Carolyn's book has been a tremendous encouragement in very difficult circumstances. From the day to day to several war zones, her message of the importance of theology (a relationship with God) has been a "saving" grace. In particular the concept that God is sovereign and that we run a race "marked out" for us, that the path we are on is Plan A no matter what happens, is a comfort when the going gets rough. Each time I read it, Carolyn's book has new insights for me wherever God has me. Having also read the book, my husband's perspective is that her book strengthens the church body by encouraging everyone to deepen his or her relationship with God for the good of families and the church at large. Carolyn's practical notes that follow the text, have been valuable resources. Read it and talk about it with anyone who will listen. It will benefit you and them!

Carolyn James has done a great service to all women by writing a book that recognizes our desire to know God better and to take Him seriously. Her book underscores our need to know theology. This knowledge enables us to persevere when life's circumstances descend upon us because we can know despite the circumstances that God is good and that He is in control. I heartily recommend Carolyn's book. Read this book - for your good and God's glory!

James has created a vibrant work that incorporates excellent theology with compelling narrative. Employing both the Bible and modern stories, this work grasps the essential tensions of the Christian life. Her explorations of the Biblical Mary and the role of modern women in today's church are particularly insightful. I have already asked some of my university students to read and review this book and the results have been wonderful. Not only is James an excellent theologian, she is the kind of theologian the church truly needs: one that can write in an accessible and enjoyable way that all can understand.

It was a dog's life for Fluke the puppy until the images that had been haunting his canine mind came into sharp focus - he wasn't supposed to be a dog, he was actually a MAN! How had he ended up in this furry body? What of his wife, his child? What of HIM? Soon, though, the truth came - he the man had died, and had been reincartnated as a dog. And the visions hinted that he had been murdered! This begins a quest as Fluke sets out to his old town, determined to deliver out justice to whoever murdered him...An excellent book and a personal favorite of mine. But the best part of all was Fluke. He remained at all times a dog, even though he had human intelligence and memories, rather than some bizarre mix of human and animal that all too many books have. Fluke's friend Rumbo is also an enjoyable character, even if he did have a passion for crime. One of the best, well-written and beautiful stories I have ever read.

This is a surprise. With Herbert, you usually got a gore-fest, and when I started reading this book about a man who finds himself in a dog's body, I imagined there would be lurid descriptions of dogs ripping apart other living things, probably humans. Far from it. This book is as cleverly written and as skilfully told as anything by Richard Matheson or Jonathan Aycliffe, and I do not make such comparisons lightly. 'Fluke' describes the dog's (told in the first person-or should that be in the first dog?) quest to discover his previous humanness. It is a journey both of discovery and self-awareness. Herbert vividly describes what it (probably) feels like to be a dog, capturing the world of smells and canine desires; and the lingering sense of his previous humanity that propels him to discover who he was before he became a dog. The ending is moving without being sentimental. An unusual and satisfying book and one that I can fully recommend.

Fluke tells the tale of an abandoned dog named Fluke that has past life memories of being a man, a man that was evidently murdered. Fluke then goes on an odyssey to find his home, his family, and his killer. Getting there alternates between funny and frightening. Herbert shows genuine skill as a fantasist here and I wish it was a talent that he tried explore more often, as this is his best novel.

I was given "Theory and Practice" as a gift more than 20 years ago. It gave me the confidence to try recipes that seemed too difficult before. James Beard has a wonderful way of explaining the, how's and why's of different cooking processes. The book is arranged by "how" things are cooked, steaming, roasting, baking ect.... His directions and anecdotes make this a wonderful book to sit and read also. When I can find it in print I always buy several copies to give as gifts. They are wonderful for anyone with a budding interest in culinary arts.

This is the classic of American cooking, the first cookbook to own and the one you go back to all your life.
Beard had a brilliant sense for food, and in this book he shares concepts and approaches, explaining the equipment you use, and the techniques, methodically, clearly and with his particular elan.
Anyone can follow this book. But between the recipes presented throughout the book (organized in the unusual manner of by technique - things you boil, things you bake, things you roast, etc.) and the concordance (organized by food), you can find great recipes and just plain information and direction to help you make just about enough food to last a lifetime.
I brought it with me to France and still rely on it.

This book gives the new (and experienced) cook guidance in basic techniques, selection of cookware, knives, and other essentials, and basic recipes that become family favorites (such as chicken crepes or teriyaki chicken). It has one of the best summaries of sauces, with basic recipes and additions that change bechamel to sauce veloute or mornay, etc. I have been looking for copies to give as gifts for years! I have at least 3 persons in mind NOW, I just wish they'd print some more.

