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Just about everything you ever wanted to know about the English Language is in this book. There are newer and older references but none so complete and at the same time readable. This book covers history, usage, almost usage and possible futures of the language.
One of my favorite antidotes was the one about how the Advisory Committee on Spoken English (ACSE) discussed the word "canine":
"Shaw brought up the word 'canine', and he wanted the recommendation to be 'cay-nine'... And somebody said 'Mr. Shaw, Mr. Chairman, I don't know why you bring this up, of course it's 'ca-nine'. Shaw said, 'I always pronounce things the way they are pronounced by people who use the word professionally every day.' And he said, 'My dentist always says (cay-nine)'. And somebody said, 'Well, in that case, Mr. Chairman, you must have an American dentist.' And he said, 'Of course, why do you think at 76 I have all my teeth!'"
After reading about how English came about, the next book to read would be "Divided by a Common Language" by Christopher Davies, Jason Murphy
It is free of the linguistic jargon most general readers would find pedantic, and although it is aimed at the general reader it is never condescending. The first half of the book explains the historical development of English while the second half focues on modern English.
Most refreshing though, is that it is free of the triumphalism found in many books of this kind. Reflecting the demographic reality of English today, it gives even-handed attention to the many contemporary varieties of English spoken around the world in places such as North America, Singapore, India, the Anglophone West Indies, and so on.
'The Story of English' is best suited to those who are curious about the origins as well as the future of English, and who want an easy-to-understand introduction to the subject.
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This is a story that kept me reading late into the night. I also learned that pound for pound, the black bear is the strongest animal alive.
I ...would love to see this story made into a movie!
For a book set in the woods of Northern Michigan, "Crooked Tree" keeps a remarkably fast pace. And despite the pace, the character development doesn't suffer.
The book is superbly timed and is as scary as any Steven King novel I've ever read (and that includes Carrie, The Shining, Cujo and Christine). I join the ranks of Amazon.com reviewers calling for a movie adaptation. This would put any recent "horror" film to shame, and they wouldn't have to go hog-wild on the special effects budget. In fact, to any movie execs reading this and considering a screenplay (fat chance): I beg of you, please don't! If I have to watch another movie like "The Haunting" I may just poke my eyes out.
And speaking of eyes, you'll be doing double takes with people and pets for quite some time after you read this... just to be sure...
The book should also appeal to any Michiganders with ties to the North Woods or hunters in general. Readers interested in more background on the legend of the Crooked Tree should check out the book of the same name by John Couchois Wright that describes the history and legends of Michigan's Little Traverse Bay region and the Ottawa Indians.
- Reviewed by Todd V.
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The first story is from the demented mind of Jim Thompson. This story, called The Killer Inside Me, is much better than The Grifters, a book by Thompson that I read some time ago. The Grifters seemed to be pretty one-dimensional with respect to its characters. This story is the exact opposite. A deputy sheriff in a Texas city has a terrible secret. He plays dumb on the outside, but inside he is a cunning sociopath. A long simmering resentment leads to a terrible revenge. Bodies quickly stack up as a result. This seems to be the story that Thompson is best known for and it's no surprise why. This is a dark, twisted tale with a grim ending.
Patricia Highsmith wrote a whole series of stories concerning Tom Ripley. The one included here is The Talented Mr. Ripley, probably better known due to the recent film with Matt Damon. This tale isn't as noir as I would have liked, but it still has enough twists and turns to keep anybody in suspense. Ripley is a low class conniver who ingratiates himself into a wealthy family who wants him to go to Italy and bring back their son. Ripley sees the potential for bucks and meets up with the kid and his lady friend. Of course, things take a turn for the worse and the bodies start stacking up. This story was probably my least favorite out of the entire collection.
The next story, Pick-Up, by Charles Willeford, is a depressing tale about two alcoholics who go bump in the night. The story follows the adventures of this alcoholic couple as they attempt suicide, check themselves into a mental hospital, and drink themselves into a stupor. After the female half of the couple dies in another suicide pact, the story switches to a prison tale. The end is somewhat of a twist, but really doesn't impact the story that much, in my opinion. Again, not really noir as noir can be, but still a fine story that can stand by itself.
