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This edition contains most of the important/technical papers that russel wrote & are still worth reading for any serious philosophy student. The editor did a great job at selection but his snobbish introductory essays prefacing each russell essay is a complete waste of space & (your) time. The editor should have but didn't bother to update the logical symbols in the 1st russell essay, 'logic of relations', with the result that it would be incomprehensible even to people trained in symbolic logic.
'philosophy of logical atomism', for me anyway, helps me understand wittgenstein's Tractatus, which was otherwise incomprehsible to me.
I didn't make it through 'on denoting'. Who would really care about this important but by now mainly historical essay if you have already learned quantification theory & description theory?
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I spent two very pleasant evenings and a reasonable morning reading this 300 page book.
As a consultant who is about to do just that: measure the impact of an intranet web site for a large international company I was of course very interested (and critical) of what the authors have to say.
The book breaks down into three parts:
Part I: Measurement Strategy and Planning
Part II: Measurements and Consolidation
Part III: Analysis and Action
I found part I to be a very useful overview and framework for developing a measurement strategy.
In particular, the many sets of questions that the authors list are a great help in exposing elements of a strategy.
Parts II and III were (for me at least) less informative in that they were more based on common sense and many of the statements made there were all too easy too derive from part I. This is not as bad as it seems however for Part I covers almost half of the book and this part alone provides more than enough value to cover the cost of the book. In any case they were interesting enough that I read through the entire book (which says a lot).
While the book is a good start it is by no means the be all and end all (and considering the rapid flux of the field I don't think the authors ever had this pretention). In particular, my interest lies in the impact of intranets and this issue is covered almost as an afterthought in the very last chapter which is a pity considering that probably over 80% of all web development currently takes place on intranets.
An indepth discussion on impact measures related to knowledge management and sharing, workgroup collaboration and culture transformation would all be highly useful additions in a possible second edition. From the costing point of view, cost lowering metrics of websites such as self-maintainance and self-regulation as well as extensive support for self-publication (i.e. without intervention of "traditonal" webmasters might be a useful addition.
Nevertheless currently this book is a must read for anyone in the field involved with website justification.
Chapter 1, Planning and Measurement Essentials, is uniformly excellent and lays the groundwork for what follows. I also liked Chapter 3, Measurement strategies and Sources, because the information has much wider application than web site analysis. The overall methodology steps you through gathering raw measures, consolidating them, developing assumptions and approximations, then performing impact measurements.
This book will not only give you insights into the business and what is important, but will also give you a methodology that can be employed for technical analysis within the IT domain. For example, these business techniques are also the basis for measuring IT effectiveness, service level attainment and other performance areas. Of course the metrics for IT are going to be different than the business metrics given in the book.
If you're in marketing or competitive intelligence you'll find this book to be an asset for the ideas and methods. I personally learned many subtle facts and techniques about measurement and highly recommend this book to anyone who is tasked with impact analysis, regardless of whether it is for web site effectiveness or other technical or business areas.
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One of the reasons I think I like it is that, since it was written in 1968, it's not one of these wishy-washy new-age/ spirituality books that have become so common. Someone looking for "inspiration" should look elsewhere. This book is a serious theological tract that uses Peanuts cartoons to illustrate various points. I found this to be a very clever approach with which Charles Schulz himself "could not be more pleased."
I also like the fact that Short is not afraid to come out and say what he thinks. He tackles the tough questions of Christianity and gives the answers he believes are true. He doesn't try to sugar-coat the cross that a Christian is required to carry and he tries to make his way down to the very core of Christian belief. This is a worthwhile task.
On the other hand, I did find Short to be a bit repetitive in his writing. He hammers away his points over and over. Additionally, I have to say that I'm not a believer in everything he has to say. That, in and of itself, is fine with me. People willing to state their convictions make me willing to examine my own more deeply. This is something we all--even Mr. Short--need to do from time to time if we are to keep our faith strong.