This is one of the best books that I have ever read. I am looking forward to reading more of James Webb's books. I recently read "A Nightingale Song" and became interested in Webb and the Naval Academy. I found this book easy to read, with good characters, that told a very powerful story.

Incredible book. As a Citadel graduate, I am partial to Pat Conroy's The Lords of Discipline as the pentultimate account of life in a military college, but Webb's work is neck and neck. Where Conroy takes four years and multiple twisting plots, Webb takes only five days out of the life of the Naval Academy to make his points.

The struggle between the warriors and the technocrats that Webb writes about in the late sixties still exists today. As an member of the faculty as an active duty officer in the mid 90's, I can attest that each of Webb's characters were alive and well in the Yard during that time, only the backdrop was the tamer Gulf War, as opposed to the Vietnam conflict. The war between the "geeks" and the "grunts" rages on. The military is more apt to recruit the skinny kids with the 4.0's in computer science (Webb's John Dean) than the all-around, rough and tough, swashbuckling athletic warriors (Bill Fogarty). Cadets and midshipman are starved for the leaderhip provided by Fogarty and CAPT Leneman, yet the deck is stacked against them by the CDR Pratt's of the world.

A must read...I dare you to put it down.

I have admired Jim Webb since I first heard about him from a close friend, Mike McGarvey. Mike was in Jim Webb's platoon in Vietnam and has remained close to him. Mike lost his right arm just below the shoulder while serving with Jim. One thing about Mike best describes his feelings about his service as a Combat Marine. He has a tattoo of a dotted line around the bottom of his stump and above it the words, "cut on dotted line". Mike is a Patriot in the truist sense. I gave a copy of, "A Sense Of Honor" to a friend's daughter to read just before entering the Naval Academy. She had led a sheltered life to put it mildly. The book allowed her to go in with a "heads up" that would have otherwise been impossible. She receive many awards and honors while attending the Academy and gradutated with honors. The book is not only entertaining but very informative. This is probably the best revelation of what our Navy and Marine Officers go through just to earn the right to become the leaders of the World's finest Sailors and Marines. I wish I could have read "Fields Of Fire" before I served as a Field Radio Operator with 1/3 in the Northern I Corps in '69. Oh yes, Mike is now director of the prosthetics department at a VA hospital.

A first rule of thumb when approaching Cabell's 18-volume opus, the Biography of Manuel; every book will be about Cabell's relationship with his wife. Cabell is obsessed with marriage, and objectifies all of his female characters to fit one of his imagined female roles; nag, whore, or unapproachable beauty. Cabell's characters always return to their nagging wives, for familiarity's sake if nothing else, with never a suggestion that it might be possible to have a long-term relationship between a man and a woman in which both are creators and in which both learn from each other.

The book Jurgen is from the same mold. Jurgen the pawnbroker moves from one of Cabell's stereotypical women to another. The book became well-known because of the godawful sex sequences, in which Cabell archly refers to Jurgen's sword, staff, or stick -- the resulting call for censorship made the book famous, but that doesn't mean it was Cabell's best. I thought The Silver Stallion and, in some respects, even The Cream of the Jest or The High Place to be better examples of Cabell's writing.

I would recommend that anyone who likes fantasy read at least one of Cabell's books, because he writes like no one else. This book had the usual Cabell wittiness and sardonic feel, so if it's the only one you can find, certainly try it.

Early in his journey, Cabell's Jurgen comes to a place known as 'The Garden Between Dawn and Sunrise.' In the garden live all the imaginary creatures that humankind has ever created: centaurs and sphinxes, fairies, valkyries, and baba-yagas. Jurgen is surprised when he sees his first-love wandering around the garden, but his guide replies "Why, all the women that man has ever loved live here...for very obvious reasons."

Moments like this, simultaneously jaded and genuine, sentimental and cynical, are the most delightful parts of 'Jurgen: A Comedy of Justice.' Nominally the story of a medieval pawnbroker's quest to find his lost wife, 'Jurgen' becomes a bildungsroman in reverse as, on the way, its hero regains his youth and visits the lands of European myth, from Camelot to Cocaigne (the land of pleasure) -- each land shows Jurgen a way of life, and he rejects each in favor of his own sardonic stoicism, for he is, after all, a "monstrously clever fellow."