Down There, by David Goodis, is a wild ride of a tale. Full of suspense and death, this is a great story that deserves to be included here. A family of ne'er-do-wells drags their talented piano-playing brother into their personal problems. The background information on Eddie, the piano player, is phenomenal. The tragedy that has struck him once is bound to repeat itself again. This story has great bit characters that really liven up the background.
The final story, by Chester Himes, is The Real Cool Killers. This is noir on acid: pornographic violence, massive doses of grim reality, and characters you're glad to see get killed. The story is set in Harlem and involves two tough cops named Grave Digger Jones and Coffin Ed Johnson. Someone kills a white guy in Harlem and the cops try and track them down. This story contains one of the funniest descriptions of a person falling off a balcony that I've ever read (and I've read a few, disturbingly enough). The writing has enough similes and metaphors to give Raymond Chandler an apoplectic fit. A cool story that certainly deserves a place in this book.
If you like noir, read these two LOA novels. They are long (together they're almost 2000 pages) but it is definitely worth the effort. These kinds of stories are just a great way to while away some free time and relieve stress.
Individually, I would rate the stories in pretty much the order they appear in the book. "The Killer Inside Me" is the most powerful, in my opinion, and is a great indroduction to Jim Thompson if you haven't read his work previously. "The Talented Mr. Ripley" is also excellent, and is a must read for any fan of crime fiction. What I found more interesting was the contrast between the protagonists in the first two novels. Both are cold-hearted killers, but you couldn't find two more different voices. Its a tribute to both Mr. Thompson and Ms. Highsmith that you actually root for these people to get away with their crimes.
The other three novels are good, but they pale in comparison to the first two. "Pick-up" is a good study in a relationship between two alcoholics who know they are alcoholics and are okay with it. It takes awhile for the crime to be committed, but its an interesting journey. I didn't care for the twist ending, but that's just me. "Down There" was interesting to read, if only because it was the basis for a great movie. "The Real Cool Killers" was the only story of the five that I had trouble getting through. I think that was because I didn't really care (or even really believe) that A) a group of street punks would dress in the manner they were described in, or that B) a pair of street detectives would be as violent, feared, and given such free reign as the ones in this novel.
All in all, a good book to add to your collection, if only for the one-two punch of Thompson and Highsmith (by the way, that would be a great name for a law firm).
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Learning about the transits of Saturn and Uranus has helped me analyze my life and has been constructive in dealing with change, making me resilient and adaptable. Robert Hand, who in my opinion is our greatest living astrologer, has in this book (originally published in '76) the definitive interpretations of the transits of sun, moon, and the planets through the houses and by aspect.
I usually focus on Saturn and Uranus, as these are the big daddy planets of change, but the others have their merit too, though the influence is subtler, and Hand's clear, concise and inspired writing and no-nonsense descriptions will help you get a good grip on the meaning of each transit. If you can read and own an ephemeris, this should be the # 1 book to go with it.
The first 3 chapters are short. One on interpretation, one on timing, and a case history of Nixon and Watergate. The rest of the book is devoted to aspect interpretation...477 pages of some very enlightening information, written by the best of the best.
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I have recommended this book to all my clients and they agree. More importantly, very few so-called "advisors" do what this book explains clearly. Tremendous resource for any professional but many very powerful techniques to help you close contracts without sounding like a used car salesman. The case studies and examples hit home and force you to stop and think about your own style.
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I'd read so much about Lee during the war that I needed something more, to find out what happened to him after the war. Charles B. Flood provided that "something" and I am so happy that I decided to go for this purchase. It was a snap decision but one I shall never regret.
The first ten chapters of the book are worth the price of purchase on their own, dealing as they do with the surrender of the marvellous Army of Northern Virginia at Appomattox and the subsequent weeks and months as Lee made his way back to Richmond and waited to see what fate awaited him at the hands of the victorious Union.
I don't believe Flood was laying it on too thickly but the devotion felt towards Lee by his old soldiers (Pickett excepted of course) and the civilian population of the South are incredible. The stories of soldiers coming to see him before they set off on foot to return home are just so moving and Lee will not say no to anybody who wishes to see him.
After those opening incredible chapters things slow down somewhat and we learn of Lee's transition into what could be called a 'normal' life which sees him take up the presidency of the Lexington College in Virginia. It's not rivetting stuff by any stretch of the imagination but it's interesting and we gain a greater insight into what drives Robert E. Lee... duty and honour. He could have cashed in on his name a thousand times to retire a wealthy man, but he would not sell out and knows that his example, a dutiful one, will be followed by so many former Confederates in those dark post-war days.