Short points out that Schulz quite explicitly communicated Christian themes in his cartoons, but knew well he could not impose his own interpretations on them. As Jacques Maritain pointed out long ago, if art is to be Christian, it must be real art. Having read enough devotional and didactic stories and pictures in my life, I can attest to their general dullness. In great part, I think, Schulz has created real art in his Peanuts cartoons. As Short points out, they say something; they are more than mere entertainment.
Short summarizes the freedoms offered by Christian faith: first, the freedom from worship of false gods, idols; second the dreadful freedom of being deprived of being left with nothing to hold on to; third, the freedom of living under the easy yoke of Jesus Christ; and fourth, the freedom to use any legitimate means to spread the message of Christ. This can serve as a summary of the many descriptive themes of the book. One can see that in many ways, Christian faith lights up reality, the world as it is. However, he regards doctrines of free will as illusions.
Short is convinced that human beings are basically depraved, and that one must discover this fact before one can become a Christian. Along with this is predestination, although he conceives God's love as so universal as to preclude final damnation. This is hard to argue with, for there is nothing in Christian belief that implies that anyone has ever been consigned to Hell.
There is no question that human beings can be very evil indeed. Schulz was a master in showing the self-deception, arrogance, and confusion to which we are prone. The Peanuts are often quite cruel to one another. Short quite skilfully uses various cartoons to illustrate many aspects of human life in the light of the Gospel, and this is one of the great strengths of the book. However, people often do a great deal of good, and sometimes this comes out even in "Peanuts." Does it make sense to consider human beings as totally depraved? Not really. For one thing, evil is a deformation or misuse of something good. It has no independent existence. While one can agree that wounded human nature cannot attain the salvation without God's help, there are serious objections to removing all goodness.
As well, to whom would the Christian message be preached if human nature were totally depraved? Preaching would respond to nothing in human nature. Only if we were created for something better does salvation make sense. Short evidently sees the force of this objection and cites Pascal, who follows Aristotle and St. Thomas here, that human beings desire happiness, something Short does not elucidate. For Aristotle, happiness was eudemonia, well being. Short points out that Jesus wished to bring new life and joy. He finds support in T. S. Eliot, among others, to the effect that only God is capable of giving full happiness and that human beings are prone to seeking happiness in the wrong places and in the wrong ways. In other words, if there were not tendency to good in human beings, there would be nothing in them to respond to Christian teaching. But then what becomes of the doctrine of total depravity?
Following on his view of human nature, Short also proposes that human beings must be driven to despair before they can become Christians, a view historically reflected in much evangelical preaching. What this really means is that only persons of the right psychological types with the right experiences can become Christians.
Short accepts predestination of a deterministic kind. In particular, in the chapter, "Just Who's in Charge Here?", Short proposes that doctrines of free will are simply attempts to assert our independence from God. This appeal to a motive is not a valid argument against free will. Technically, it is a circumstantial ad hominem. As well, he opposes free will to the sovereignty of God. The view that the more one attributes to the creatures, the less one attributes to God has antecedents has antecedents in St. Bonaventure, Luther, Barth and others. But really, how grand is it when God can only create puppets? Thomists such as Etienne Gilson and existential ontologists such as Paul Tillich and John MacQuarrie point out that this is to treat human beings as things rather than persons, and misrepresents the relationships between human beings and God. On a more theoretical theological plane, they also hold that the creation of free beings shows the wisdom and majesty of God far better than the creation of mere things. For myself, I would rather worship a God who can create free beings, rather than one who cannot.
The Parables of Peanuts is a very effective popular presentation of a particular sort of Christian theology. I have tried to indicate some the areas I think the theology falls short, but there is so much good in it that I give it a top rating. After all, there is nothing else quite like Short's way with "Peanuts."
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This is a crackerjack of a biography about one of the most fascinating Americans of his time: dashing West Point graduate, Indian fighter, outstanding lawyer, poet, anarchist, romantic lover, satirist, visionary, discriminating patron of arts and the list goes on an on. So many facets, in fact, had Charles Erskine Scott Wood that it is hard to believe that they belonged to one swashbuckling champion for justice and independence.