That phrase describes Cabell as much as it does Jurgen: the author is remarkably erudite, and, like a doting parent hiding easter eggs, drops in-jokes through the book on subjects as far-ranging as troubadour poetry and tantric sex. Cabell corresponded with Aleister Crowley in his day, and, in ours, is an influence on Neil Gaiman ('The Sandman,' 'Neverwhere,' etc.). The book itself caused quite a splash when it became the centerpiece of one of the biggest censorship trials of the early 20th century: something to do with Jurgen's very large *ahem* sword.

Social satire and an idiosyncratic cynicism in the guise of a scholarly romance-fantasy, 'Jurgen' is what would have happened if J.R.R. Tolkien and Dorothy Parker had gotten together to write a book.

In the 1920s, James Branch Cabell (rhymes with "rabble") was considered by many to be one of the greatest American writers, based on this novel. Tastes changed with the coming of the Great Depression; worse, Cabell never again came close to writing a book of this quality, despite his many attempts. Whether or not Cabell is a great writer (and I incline to the view that writers should be judged by their best rather than their mediocre works), Jurgen is a great book, full of insight and a joy to read. The eponymous protagonist is a middle-aged pawnbroker who is given an opportunity to relive his youth. In his travels he encounters, among others, Guenevere, the Master Philologist, the Philistines, his father's Hell, and his grandmother's Heaven. In the end he has an opportunity to question Koshchei who made all things as they are. I heartily recommend this novel. Although it is in an older fantasy tradition, it is at least as readable and enjoyable as the best contemporary fantasy, and its literary quality is far greater. I have re-read it many times.

There have been a lot of books written about the James Bond films and phenomenon; I should know because I've read them all! That's why I feel uniquely qualified and very confident in saying that this latest book (written by the two gentlemen who produced the special edition James Bond DVDs) is without a doubt THE best book yet written about the James Bond films! If you're baffled as to which book to add to you movie library, look no further because here you will find information and photos that you will not find anywhere else.

What makes this book so good? Well, first off, it's HUGE in size! A great coffee table book to be sure. The graphic layout is extremely well done and all the films are given equal time (not the case with some of the other books which tend to fixate on the Connery era). Also, for the first time in any official publication, we have coverage of the two "unofficial" James Bond films: NEVER SAY NEVER AGAIN and CASINO ROYALE. Up until now these two "rogue" films have been missing from all official publications for legal reasons. JAMES BOND THE LEGACY is the first book to be published after MGM took ownership of these films, so now we are able to hear the fascinating stories of how they came to be made and, most interestingly, how they impacted and influenced the official series. Great stuff!

But what I like most about JAMES BOND THE LEGACY is how the authors look at each film within the historical context of when it was made. They focus not only on what was going on with the Bond producers at the time, but also what was going on in the world; what socio-political and even cinematic trends the Bond films were keying into. This really brings a new understanding to each film and helps explain why James Bond has endured while other "pop culture spies" (Matt Helm, Derek Flint, xXx :)) failed to connect beyond their time and have long since disappeared. Most people think James Bond films are "all the same", but you will discover here that they are not. In this book I learned how throughout its amazing 20-year history the Bond filmmakers made subtle--and sometimes very bold--changes in the tone of the series and to the character of James Bond himself. This is much more than a simple look at the production and plot of each film, this is a major work on one of the most famous fictional characters of the 20th century. Oh, and the book also gives a detailed look at the new Bond movie, DIE ANOTHER DAY, with some pictures that lead me to believe this could be the best Bond movie of them all! This alone makes it stand above the rest as definitive.

JAMES BOND THE LEGACY is a must buy for all James Bond fans and anyone interested in 20th century popular culture. Again, if you buy just one book about James Bond, make it this one.

First of all, let me begin by saying that I have too many books, movies, tapes, laser discs, etc., about James Bond, dating back to the 1950's. Some good, some not so good. These include autobiographies that seem to tout a personal agenda, books that push the author's point of view, and this book, a gift from my wife. JAMES BOND: THE LEGACY is the best one of all. It does not try to be everything, but it does succeed in giving the reader a thorough background into the writings of Ian Fleming and the production history and methods of Broccoli and Saltzman.

As one who has literally "read it all" about Bond, I found this book to be a refreshing read, that made me look forward to every page. While there was some "old" news that had been hashed and rehashed, I was surprised at the "new" information I was not aware of.

While it is not inexpensive, it is a quality book that speaks of the conspicious consumption that its name sake employed, and I would recommend it to anyone who likes the Bond movies, or just wants to know the history of action movies in the last half of the 20th century.

