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The story takes place in the city of Urbicand, a city divided by a river. The people from one side of the river never visit the other, in fact, it's almost illegal to do so. Why? Beats me, not even the people from the city know. Suddenly, a cube appears in the desk of famous urbatect Eugen Robick, and the cube starts growing and growing until it connects both sides of the city. But the cube does more than physically connect both sides, it also connects the people emotionally. People start walking on the cube to the other side of the city, meeting the people that lived right in front of them for years for the first time.
But the story has a problem. The main characters are not very expressive. I'm very much aware that the real main character of the whole story is the city of Urbican itself, it's very interesting to see how the city reacts to the giant cube growing on it. The city expresses itself very well. The problem is with Robick the urbatect, he is a very cold and unexpressive person. He rarely expresses much awe for what's happening. If the characters are not amazed by the fantastic events taking place, then how are we supposed to be amazed then?
Eugen Robick is from the great city of Urbicande. This modernized city is "world famous" for its urban architecture. Feelings, attitudes, and the general philosphy of the citizens of Urbicand is influenced by the architecture of the city. But there is a darker side to this architectural eutopia: there are actually two parts to the city; a south bank and a north bank. South bankers, like Eugen robick, the main architect, consider the north bank to be a place of chaos because of its architecture. South and north bankers have never met, even though there are two bridges connecting the two banks. The city committee insists on keeping the two banks seperated and controls the two bridges tightly. But now, a mysterious cube sits on Robick's desk. It is growing rapidly, and connecting Urbicand's two banks...
The art is great. There is so much detail in the beautiful architectural designs by Schuiten. the story is fantastic and ironic in some respects. If you are a classic sci-fi fan, this book is a must-read.
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The careful reader will discern that the undermining of beliefs of all sorts is not limited to Catholic schooling but is found at all levels of American, yea, even Western education in general. Ever since the Revolution of '68 there have been forces at the professorial level transforming the thinking of students. The students, in turn, have endeavored to transform society into a purely secular concept.
As a theolinguist, I paid particular attention to Schüssler-Fiorenza's approach. Neither she nor Groome is a professional linguist--and it shows. In Chapter 7 (on the Trinity) it becomes immediately obvious that neither Groome and Fiorenza nor Keane understands the crucial difference between grammatical gender and human sex differentiation.
The book examines the extent to which Groome was philosophically influenced by noted--and some not so noted--liberal theologians. It also outlines Schüssler-Fiorenza's indebtedness to certain prominent feminists.
This is not a book for the uninformed. Unlike the Anglican Communion, the Catholic Church has a magisterium and can prevent or counteract the spread of the theology of heretics and apostates run amok, like former priest Groome and Schüssler-Fiorenza or retired Episcopal Bishop John Shelby Spong.
The typesetter needs to add the umlaut to his stock of diacritics.
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Unfortunately, the picture is hard to see if you are unaccustomed to the language of biblical scholarship and feminist historical reconstruction. For most people interested in feminist theology, this is not the book to start with. I wish someone would rewrite it for a broader audience. In substance it is exactly the kind of background that every woman should have, in order to understand how she has been viewed, defined, and influenced by christianity and christian-dominated culture.
It should be required reading (along with a diet of bread and water and daily flagellation) for every Catholic bishop who is not demanding the ordination of women in his church.
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One of the hallmarks of this book is that the blind heroine is *not* a tortured, self-pitying soul who must be saved from herself. She is for the most part happy, having been without sight since childhood. The descriptions of how she senses people, and the scenes of friends and suitors helping her to "see" and reading to her are marvelous.
A remarkable book that I will read over and over. Should be reprinted!
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