Perhaps that is why Colonel Wood needed two rooms for himself in his suite of law offices in Portland, Oregon. One room was where he counseled his corporate clients whom he represented with zeal and intelligence to earn the large fees he needed to maintain his luxurious life style. The other room was for his other life, the life of the poet-anarchist-romantic where he let his other self flourish. It was the two room symbol that inspired the title to Robert Hamburger's well written, hard-to-put-down biography.
The life of C.E.S. Wood reads like a cross section of American history -- covering his 92 year life span. As a lad, Wood saw Abraham Lincoln campaigning to become president. As a young man, Wood was appointed to West Point by President Grant; was ordered to Oregon and later he fought the Nez Perce Indians in the last great Indian War of the Northwest after which Wood recorded and made famous the thrilling, yet tragic, words of resignation by Chief Joseph: "From where the sun now stands, Joseph will fight no more, forever."
Wood chose to remain in Portland in the late part of the 19th century, studied law, became a respected member of the bar, handled complicated and high profile cases while all the time he remained dramatically vocal about his anarchism.
Many famous personalities of his time paraded through Wood's life, like a march of American and literary history: Mark Twain, Lincoln Steffens, Woodrow Wilson, Clarence Darrow, John Cowper Powys, Emma Goldman and many others. If they were prominent, he met them, hosted them, corresponded with them, befriended them.
Wood had great passions and he wore them grandly. His early passion for wife Nan cooled over the years. In his 50's he was all but consumed by his turbulent affair with the Portland suffragette Sara Bard Field. Finally, after providing for them financially, Wood left his wife and family and moved to San Francisco to spend his vintage years with Sara and to devote the rest of his life to being his other self, the creative, poetic self, the occupant of the 'second room.'
One may not entirely approve of everything Wood did, but that certainly does not detract from the absorbing review of his unique life.
6/3/2000
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He talks about his experiences in short stories which is easily digested and with each chapter he has exercises that you can do to have OOBE. He writes not only how to have OOBE but as the title of the book implies "what to expect" when you do have them so you will be prepared and not totally off guard.
For example, he talks about the silver cord and how things are a little different in the astral than in the physical. The last chapter of the book has a detailed method of getting out of the body.
However, I wish he wrote about some of the struggles that he had and how long it took for him to have some of his OOBE. I think it is important to have people understand that for most people it will take time and effort and dedication. And by reading about some of his failures, readers won't be too discoruaged when they don't have OOBE as soon as they want. Instead they will say, "Hey, he had difficulties too and still accomplished OOBE. I'm like him and if he did it, I can do it too!"
Again, I would highly recommend this book for anybody who is interested in having OOBE. It is easy to understand and doesn't have the esoteric "mumbo jumbo" that are found in some of the other books.
As always, there are what is considered 'essential books' in any subject matter. I feel that this book ranks with the essential books in the field of OOBE. Some of the other essential books, in my opinion are, Journey Out of the Body by Robert Monroe, Adventures Out of the Body by William Buhlman, Astral Dynamics by Robert Bruce and Rick Stack's book(I can't remember the title). There are more but these are from more recent times and may be easier to understand and read than some of the older books.
It's important to have good books to read(this is one of them) so that your subconscious is saturated with the subject so that it knows that you are serious about having OOBEs. Good luck in having OOBEs and remember not to get discouraged and keep at it.
Peterson explains his experiences with OOB states (and other interesting effects on his life) in a very straightforward manner. No jargon to wade through, no assumptions to be swallowed (other than "gee it'd be cool to wander around outside my body"), and no apparent agenda other than a clear desire to let people know what he's figured out about the subject.
Some books tend to leap into esoteric explanations of (as an arbitrary example) "the seven spheres of astral existence" or the like, without much of a solid attempt to back up their assertions. A "believe me, because I know lots" attitude. Peterson's book instead carefully walks you through his own experiences, allowing the reader to see how he figured out some things, and how others still don't make sense. In other words, it sounds just like how you'd expect an honest guy trying to report some totally weird experiences would sound.
