the Negro leagues. The book is "The Ultimate Test for the Ultimate Fan". A great job and a great book.
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If you hate yourself or are muddling through the muck and mire of depression, then let David Seamands show you your TRUE self and the TRUTH about the unconditional love that God has for you.
I would strongly recommend it to others. David Seamands did a great job, using scriptures to back up what he was saying. Of course I wouldn't put it above the Bible, but I would say that it comes in a close second. I will say that this book with the exception of the Bible really helps me understand the difference between the real me and the super me.
I believe that God led David A. Seamands to write this book, and I also believe that He (God) led me to buy this book.
George Nelson
Master Class indeed.