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The DNA and fossil record point to multiple branches in our "family tree". This has lead to the the author speculating on the existence of multiple human species at various times.
The book seems to focus on the homo hablis and homo erectus part of the family tree. The cement is the Neandertal. If I got it correct, Neandertal's evolved out of homo erectus. But later, another species evolved and slowly replaced the Neandertal's.
Despite being a well writen story about the current state of human evolution, the story of the Neandertal is both interesting and tragic. It ends with them disappearing about 28K years ago, attempting to emulate our direct ancestors.
The DNA sections of this book are interesting and well written. Additionally, the interactions and ego collisions of leading scientists in the field is an interesting side bar. Our knowledge of human evolution hinges on their hard work and skeptical nature.
What sets this book apart from others in the field is that Shreeve focuses on modern-day humans--the scientists involved in these debates--and lets us discover the ancient world through their eyes. It's easier to relate to the confusion, jealousy and occasional triumphs felt by these scientists than to a bunch of dusty, silent skeletons. The book doubles as both a great overview of paleoanthropology as well as a primer on how scientists really act. These are not cold, detached people in white coats--they really care about what they're doing, and really take it personally.
This is the best science writing I've read in many years.
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The book Jurgen is from the same mold. Jurgen the pawnbroker moves from one of Cabell's stereotypical women to another. The book became well-known because of the godawful sex sequences, in which Cabell archly refers to Jurgen's sword, staff, or stick -- the resulting call for censorship made the book famous, but that doesn't mean it was Cabell's best. I thought The Silver Stallion and, in some respects, even The Cream of the Jest or The High Place to be better examples of Cabell's writing.
I would recommend that anyone who likes fantasy read at least one of Cabell's books, because he writes like no one else. This book had the usual Cabell wittiness and sardonic feel, so if it's the only one you can find, certainly try it.
Moments like this, simultaneously jaded and genuine, sentimental and cynical, are the most delightful parts of 'Jurgen: A Comedy of Justice.' Nominally the story of a medieval pawnbroker's quest to find his lost wife, 'Jurgen' becomes a bildungsroman in reverse as, on the way, its hero regains his youth and visits the lands of European myth, from Camelot to Cocaigne (the land of pleasure) -- each land shows Jurgen a way of life, and he rejects each in favor of his own sardonic stoicism, for he is, after all, a "monstrously clever fellow."
That phrase describes Cabell as much as it does Jurgen: the author is remarkably erudite, and, like a doting parent hiding easter eggs, drops in-jokes through the book on subjects as far-ranging as troubadour poetry and tantric sex. Cabell corresponded with Aleister Crowley in his day, and, in ours, is an influence on Neil Gaiman ('The Sandman,' 'Neverwhere,' etc.). The book itself caused quite a splash when it became the centerpiece of one of the biggest censorship trials of the early 20th century: something to do with Jurgen's very large *ahem* sword.
Social satire and an idiosyncratic cynicism in the guise of a scholarly romance-fantasy, 'Jurgen' is what would have happened if J.R.R. Tolkien and Dorothy Parker had gotten together to write a book.
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(A similar undersea sci fi adventure is Michael Crichton's "Sphere," which I didn't like, but the average customer review is 4.5 stars, so if you're into thrillers, you might like it. And I highly recommend most anything by Orson Scott Card, especially "Ender's Game," one of the best science fiction novels ever, and, if you're into religion, "Stone Tables," which is a novelization of the life of Moses.)
I still think the Abyss is James Cameron's best movie, Oscar winning block busters aside, although that other film certainly proves water is his natural element. Displeased with the "cursory, mediocre, often inaccurate, and sometimes downright reprehensible" novelizations he had already read of his films, Cameron determined there would be a NOVEL. In a totally unique process, Card worked from videotapes of the film as the editing progressed, updating his manuscript as scenes were changed, added or cut. In addition to covering everything you see in the film version of "The Abyss," Card made two significant contributions to the story in his novel.
First, he wrote chapters focusing on the three main characters of Buddy, Linsey and Coffee. Each chapter goes back to when they were kids and relates the seminal events that made them the people they grew up to be and brought them to the setting of this story. Cameron was so impressed with these chapters that before filming began he gave them to Ed Harris and Mary Elizabeth Mastrantonio (and you have to wonder what Michael Biehn would have done with the background on Coffey). Second, Card works in the entire story from the side of the alien beings, explaining what they are doing and thinking even when they are not around the humans on Deepcore. Things that you wondered about in the film (How could Coffey survive that great depth and cut the right wire?) will be made clear and the additional scenes add great depth to the film (intentional pun).
It is because of this added dimension that I think you will best enjoy this book after you have seen the film and more specifically the Special Edition or Director's Cut of the film. Of course, I can certainly appreciate that fans of Orson Scott Card might pick up "The Abyss" without any care about the movie. This is not a bad thing either because Card is a first rate imaginative writer, as he has proven from "Ender's Game" to "Enchantment." If you loved the movie, you will love the book. You do not want to miss out on this one.
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am eagerly awaiting the updated version. Having known 3
of the sailors killed during the unwarranted Israeli
attack in 1967 and having met and become friends with
many of the survivors, LCDR Ennes' book (he was a Lt. on
the bridge at the time of the attack) tells the TRUE
story of what happened to this unarmed US Naval vessel.
The fact that both the governments of Israel AND the U.S.
have tried to cover up this incident and that there has
been no formal Congressional investigation for more than
35 years is a gross miscarriage of justice for the brave
men who died as well as those who survived. Read this
book, and you'll cryout for justice to be served. Call
your Congressman or Senator and demand these folks get
justice.
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I didn't rate this a 5 star book because I didn't find the quality of writing to be in the same league as I'd expect from a professional writer. McDonough did a respectable job of writing and used a simple, straightforward style. Still, I thought his experiences would have been more gripping and interesting if he'd had some help from a professional writer. As such, I didn't find it hard to put the book down and was glad it wasn't longer. Basically, I found the writing to diminish the story rather than equal or enhance it. No disrespect to the author, who seems like a fine Army officer and a decent writer. It's just that I think the book could have been better if there had been some writing help.
I'd recommend this book to be read along with On Point by Roger Hayes (spelling?). Platoon Leader is a low level officer's experience and On Point an enlisted man's experience. The two books are similar in strengths and weaknesses and the two authors seem to share a lot of the same attributes.
The inside world of Lt. McDonough had a lot of similarities to mine when I was a probationary police inspector - similar capacity of a Lt. who normally leads a platoon or similar team size of policemen in the Hong Kong Police Force. We both experienced similar things for gaining the trust from our subordinates, we both needed to participate and devote ourselves in order to set good examples to others. We both needed to show firm and strong leadership in order to convince our men of our competence. I will recommend this book to my friends in the Force and I think they will like this book too.