Everything he writes about in the book comes from his reported personal experience. When dealing with a subject as unconventional as OOBs, it really helps to be shown a clear picture of the exact process the author went through, from first experience, through explorations, side effects, up to the point where it's become enough a part of the author's life to begin sharing what he knows. And basically that's what we get here, along with quite a lot of specific techniques for skewing the scales in favor of getting some results of your own.
Highly recommended!
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Here's a bit of information you other readers might enjoy: the meaning of the pirates' song--
Fifteen men on a dead man's chest Yo ho ho and a bottle of rum!
The real-life pirate, Edward Teach (Blackbeard the Pirate) once marooned 15 of his men on a small island named Dead Man's Chest. He put them ashore with no weapons, equipment or supplies--just a bottle of rum.
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At first, upon commencing reading this small book, I continued to ask `where is the evidence for that' but on realising that he had gathered a large volume of data to support this theory I simply continued to read on. Its not either an easy read or that complicated. Darwin looks at evolution in a very comprehensive way: first, linking the main idea with the variation of animals under domestication, something he himself had extensively studied in the case of pidgeons; second, associating this with variation under nature and the struggle for existence; he then goes on to describe in detail natural selection and the laws of variation. He follows this like any good scientist by an analysis of what may be the theory's weaknesses, such as the scarcity in the geological record and the lack of organisms in a state of gradation. He then applies the ideas to instinct, hybridism and then discusses in great depth the imperfections of the geological record. He also considers how geographical distribution can alter the results of evolution and how the embryos of various animals have a resemblance to that of other animals and how they also appear to repeat previous evolutionary steps as they mature.
Its too bad the 20 volume set was never published, even the incomplete version would have been better than only the abstract. Nonetheless it is well discussed and written as a comprehensive summary of the main thesis. At times the style can be repetitive and even dull but this is compensated for by fascinating little excerpts which are present throughout. This was, remarkably enough, my first reading of "The Origin of Species" and I do believe that every practicing scientist should read it as part of their education rather than accepting its tenets without question as is the wont. However rather than being a description of the true origin of species, it actually takes a change which occurs (by whatever means) and then describes the process the species undergoes from then on. Darwin never actually said anything about how new variations are formed, this was left for others to consider and eventually led to the modern Darwinian thesis including the idea of mutation caused by radiation, viruses or chemical agents. Much has also come to light over the last century such as the symbiosis of organisms producing the merger of cell and mitochondria seen in every cell today and similarly the recent evidence of gene swapping going on between bacteria and now also larger organisms, see "Lamarck's Signature" by Ted Steele. Since Darwin did also not explain form but rather the possibility of how form came about Brian Goodwin's Form and Transformation is a good place to start.
It must also be remembered that in his time the thesis was new even if many others were working on similar ideas Darwin was the first, in conjunction with Wallace, to expand on natural selection and obtain strong evidence for it. An essential read for any scientist.
1) Which name is most closely associated with the theory of evolution?
2) Which book did this person write on evolution?
3) What claims are made in that book?
4) What else is contained in that book?
With astonishing regularity, the average literate adult will respond as follows: 1) Darwin, 2) Origin of Species, 3) Humans descended from apes, and 4) I have no idea. The first two are correct, the third is absolutely false, and the fourth is an admission of complete ignorance. Considering that "Origin of Species" is over 600 pages long, and took nearly two decades to write, one would expect it to contain something more than the four simple words "Humans descended from apes," which, in fact, it neither contains nor implies. So, what DOES it contain? There is one word that best summarizes the bulk of Darwin's magnum opus: "observation".
It is a lengthy book; at times it is tedious, at times politically incorrect, and at times scientifically off-base. But, despite its numerous flaws, it is one of the greatest achievements in the history of mankind. Even if you are among the few who refuse to accept Darwin's ideas, you cannot deny their impact. The theory is the cornerstone--if not the very foundation--of modern biology. Whatever your preconceptions, you will likely be surprised by this work. Darwin was the consummate naturalist and scientist, as well as a refined and articulate gentleman. "Origin" is a delight and an epiphany to read. It's amazing how much Darwin got right, despite the fact that he had essentially no idea of how inheritance worked. It's amazing how much data Darwin carefully assembled, analyzed, and described. It's amazing how meticulously Darwin weighed the evidence, noting when competing theories made different predictions, when the available evidence was not what he would have expected, and what future evidence could completely discredit (falsify) his theory. It's amazing in its honesty.
