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The approach is holistic and facilitates rapid integration of the written sheet music with fingerings and tempos while keeping the beginner student glued to each new piece. It also is an excellent preparation for classical flute playing and advances students more quickly using simple and practical techniques.
The Suzuki Flute Method Volume One will be a memorable introduction to the sounds of a great instument.
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Something to be careful about: there are two editions of this book: the original version, which is more than 1500 pages in length, and the abridged version, which is a little less than 1000 pages in length. I have the abridged version, which is good enough for me, but you may prefer the original version. Check the page length to make sure you get the version you want.
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So, try this out (you may want to start with book one) and you are guaranteed to enjoy it as much as I have!
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So far so good, but what really lifts Urusei Yatsura head and shoulders above any other series is the characterisations. They are the most wonderfully creative group of dysfunctional characters I've yet encountered. Every single person in the book is a wonderfully realised, if vaguely mad, character. No one feels badly developed or two-dimensional. And because they feel like real people, the mad situations feel normal, or at least not quite so mad, and you even care what happens to them.
Urusei Yatsura is a modern classic, and the Perfect Collection is the perfect place to start your collection!
Anyone who know's Ms. Takahashi's history will completely understand why many of the chapters in this book don't relate to one another (if you look carefully you can see in-jokes from her "rumic world" series), and why it's not untill the second graphic novel that they start to have some correlation. (mostly because her work was being published irregularly and inconsistently)
This book is a fine example about how things so completely bizarre can be taken so seriously. Her writing, although somewhat primitive (obviously showing how her writing has developed) is still as charming and exciting to read as any of her later work like Ranma, or Maison Ikkoku.
All of Rumiko Takahashi's work should be read, and one should not simply quite reading them because of computerized text or primitive drawings. Her work should be enjoyed and not dismissed.
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The parts of "Wasted Minds" follows the adventures of three JCIA agents. There's Tamuro Gomi, who can teleport, but only from garbage to garbage, Yura Enjoji, who's really strong, and Sekoi, who is, I suppose, a regular human being. The "Wasted Minds" stories are the best in this volume, showing some of the quirkiness that can be found in Rumiko Takahashi's other works. There's also an attempt at romance, although I think that that should have been left out - it felt more like an afterthought, like it was tacked on. These stories made me laugh, but, once again, they weren't as good as some of the author's series.
The last story was about a school club trying to make money by charging people for seances. Unfortunately for the people trying to make money, things don't go entirely as planned. Really, that's all there is to the story - it's very short, shorter even than the first story in this volume. I didn't think it was very interesting or very funny, and it's probably the weakest story in this volume for me.
If you're a big fan of Rumiko Takahashi, you'll probably want to read this, but I don't think it's a keeper. Personally, I think it would be better to buy another Inu-yasha volume.
This graphic novel has a collection of stories from the authors first works, which contain humourous tales of the unknown and stories of lingering danger and fear. The artwork is identical to the aucthor's present drawings, beautiful and fun to view.
If you ever wanted to see Takahashi's first works or are just a loyal fan to her, then this graphic novel will be a great book for you.