Lee also refuses to incriminate his former comrades when pressed to do so and it is a measure of his standing even in the North that no-one dares to bring charges against him, despite the clamour from some sections of society that he be tried for treason.
The picture that Flood paints of Lee is not always flattering though. He is shown to be a stubborn man in some respects and his family are always in awe of him, especially his daughters, of whom he is extremely possessive. So much so that all three will die spinsters!
One of the last things that Lee does before his death in 1870 is to go on a short trip into the deep south and that again provides an incredible picture of his standing in the old Confedracy. Though he craves privacy word gets out that he is on a train and telegrams break the news ahead of his journey. Consequently, thousands turn up just to get a glimpse of him, with old soldiers bringing their children (man of who have been named after Lee). It is a very moving account of just how deeply his people felt for him.
My only complaint is that I would have liked just a little more reaction to lee's death around the South. How did the people react? What did the papers say? That sort of thing. An omission that could easily have been avoided in my opinion.
All in all though a hearty well done to Charles B. Flood for an excellent biography of Lee's last years. If my review sounds a little soppy then believe me, the book isn't. It is a solid, fair and well constructed picture of the last years of Robert E. Lee's life. It may move you in ways you weren't expecting though!
Lee lost most of his property during the war. He was a career soldier, and didn't have many prospects for employment. He hoped to move onto a farm and to live quietly in the country.
However, other plans were being made for him. The trustees of Washington College in Lexington, Virginia, voted unanimously to offer him a job as president of the college. Lee was not a professional educator (although he had served as superintendent of West Point), but the trustees believed that his leadership and integrity were just what the college needed to survive the harsh economy left by the war. For his part, Lee saw this as an opportunity to help young Southern men to become productive citizens.
The college's wager paid off. Enrollment grew each year that Lee spent at the helm. The college developed new programs, and Lee's stature and good reputation were such that Washington College received large donations from philanthropists, even in the Northern states. Lee took a personal interest in the students, learning to address them by name and taking responsibility for disciplinary measures.
Yet Lee's last five years were not years of unabated bliss. His health declined steadily, his wife was an invalid, his brother died, and his reputation suffered from some unjust attacks in Northern newspapers. Throughout it all, Lee held his head high and maintained his dignity, his character, and his principles.
Lee put much effort into healing the wounds left by the war. He appreciated the esteem in which he was held by his fellow Southerners, but he encouraged them to be loyal citizens of the United States of America. He never said a word against General U.S. Grant, and even rebuked an employee of Washington College who did. One of the most fascinating (and mysterious) episodes in the book is Lee's trip to Washington, D.C., to visit President Grant in the White House. No one else was present for the meeting, and so no one really knows what they discussed.
The book ends abruptly with an account of Lee's death, without going reporting on his funeral and his family's life without him. Even so, this book makes great reading and has fascinating insights into the private life of an American icon.
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You can look to the prints for hours, using your fantasy how it was/is to be a combat pilot.
But, do not not expect it to be a book with a lot of prints.
This is just a selection of one of the most beautiful prints.
This is really a book you can look in from time to time and turn yourself into another fasinating world.
All volumes are still available through several aviation art dealers. ( NW Aviation Art/Leisure Galleries) I do not know why Amazon lists many of these as out of print. They are NOT!
The new Volume 4 is out as of Sept. 2000.
Wish Amazon stocked them all.
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Many Christians, as well as skeptics, are unfamiliar with the rules of biblical interpretation and therefore, regardless on which side of the fence the reader is on religious issues, all groups can benefit from this book.
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I don't know what the previous reviewer's demands are when reading a novel, but mine are these: the story must create its world - whatever and wherever that world might be - and make me BELIEVE it. If the novelist cannot create that world in my mind, and convince me of its truths, they've wasted my time (style doesn't matter - it can be clean and spare like Orwell or verbose like Dickens, because any style can work in the hands of someone who knows how to use it). Many novels fail this test, but Bleak House is not one of them.
Bleak House succeeds in creating a wonderfully dark and complex spider web of a world. On the surface it's unfamiliar: Victorian London and the court of Chancery - obviously no one alive today knows that world first hand. And yet as you read it you know it to be real: the deviousness, the longing, the secrets, the bureaucracy, the overblown egos, the unfairness of it all. Wait a minute... could that be because all those things still exist today?