The misconceptions about "Origin of Species" are not merely rampant, they are effectively universal, fueled (largely in the US) by the rise of creationism, which seeks first and foremost to vilify the theory of evolution as well as Darwin (often failing to distinguish between the two). It's worth the time to read this enormous but meticulously crafted volume, if only to allow you to form your own opinions about such an influential book. Once you have, take the little quiz again. You may need 600 pages to answer the last question.
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The story is less so. One of my gripes is that Wilson has the same small set of characters interact through a series of "coincidences" over two decades as the story unfolds. He explains these away as a time-related side-effect of the chronoliths. Now, I might buy this, except that he never really gives a clear explanation of what the twisted causality is that he refers to. I don't mean that I expect him to give a scientific explanation. But some examples (outside of the coincidental character interactions in the book) to illustrate his idea would lend it credence. Without this, these coincidences come across almost as laziness on the part of the author.
I have a hard time putting my finger on what else I didn't like about this book. The story moved along well and the main characters were fairly well-written. Perhaps it's the uneasiness that arose in me as the unfolding story told of a progressively bleak future for the world and the resulting degeneration of the American political scene. We Americans always seem to think of the future as better and brighter, and The Chronoliths points out that this might not always be the case.
In the end, I would like to give this story a better rating, but I can't. I might not recommend it, but on the other hand, you wouldn't be wasting your time if you chose to read it.
Second, the ending was not very satisfying. The end just doesn't have any real payoff. You don't cheer for the hero because he isn't very likeable. You don't really cheer for anyone. This book reminded me of Robert Silverberg's The Alien Years. Both books have a similar melancholy tone and unsatisfying endings.
I wanted to like this book but cannot heartily recommend it.
With that said, however, I think the followthrough is disappointing. The book never rises to the potential offered by its concept. The story itself is promising in the beginning, but then it sort of evolves into a tepid made-for-TV movie.
Sadly, I think this is something of a habit for Robert Charles Wilson. I felt the same about Darwinia -- great concept that never is realized in the telling of the story.
This is the 2nd in the Krull and Hewitt's "Lives of ..." series. The book contains 19 chapters on 20 writers in birth order: Murasaki Shikibu (973?-1025?), Miguel de Cervantes (1547-1616), William Shakespeare (1564-1616), Jane Austen (1775-1817), Hans Christian Andersen (1805-1875), Edgar Allan Poe (1809-1849), Charles Dickens (1812-1870), Charlotte & Emily Bronte (1816-1855 & 1818-1848), Emily Dickinson (1830-1886), Louisa May Alcott (1832-1888), Mark Twain (1835-1910), Frances Hodgson Burnett (1849-1924), Robert Louis Stevenson (1850-1894), Jack London (1876-1916), Carl Sandburg (1878-1967), E. B. White (1899-1985), Zora Neale Hurston (1901?-1960), Langston Hughes (1902-1967), Isaac Bashevis Singer (1904-1991)
This is a perfect book for young adolescents and pre-teens who as they grow and mature frequently feel awkward. Krull introduces us to the idiosyncrasies of the literary. Some of the authors were loners, eccentric, a wee bit peculiar. Michael Jackson's behaviors might seem normal when held in comparison. Some retreated into themselves. Some sought out adventures. Some as adults were unsuccessful at the ordinary.
Some worked at a young age to support the family. Some took daily walks, very long daily walks. Some were not healthy and therefore wrote in bed. There were some similarities and some differences, but they all shared a singular conviction to write and write they each did well.
Hewitt's delightful portraits of the writers are precious. My favorite portrait is of Frances Hodgson Burnett of "The Secret Garden" fame. Her hat is the secret garden.
Given the high price of the book, I was surprised that Krull did not include a list of the authors' books and/or poems and the publication years. END