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The struggle between the warriors and the technocrats that Webb writes about in the late sixties still exists today. As an member of the faculty as an active duty officer in the mid 90's, I can attest that each of Webb's characters were alive and well in the Yard during that time, only the backdrop was the tamer Gulf War, as opposed to the Vietnam conflict. The war between the "geeks" and the "grunts" rages on. The military is more apt to recruit the skinny kids with the 4.0's in computer science (Webb's John Dean) than the all-around, rough and tough, swashbuckling athletic warriors (Bill Fogarty). Cadets and midshipman are starved for the leaderhip provided by Fogarty and CAPT Leneman, yet the deck is stacked against them by the CDR Pratt's of the world.
A must read...I dare you to put it down.
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All in all, a wonderful story that grabs you at the beginning and doesn't let go until the last page.
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This is the book I've used for years when reading this story to my own children, passing on Tasha Tudor and other illustrators. Why?
Although we can find the same poem and pay a lot more, with award winning illustrators, the illustrations provided by Douglas Gorsline are surely the best. They are quite colorful, and offer details little children love looking into...cats lie sleepily on the window sill, we see an overview of the town, the presents spilling from the open sack are intriguing and plentiful, and Jolly St. Nick is -- well, quite Jolly (as you can see by looking at the cover!)
The story is an "abridged version" - I'm not sure about other parents, but we read this on Christmas Eve, and we only have so much time and energy. Everything we remember from the classic poem by Clement Clarke Moore is in this version.
(From "'Twas the Night Before Christmas, and all through the house, not a creature was stirring, not even a mouse" to "He sprang to his sleigh, to his team gave a whistle, And away they all flew like the down of a thistle. But I heard him exclaim, ere he drove out of sight,"HAPPY CHRISTMAS TO ALL, AND TO ALL A GOOD-NIGHT!" In between we have everything, from the names of the eight tiny reindeer, to a belly that shakes like a bowl full of jelly, including dry leaves that before the wild hurricane fly, when they meet with an obstacle, mount to the sky".
In other words, don't be scared off by 'abridged'!)
Perhaps a hardcover edition might be more appropriate if you're giving a gift (unless you're giving to more than one child), but this book is one of the best offers we've found!
A classic done simply and inexpensively!
The lyrics are the same, from book to book, but the fanciful illustrations in this one are enough to engage adults and children as they read this book together.
The perfect gift for any family whose Christmas tradition includes reading this classic!
If you want to read about an intrepid woman ship commander who lives a few centuries from now (and is, I'm convinced, a lineal descendent of Ms. Garrett) read one of David Weber's novels involving Captain Honor Harrington.
The action was fast paced, detailed without bogging down at with techincal digressions.
The book left me wanting to read more about the heroine Amanda Garrett and her fine crew. In a genre dominated by action, the action was truly outstanding, head and shoulders above the average fare.
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Volume I opens with a heartfelt preface where Grant explains how his diminishing health pushed him to complete this work and "asking no favor but hoping (his remarks) will meet the approval of the reader." They most definitely do. Following the preface, the reader is given a (very) short review of his early childhood, life at West Point, and early Army life. The next one hundred pages are dedicated to the Mexican War followed by his resignation from the military and civilian life in Illinois. The remainder of Volume I and all of Volume II extensively deal with the War Between the States.
I found Volume I (written before Grant realized he was critically ill) to be rich in detail of the various military campaigns (perhaps too detailed) and his ascension through the military ranks, but it is somewhat lacking in personal observations and insights. It even drags at times--but stick with it. The patient reader will not be dissapointed. Volume II hurls the reader into the conflict, reads rapidly, and is rife with Grant's personal observations and insights.
This second volume picks up where the first left off--following Vicksburg to the campaigns in Tennessee to the Battle of the Wilderness to Sherman's March to the Sea to the Battle of Franklin right up to Appomattox and all the events of April and May 1865. These campaigns are told from the commanding general's perspective with great overview and detail. However, what really makes Volume II (and this volume is much more fast paced than the first) special are all the personal observations and insightful (rarely negative and always humble) comments about those Grant served with and against. Grant is thoughtful and displays much about himself as this great book draws to a close. An eloquently written, detailed, first-person account of the Civil War that offers much to those who read it.
