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Rendered in graceful prose, Connor's memoir ranges from exquisitely lyrical to warmly humorous to intellectually rigorous. The landscape and characters are vividly drawn, and the informing scholarship of contemplative literature and tradition is brought to bear in a natural, delightfully anecdotal way.
Rendered in graceful prose, Connor's memoir ranges from exquisitely lyrical to warmly humorous to intellectually rigorous. The landscape and characters are vividly drawn, and the informing scholarship of contemplative literature and tradition is brought to bear in a natural, delightfully anecdotal way.
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I recommend this Audio CD highly. I don't believe you will be disappointed with it in any way.
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My enthusiasm for the thought contained in this 662-page book is based on having read the introduction and five randomly selected articles: "The Notion and Definition of Canon" (Eugene Ulrich), "Jamnia Revisited" (Jack P. Lewis), "The Old Testament Apocrypha in the Early Church and Today" (David J. Harrington, S.J.), "The Codex and Canon Consciousness" (Robert A. Kraft), and "The Problem of Pseudonymity in Biblical Literature and Its Implication" (Kent D. Clarke). As far as I can tell, these are new papers, not reworkings of existing materials. Harrington's thoughts on the Apocrypha, for instance, go far beyond anything he expressed on this subject in his own excellent book, INTVITATION TO THE APOCRYPHA (1999). Clarke's article on Pseudonymity answered a lot of questions I've had about this issue and I felt it did a good job of showing how a person's assumptions about a biblical book's pseudonymity (whether the practice is honorable, innocent, and licit or dishonorable, deceptive, and illicit) affects how a person is likely to judge that book's status within the canon. So far I've been impressed with everything I read. I look forward to savoring the remaining 26 articles.
Editor McDonald provided four interesting appendices and the bibliography is worth the cost of the book (they seem to identify English translations of scholarly works created in other languages when possible, though I noticed they did not do so with Trobisch's FIRST EDITION OF THE NEW TESTAMENT, Oxford, 2000; otherwise, the bibliography seems to be quite current).
If you're at all curious about how the Bible came to be and why different religious traditions have different Bibles, THE CANON DEBATE will give you lots to mull over. Accessible, but challenging.
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If you've kept a journal and written about what troubles you, you know how much this unloading can improve your mood. It's nice to have someone listen to you, or to have the compassionate attention of a paid therapist who can help you see your patterns. But it's also comforting to know that science has shown that journaling can be a way for you to be your own therapist. In this book, the author shares stories of people and their writing. This is a good book to point to if anyone thinks journaling is just narcissistic scribbling.
~~Joan Mazza, psychotherapist and author of DREAM BACK YOUR LIFE; DREAMING YOUR REAL SELF; WHO'S CRAZY ANYWAY? and 3 books in The Guided Journal Series with Writer's Digest Books/Walking Stick Press.
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My first Scofield lasted nine months. My second lasted through my first two semesters of Bible College. My Thompson Chain has been faithul and lasted me for 9 years! And the Oxford...I couldn't ever get used to it. But, now I must say I am ready to "settle down" with a Bible that could easily last until my new born child graduates high school and starts college!
I look forward to reading and studying God's preserved Word in this unique package!
I was introduced to Thurber's works two years ago,by a short story of his that was included in my English textbook. I was instantly charmed by his writing. Ever since, I have read everything of Thurber's that I can get my hands on. Through my readings, I have discovered several key things:
1. James Thurber was NOT just a humorist/satirist. Of course, I have stayed up late reading his stories laughing out loud, yet there is more to the stories. Thurber not only chronicled people of his time, but people of all times. His works show that the little eccentricities most people possess are the very things that make them interesting. Take this excerpt from the story "Recollections of the Gas Buggy", included in "The Thurber Carnival":
'Years ago, an aunt of my father's came to visit us one winter in Columbus, Ohio. She enjoyed the hallucination, among others, that she was able to drive a car. I was riding with her one December day when I discovered, to my horror, that she thought the red and green lights on the traffic signals had been put up by the municipality as a gay and expansive manifestation of the Yuletide spirit. Although we finally reached home safely, I never completely recovered from the adventure, and could not be induced, after that day, to ride in a car on holidays.'
2. That excerpt brings me to my next discovery: James Thurber had quite a way with words, which to my knowledge, no author since has been able to near. Thurber's words transport you to another world, an amazing world, where everyone even slightly insane is portrayed with kindly satire. The character Briggs Beall, from the story "The Night the Bed Fell," is a perfect example of Thurber's wit.
3. An additional point I discovered is that Thurber's works need to be shared. I treasure this book so much that I brought it with me as traveled to Nebraska to visit my friend, just so I could read parts of it aloud to her. Whether it is a driving adventure with a Russian boat specialist("A Ride With Olympy"), an amusing maid("What Do You Mean It Was Brillig?"), or the light bulb smashing Elliot Vereker("Something to Say"), Thurber's stories need to be shared.
For these reasons, as well as others, "The Thurber Carnival" is a most wonderful book. James Thurber's writing is nearly magical, as well as his characters. This is a great book to pick up again and again, if only to read one of its great stories.
At first, I was convulsed by Thurber's uniquely hilarious cartoons. His dogs and his women are priceless...drawn in a style that nobody has ever been able to duplicate or capture.
It was only later, as I grew older, that I could appreciate Thurber's written humor. The "Thurber Carnival" (and it is) is a compilation of essays and excerpts from "My World--and Welcome to It," "The Middle Aged Man on the Flying Trapeze," and others. These were Thurber's earlier works that were very much a product of their times, but oh, so funny! Thurber was one of the great commentators on the vagaries of everyday life. Along with Robert Benchly et al., he set the tone for an entire generation. I still have this book, and I absolutely cherish it. It's hard to do Thurber justice in a review. All I can say is--buy this book and wallow in it. You'll be glad you did.
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Hollis is an insightful therapist with a hopeful AND realistic perspective on mid-life and the difficulties that can beset us as we realize that "this is it", that we're not preparing for adulthood anymore, that we are there and better make something of it. He is also a gifted writer who can take Jungian theory and bring it down to earth, explaining it clearly without oversimplifying. (I'm more of a hard-nosed research-based cognitive-behavioural type myself, and I still think the book is brilliant.)
Best of all, he is a judicious self-editor. Too many self-help books have one idea that gets padded out to 300 pages. (In the process of writing one of my own, I came across dozens of bad examples.) Hollis is concise and clear. The text of the book is 117 pages, worth twice as much for being half as thick as he could have made it.
My suggestion: Buy it, read it, apply it, and then go buy copies for your mid-life friends' birthdays. On a selfish note, it's great not to be stuck for 40th birthday present ideas any more.
If I had read this book a few years ago, the last few years of my life would've made a lot more sense and probably been much easier to go through. Every person, especially every man, should read this book as soon as they turn 30.
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Rendered in graceful prose, Connor's memoir ranges from exquisitely lyrical to warmly humorous to intellectually rigorous. The landscape and characters are vividly drawn, and the informing scholarship of contemplative literature and tradition is brought to bear in a natural, delightfully anecdotal way.