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This book reveals as much about the Irish struggle for independence and the bloody civil war that followed as it does about the life of Collins. The fact that reading this text is tantamount to reading pieces of history makes the adventure take on a very real dimension; the names you encounter are names of actual people rather than fictional characters. I believe this book to be a great investment for anyone interested in the Irish pursuit of independence, the Troubles, and/or the life of Michael Collins. If, however, you are looking for an introduction to the life and times of Collins, I would suggest that you pick up a traditional biography of him (see the works of Frank O'Connor or Tim Pat Coogan) rather than this title simply because the names, dates and places will mean much more to you if you are already acquainted with the basic story before you dig in.

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I honeslty picked it up just as a throw-away read when it first came out on paperback but I still have the book years later - for good reason - I loan it to everyone I can.
The best summary of the book involves a comparison with a similar, perhaps more widely read work by Robin Cook - Mutation. Like Mutation, Prodigy involves a brilliant father who gets a little too interested in protecting and enhancing his future child through genetci manipulation.
This manipulation leads to a twin set of primary characters, the father and his daughter who really both end up as protaganists but simltaneously as ongoing victims in the story which turns on the introduction of another mysterious character.
I really enjoed this book and am in the processs of trying to continue to acquire other books by Mr. Stewart. I really recommend this book to anyone who enjoys any of the suspense/medical suspense/or light-horror genres.

Used price: $34.97


David Cripps' photography beautifully captures the interiors of this amazing dollhouse, from the grand to the plebian. Here is the linen closet, each batch of towels tied with different-colored ribbon to denote whether they were intended for the nursery, the staff, or the kitchen. Here is a lacquer cabinet with gilded stand, dovetailed working drawers, and gold-leafed decoration. Here is a bed, complete with pillows, bolsters, sheets, blankets, and even a tiny walnut-handled bedwarmer. The toilet, complete with toilet paper discreetly placed in a bowl alongside, really works. The toothbrushes are made of ivory and have bristles made from the hair of a goat's inner ear. In the cellar, bottles of Chateau Margaux are properly corked and waxed and labeled. The pantry shows real bows of Fry's Chocolates sharing space with McVitie & Price biscuits, barley sugar candies in hefty glass candy jars, and Frank Cooper's Seville Marmalade in squat jars tied with brown paper and string.
The garage houses a miniature bicycle with brakes "in perfect working order," not to mention a Rudge motorcycle and sidecar, a seven-seater Rolls Royce limousine-landaulet, a Vauxhall, a "Sunbeam open tourer," and two Daimlers. Gorgeous royal crests are hand-painted on each. The house even has its own petrol pumps and fire appliances, as was normal for large houses in that era.
The house's garden is splendid despite the absence of a single living thing. The lawn, made of cut green velvet, boasts several tiny mowers (both motor-powered and not), and the nearby garden has its own lovely benches, hoes, spades and the like. There is even a robin's nest, complete with eggs, and a tiny, tiny snail.
Perhaps the most extraordinary thing in the house is the book collection. Famous authors were asked to contribute their own works. Arthur Conan Doyle obliged by submitted "How Watson Learned the Trick," an original 500-word short story done in his own handwriting. The bookplates for each of the books were designed by beloved Winnie-the-Pooh illustrator Ernest Shepard. Rudyard Kipling submitted not only two poems, but illustrated them himself as well. Other well-known authors who gave their own works to the Queen's house included G. K. Chesterton, Joseph Conrad, Robert Graves, Aldous Huxley, Hilaire Belloc, Rose Macauley, W. Somerset Maugham, and Vita Sackville-West. Topping off the fine works of this distinguished crowd are the leather-bound autograph books--one each for famous folks from stage and screen, famous folks from the military, and famous politicans.
There is even a room for storing the scepter, crowns and other regalia--all featuring flawless gemstones!
The details are endlessly fascinating and the house and its furnishings so well-constructed that without a tennis ball or coin or some other everyday real object, you easily forget that everything your eye falls upon here is miniature. For those who cannot get to Windsor Castle themselves to view the house in person, this book offers a very fine tour.




Used price: $9.00


What Fraser's book left out was an understanding of how the Rom viewed themselves and how their self-concept was defined. The present volume fills that gap. It has caused me to consider the varying viewpoints of Magyars and Rom and how conflicting viewpoints lead to radically different interpretations of the economic and social activities of the Rom. Many stories I heard from Magyars now "make sense" because I can see what the other side of the story was.
The Time of the Gypsies does an excellent job of showing the very real roots of conflicts between Rom and other people without either vilifying or romanticising either side. Although not aimed at mending the rifts between the Rom and non-Rom the book does an excellent job of promoting the mutual understanding and recognition that is needed to prevent further discord.