I cannot recommend this book highly enough.
This book surprised me by being an excellent management study. The lessons which are easy to take away from the book are aplicable to anyone who is faced with mission definition and achievement. It should be must reading in MBA programs.
Grant's lack of ego is surprising when compared to other Civil War figures and high achievers who have reflected on their lives and actions. By not only focusing on things that went right for Grant, the book has a tremendous credibility borne of real life trial and error, frustration, lessons learned and later employed.
A great book.
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Second-hand opinions can do a lot of harm. Most of us have been given the impression that The Decameron is a lightweight collection of bawdy tales which, though it may appeal to the salacious, sober readers would do well to avoid. The more literate will probably be aware that the book is made up of one hundred stories told on ten consecutive days in 1348 by ten charming young Florentines who have fled to an amply stocked country villa to take refuge from the plague which is ravaging Florence.
Idle tales of love and adventure, then, told merely to pass the time by a group of pampered aristocrats, and written by an author who was quite without the technical equipment of a modern story-teller such as Flannery O'Connor. But how, one wonders, could it have survived for over six hundred years if that's all there were to it? And why has it so often been censored? Why have there always been those who don't want us to read it?
A puritan has been described as someone who has an awful feeling that somebody somewhere may be enjoying themselves, and since The Decameron offers the reader many pleasures it becomes automatically suspect to such minds. In the first place it is a comic masterpiece, a collection of entertaining tales many of which are as genuinely funny as Chaucer's, and it offers us the pleasure of savoring the witty, ironic, and highly refined sensibility of a writer who was also a bit of a rogue. It also provides us with an engaging portrait of the Middle Ages, and one in which we are pleasantly surprised to find that the people of those days were every bit as human as we are, and in some ways considerably more delicate.
We are also given an ongoing hilarious and devastating portrayal of the corruption and hypocrisy of the medieval Church. Another target of Boccaccio's satire is human gullibility in matters religious, since, then as now, most folks could be trusted to believe whatever they were told by authority figures. And for those who have always found Dante to be a crushing bore, the sheer good fun of The Decameron, as Human Comedy, becomes, by implication (since Boccaccio was a personal friend of Dante), a powerful and compassionate counterblast to the solemn and cruel anti-life nonsense of The Divine Comedy.
There is a pagan exuberance to Boccaccio, a frank and wholesome celebration of the flesh; in contrast to medieval Christianity's loathing of woman we find in him what David Denby beautifully describes as "a tribute to the deep-down lovableness of women" (Denby, p.249). And today, when so many women are being taught by anti-sex radical feminists to deny their own bodies and feelings, Boccaccio's celebration of the sexual avidity of the natural woman should come as a very welcome antidote. For Denby, who has written a superb essay on The Decameron that can be strongly recommended, Boccaccio's is a scandalous book, a book that liberates, a book that returns us to "the paradise from which, long ago, we had been expelled" (Denby, p.248).
The present Penguin Classics edition, besides containing Boccaccio's complete text, also includes a 122-page Introduction, a Select Bibliography, 67 pages of Notes, four excellent Maps and two Indexes. McWilliam, who is a Boccaccio scholar, writes in a supple, refined, elegant and truly impressive English which successfully captures the highly sophisticated sensibility of Boccaccio himself. His translation reads not so much as a translation as an original work, though his Introduction (which seems to cover everything except what is most important) should definitely be supplemented by Denby's wonderfully insightful and stimulating essay, details of which follow:
Chapter 17 - 'Boccaccio,' in 'GREAT BOOKS - My Adventures with Homer, Rousseau, Woolf, and Other Indestructible Writers of the Western World'
by David Denby. pp.241-249. New York: Simon & Schuster, 1997. ISBN 0-684-83533-9 (Pbk).
But one doesn't need to focus on the revolutionary aspects of the Decameron to enjoy the book; each of the stories delights the reader with a different tasty morsel, and, you can read as much or as little at a time as you please. Once you get past the introduction, (and that's probably the most serious part of the book, so be sure not to give up before you get to the first story) the stories will make you laugh, make you cringe, and make you sit on the edge of your seat. Inspiring authors from Chaucer to Shakespeare and entertaining audiences for over 700 years, the Decameron continues to delight.