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Transitions between narrative and inner thoughts flows naturally, keeping the reader in the moment. Description is good, especially houses lived in, the field work and the tornado. While showing showing Sophie's independence, the author does a good job of illustrating parallels between Nofria's life and Sophie's life, especially as mothers.
Sophie is a modern woman, independent, with a desire to work, accepting people on their actions not on their race or ethnicity. Her energy is everywhere from organic gardening to continuous learning. She is loving and strong, but not vain, practical but able to dream. An admirable talent, is leaving the reader wanting more, and the reader does want to know more about Sophie, Ben and other family members.
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The book consists of a series of essays starting with Japanese colonialism starting in 1874 to the rescue of POWs after the Japanese surrender. General Hagan carefully deplicts the human side of the war. In case you think he's making up the stories, he painstakingly references his sources in a notes section taking up 13 pages and a bibliography consisting of 9 full pages.
He describes the experiences of survivors of the sinking of the Juneau by soldiers. You feel the frustration of the sailors left at sea for days after their cruiser was sunk and the gruesome experiences of the death march of Bataan.
A great book for those wanting to know what really happened during that war.
A particularly interesting section includes the political machinations and intrique which surrounded the Japanese decision to surrender.
I enjoyed both the author's writing style and attention to detail.
Jerome Hagen is an outstanding historical author.
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Glenn A. Zaccara Greenwich Technology Inc.
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This book gives a wonderful illustration of Helen's personality, makes you feel as though you know her.
Thanks Ken!
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The first signs that her world is not one of peaceful babies is the inconsistencies: in no two consective pages are the clothes of the babies ever the same. In "All Fall Down," for instance, the same babies "bounce" and "fall down" but have different attire entirely. Then the question comes up: who are the real parents? There are at least four adults being shown; what are the relationships of all these people? The children are living, eating, bathing and sleeping together. The adults are only around for a few key illustations.
Lastly, the same pudgy Caucasion is the one being tormented at "Open wide" (mealtime) and at "Tickle, tickle." It then becomes clear that Ms. Oxenbury is really telling a post-multicultural tale over the course of her four books: the swell of influences of around the world will subdue modern society, forcing a uniform experience upon us all.
This is done with about 50 words in total. Bravo!
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Arthurian literature is laced with double meanings and allegories, especially in The Green Knight. It's a great representation of what medieval literature focued on and the basis of great knights. In comparison to Wace's Roman de Brut, Sir Gawain and the Green Knight is a much better read. :)
Readers expecting the same Gawain from Malory's Le Morte d'Arthur may be in for a bit of shock. The titular hero of Sir Gawain and the Green Knight is far more valiant than later writers chose to present him. Indeed, even the mighty Lancelot pales next to Gawain here. When the inscrutable Green Knight thunders into Camelot to challenge the King, none but Gawain dares step forward to accept the challenge on Arthur's behalf. It's clear that in the eys of this poem's author, Gawain--not Lancelot--was chivalry's greatest champion.
Though a story told in verse, Harrison's Sir Gawain and the Green Knight is actually easier reading than any edition of Malory I've seen, while the strong introduction and explanatory notes take care of most of the trouble spots. Acccessibility was clearly a major priority.
Like all the best stories, Sir Gawain and the Green Knight is never the same twice. I first encountered this timeless tale years ago in college, but reading Harrison's edition was a whole new experience. The poem is full of symbolism and raises many questions about the nature of chivalry, heroism, courtesy, sin, success, failure, and duty--someof which the poet leaves to the reader to answer for himself.
For those of you who haven't read this poem for a while, Harrison's translation is a great way to get reacquainted with an old friend. And to those who have never read it, fearful of yet another barren "classic," give it a shot. It's definitely worth it.