This book has one big problem. It is too big! It is crammed with more info than most encyclopedias and loads of amazing pictures from the 40 years of Bond, James Bond. I just wish it was easier to hold and read. Alas, the pictures probably wouldn't look quite so good. If you have read other books on the Bond films, well, this one will give you a whole new perspective on the longest running, most successful series (until Lucas makes more Star Wars films) in movie history. While one reviewer here claimed that the book "re-invents the myth", considering the access the authors had to the filmmakers (there is a whole section of quotes from virtually everyone associated with the world of Bond), I would say this has to be the best word on the subject. Fortunately, we are spared rambling opinions and are given a great deal of depth, history and insight into how these films have stayed around for so long. Really enjoyed this book and if you are a Bond fan, I think you will, too.

Certainly one of the 20th century's most influential artists, Frank Frazetta has finally been given the showcase his work deserves. Featuring virtually all of the paintings that made him a legend among artists and fans alike (Conan, Tarzan, et al), "Icon" also includes a stack of previously unpublished and uncollected art, photographs, and some fascinating commentary by Fenner and Frazetta himself. From drawing comics for EC to ghosting "Lil Abner" for Al Capp to painting movie posters for Clint Eastwood, Frank Frazetta has proven again and again that he is one of the most exciting creators in the history of fantasy art. Often imitated, never equaled, Frazetta is the best and "Icon" is a *must have* book!

I am a collector of SiFi-Fantasy art. I will state categorically, Frank Frazetta is the finest Fantasy/SiFi illustrator that has ever lived, bar none! Unlike modern artists, who work with air brush, Frazetta's best work is done in oils. The quality of his oil paintings are on a par with the great masters and deserve to be hung next to the likes Rembrandt van Rijn. His compositions are always emotionally stimulating, intriguing, and beautiful. Frazetta has the unique talent to tell a fantastic story with a paint brush. This wonderful book has reproduced some of Frazetta's finest work with meticulous care. The color plates are crisp and vibrant. They will captivate your imagination with their incredible beauty. This is one of those Frazetta collections that will soar in value once it is out of print. Take my advice. Buy it now!

Frank Frazetta is by far the greatest fantasy illustrator of the last 50 years. His paintings are fit for the walls of any fine art museum. Icon is a wonderful book containing many of Franks finest and most famous works along with some never before seen art work from the master. This book is a must have for any fan of fantasy art. It contains interviews and information on many of Frazettas paintings with a wonderful insight to Franks life and legendary carear. Well printed and bound Icon will make a great addition to your coffee table. BUY THIS BOOK!

Pilgrim's Progress is without a doubt one of the true classics of time--an allegory that has remained a best seller years after its introduction.

My first introduction to Pilgrim's Progress was as a child in parochial school. I had to do a book report on it in 5th grade and ended up reading numerous times for various projects throughout grade school.

The reader follows the main character--aptly named "Christian"--on his journey to the Celestial City.

Along the way, Christian passes through the many trials of life, symbolized by intruiging characters and places along the way. An early temptation is the "City of Destruction", which Christian narrowly escapes with his life. The various characters are perhaps the most fascinating portion of the book--Pliable, Giant Despair, Talkative, Faithful, Evangelist, and numerous others provide the reader with a continual picture of the various forces at work to distract (or perhaps, encourage)Christian on his ultimate mission.

Of course, the theology (for those of the Christian faith) of Pilgrim's Progress is a constant source of debate, the book is nonetheless a classic of great English writing.

It's not a quick read--that's for sure--however, I certainly would recommend that one read it in its original form. Don't distort the beauty of the old English language with a modern translation.

"The Pilgrim's Progress" is a classic Christian text written by John Bunyan. Written in an allegorical format, the two-part story focuses first on "Christian", then on his wife "Christiana" and sons. Convicted of their own sinfulness, the characters set out on the journey to salvation at the Heavenly Gate. Characters such as "Honesty", "Great-Heart", and "Faithful" aid the pilgrims on their journey, whereas they face trials from the Slough of Despond, Vanity Fair, and the Valley of the Shadow of Death.

Getting through the book takes some work, less because of the story and more because of the depth of the allegory. Also, the dialogues between characters regarding salvation and righteousness often require a careful read. However, the story is exceptionally creative and thought-provoking, and the lessons that can be gleaned from it are timeless and worth the effort that needs to be expended. I recommend reading this one at least twice.

A letter to Marvin Minsky about this book:

I urge you tolook at a remarkable book by the English Puritain John Bunyan(1628-1688), "The Pilgrim's Progress", which is one of the great evangelical Christian classics, though clearly that is not why it interests me and should interest you (although I AM interested in the puzzle that is the religious sense, which even the irreligious feel, and this book can give remarkable insight into that as well).