But it's not all doom and gloom. It also has Dickens's many shades of humor: silliness, word play, comic dialogue, preposterous characters with mocking names, and of course a constant satirical edge. It also has anger and passion and tenderness.
I will grant one thing: if you don't love reading enough to get into the flow of Dickens's sentences, you'll probably feel like the previous reviewer that "...it goes on and on, in interminable detail and description...". It's a different dance rhythm folks, but well worth getting used to. If you have to, work your way up to it. Don't start with a biggie like Bleak House, start with one of his wonderful short pieces such as A Christmas Carol.
Dickens was a gifted storyteller and Bleak House is his masterpiece. If you love to dive into a book, read and enjoy this gem!
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The English language is certainly a sea of words and constructs which has been fed into by almost every major language and ethnic tradition in the world. English began as a hodge-podge of languages, never pretending to the 'purity' of more continental or extra-European languages (which, by the by, were never quite as pure as they like to assume).
The book 'The Story of English', as a companion piece to accompany the PBS-produced series of the same name, hosted by Robert MacNeil, late of the MacNeil/Lehrer NewsHour, is an articulate, engaging, wide-ranging and fair exposition of an ordinarily difficult and dry subject.
The study of English is difficult on several levels. 'Until the invention of the gramophone and the tape-recorder there was no reliable way of examining everyday speech.' What did English sound like 200 years ago, or 400 years ago? 'English is--and has always been--in a state of ungovernable change, and the limits of scholarship are demonstrated by phrases like the famous 'Great Vowel Shift', hardly more informative than the 'unknown land' of early cartography.'
Of course, written language has until modern times been the limited and limiting commodity of a very small minority of people. The balance between the written and spoken language has a variable history, which can still be seen today (compare the writing of the New York Times against the speech patterns and vocabulary choices of any dozen persons you will find on the street in New York City, and this divergence will be readily apparent).
English has many varieties, and this book explores many of them, explaining that the writings and speech-patterns we see and hear as being foreign are actually English variants with a pedigree as strong as any Oxford University Press book would carry. From the Scots language which migrated to the Appalachian mountains to the Aussie languages adapted to Pacific Islands, to the ever-changing barrow speech of inner London, English speakers have a wide variety of possibilities that no one is truly master of all the language.
'If our approach seems more journalistic than scholastic, we felt this was appropriate for a subject that, unlike many academic studies, is both popular and newsworthy. Hardly a week goes by without a news story, often on the front page, devoted to some aspect of English: the 'decline' of standards; the perils and hilarities of Franglais or Japlish; the adoption of English as a 'national' language by another Third World county.'
English is, for international trade and commerce, for travel, for science and most areas of major scholarship, and many other groupings, the language not only of preference, but of required discourse.
In trying to find the length and breadth of English infusion into the world, past and present, MacNeil and primary authors Robert McCrum and William Cran have produced an engaging history, literary survey, sociology, and etymological joyride. By no means, however, are the major streams of English overlooked in favour of the minor tributaries--Shakespeare warrants most of his own chapter, as is perhaps fitting for the most linguistically-influential of all English speakers in history.
Of course, about this same time, the Authorised Version of the Holy Bible (better known as the King James Version) was also produced, with its own particular genius of language. 'It's an interesting reflection on the state of the language that the poetry of the Authorised Version came not from a single writer but a committee.'
There is a substantial difference in aspect of these two works -- whereas Shakespeare had a huge vocabulary, with no fear of coining new words and terms to suit his need, the King James Bible uses a mere 8000 words, making it generally acceptable to the everyman of the day. 'From that day to this, the Shakespearian cornucopia and the biblical iron rations represent, as it were, the North and South Poles of the language, reference points for writers and speakers throughout the world, from the Shakespearian splendour of a Joyce or Dickens to the biblical rigour of a Bunyan, or a Hemingway.'
From Scots to Anglesey, from the Bayou to the Barrier Reef, English is destined to be a, if not the, dominant linguistic force in the world for some time to come, particularly as the internet, the vast global communication network, is top-heavy with English, albeit an ever changing variety.
Revel in the glories of the English language, and seek out this fun book. Everyone will find something new.