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We read this in a Texas drawl [you almost can't help it!] and just have loads of laughs with every re-reading. We originally checked this out of the library on a whim and have since bought our own copy [and will probably be giving copies for birthday presents too!]. This book is money well spent - and one I truly don't mind reading for the 3,000th time!
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And because the stories are short, they are wonderful fillers -- just enought time to read one during break or lunch. I recommend it to anyone.
Helen K. Polaski collected 47 of stories from all around the globe (including US, Canada, England, Australia and the San Juan Islands) about people's fondest childhood memories.
There was a little twist: a front porch had to be involved in one way or another.
Watching the unfolding of exciting events from the front porch point of view; receiving sad news and using the porch swing as a mode of imaginary transportation to near and far places are some of the topics in these stories. They are sure to entertain the reader, bring happy and sad tears to their faces and call upon memories of their own.
If you feel inspired to write a story of your own, Polaski just finished compiling stories for a sequel "Forget Me Knots Beyond The Garden Gate" with a major theme of, you guessed it: gardening. She plans on developing ideas for other themes, so be on the look-out! Whether you like to read, write or both, the "Forget Me Knots" series is sure to please your heart. Be sure to remember this book at gift giving time also!
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Da Cunha was intrigued by the "why" of Canudos. What fostered a fanatical religious sect in Brazil's interior, allowed it thrive and grow, and why was it the subject of such national fear that the fourth campaign against the village involved fully half of the Brazilian army? Da Cunha spent dozens of pages writing about Antonio the Counselor, Canudos messianic leader. Vargas Llosa is less sympathetic to the military's point of view, depicting Canudos as a safe haven for those rejected by society, by sweethearts, employers, or the church. An island of broken toys. Vargas Llosa writes very little about Antonio himself, casting a reflected light by describing him mostly through the words and actions of his devoted followers. ("Death was more important to these people than life. They had lived in utter dereliction and their one ambition was to be given a decent burial".) Where da Cunha concludes that Canudos was a result of a failure by the Brazilian society and government to embrace all of its citizens -a conclusion that led to a reexamination of Brazil's national identity- Vargas Llosa is less sure. He raises a lot of explanations that have gone before (monarchist conspiracies, racial inferiority, lack of education, "something to do with religion", even a lunatic European communist who tries to make Canudos fit his notions of class warfare ) without settling firmly on any one. Finally, he concludes uneasily, "the explanation of Canudos lies in ignorance".
This is a gripping novel, a powerful tale of warfare, an exploration of intriguing individuals who met in the atavistic isolation of Brazil's parched interior. A Latin American novel devoid of magic realism, for the story of Canudos is fantastical enough.
The book is based on the true story of Antonio Vicente Mendes Maciel ("O Conselheiro"), a mad prophet of sorts -kind of a weird Christian ayatollah of the late XIX Century- who ignited, in the most remote corner of Brazil, a bloody uprising among the lowly against Money, Property, Progress, Law, Army, Republic and State, and everything else he found oppressive, sinful and evil. In return, the Brazilian government reacted with indifference, disbelief, concern, anger, outrage and total annihilation.
Little by little, Vargas Llosa transforms this obscure anecdote into a monumental epic of Tolstoiesque proportions that not only hooks you on the plot but reveals the richly interwoven tapestry of Brazilian -and therefore Latin American- society; its illusions and delusions, its races and classes, its loves and hates, its fear of the modern and its contempt for the past, and the fanaticism that pervades both attitudes (to date).
I read this mammoth masterpiece during Christmass '94 at the midst of the Zapatista revolt in Chiapas, and it was sad to realize how little have we changed our societies. Our development always seems to engender inequality and our social struggles to defend backwardness and ignorance. Vargas Llosa is acutely aware of this, and he conveys it in his story splendidly, without preaching, without agendas, without aloofness and without letting you put down the book. Should you decide to read it, ask for a few days off!
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Get this one, and also "Mrs. Coverlet's Magicians," and then really do the kid a favor and buy her the new "Annotated Huckleberry Finn." Watch out, though, the child might learn to think for himself, and then what will his teachers do?
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I find it fascinating to read a book about World War II written in the crew's own words. I found Movies on the Fantail excellent reading and a recommended educational resource for history students as well.
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While she provides some personal insights using her own and unique experiences, Ms. Zia doesn't reveal anything new in her book. I would recommend this book for those readers who are not familiar with, for example, the boycott of Korean grocers or the murder of Vincent Chin. But again, it would just be for background information.
I have to admit, though, that this book inspired me to ask myself several questions. For example, it's okay to have an Irish Day or Puerto Rican Day parade. (Ah, yes, it's a way of reconnecting with our roots.) But when APAs want to have an APA parade, we are accused of refusing to assimilate with American culture. I can't wait for the day when every American can celebrate their cultural heritage without being accused of stealing nuclear secrets or giving illegal campaign contributions.