Rather its fascination lies in the pilgrimage it depicts, or in the fact that human traits, vices, virtues, &c are PERSONIFIED as particular individuals who are their living and speaking epitome, and who are encountered along the way in revealing situations.

Bunyan's hero is appropriately named Christian. Someone once wrote that "Christian's journey is timeless as he travels from the City of Destruction to the Celestial City, meeting such characters as Pliable, Talkative, Giant Despair, Evangelist, Worldly-Wiseman, Faithful, Ignorance and Hopeful."

At first this personification is merely amusing, even a bit annoying (as caricatures or truly stereotypical people can be); but after a while I found myself enthralled because I realized that the effect of this odd literary device was to give unmatched insight into the nature of such traits. The force of the whole thing comes from the fact that one journeys about in - literally INSIDE of - what is both a comprehensive and finite moral and psychological landscape (a "psycho-topography"), very much as though one were INSIDE the human mind and your "Society of the Mind" was embodied in the set of actors. This is more or less the opposite or an inversion of the 'real world' of real people, who merely SHARE those attributes or of whom the attributes are merely PIECES; in "Pilgrim's Progress", by contrast, the attributes are confined in their occurrence to the actors who are their entire, unique, pure, and active embodiment, and humanness, to be recognized at all, has to be rederived or mentally reconstructed from the essential types.

The effect, for me, was something like experiencing a multidimensional scaling map that depicts the space of the set of human personality types, by being injected directly - mentally and bodily - into it by means of virtual reality technology.

So Bunyan's book has something of the interest to a psychologist, neuroscientist, or philosopher that Edwin Abbot's "Flatland" has to a mathematician.

I don't mean to overpraise "Pilgrim's Progress", of course; it was written for theological rather than scientific purposes, and has conspicuous limitations for that reason. But its interest to a student of the mind who looks at it at from the right point of view can be profound.

- Patrick Gunkel

Having read George and Martha as a child, I was happy to receive the complete version of Marshall's stories for Christmas this year. The stories are clearly for children, but are humorous for adult readers as well. The pea soup story is a classic. The illustrations are wonderful.

Have you or anyone you know ever been troubled by the complexities of friendship? This endearing collection of vignettes in the lives of two very dear friends, models how to get through the peaks and troughs of human relations. I have had two best friends for over thirty years and I know friendships take a lot of work. Ralph Waldo Emerson wrote wonderfully about friendship but James Marshall wrote these profoundly simple, almost poetic stories about two hippos who err, forgive, sacrifice, love, and put up with each other in a most charming and edifying fashion that everyone can understand. George and Martha books are adored by children and adults; they are well illustrated, in simple language and highly allegorical. I have given them as greeting cards to celebrate, apologize, teach, support, and grovel. I bought this full collection as a birthday present for a teenager who loved the stories as a child, and deeply appreciates the lessons as an emerging adult. (Frankly, I wanted to keep it for myself -- but that would have been too selfish, so I bought another.) Enjoy this book and benefits of dear friends.

We started watching the George and Martha TV series while living in Australia. I don't know who is more enamoured with the series - my daughters, or myself. These stories, different from the tv show as far as I can tell, all teach a lesson in friendship. It's a fun way to let those lessons about being a good friend sink in with your child. George and Martha are hilarious, and we love following their adventures. It is a book that even an adult without children might enjoy reading. A real page turner and a well made, quality book!

Peter Pan is a good adventure/fantasy that kids and adults can enjoy alike. With much exaggeration, it is something kids can enjoy and read into. It's a page-turning book that once you started you can't stop.

This isn't like the Disney movie! I loved this book but at the same time I was shocked by the violence of the fighting between Hook and the Lost Boys and the Indians. I don't think I'll be reading this one to my nephews and neices, not until I have edited out the violent bits. It wasn't that In-Your-Face violence of the Hollywood movies, it was more insinuated and there was definetly a menacing atmosphere surrounding Wendy's, Peter's and Michael's adventures in Never Never Land. I do recommend it though, just not for easily frightened youngsters. This is definetly in need of a PG rating on the cover. PARENTS: This is no Disney Peter Pan!

My 10 year old daughter found this book in the school library. She read it one weekend and has checked it out several times. The classic story along with the beautiful illustrations by Eric Kincaid have made this one of her favorite books. When I surprised her with her own copy that I had found on Amazon she was thrilled and commented on it's excellent condition.