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"Hitch" is mostly filled with tales from behind the scenes rather than an examination of Hitch's craft and technique. I enjoyed it because I think knowing the PERSON behind a picture will often explain his technique better than any self-proclaimed "expert" who will often take technical necessity and make it symbolist bull.
Well written and very interesting subject matter. A must for anyone!
Russell is often thought of as a great campaigner for peace: Ray Monk shows what was left aside when Russell devoted himself to that campaign. The biography, though, is not merely an exposure of the private flaws of a great public figure: there are moments of charm and comedy within the family life too, as when Katherine describes her father on the beach looking "a little like a cockatoo", with his big red sunburned nose, twinkling eyes, crest of white hair and abrupt laughter. There is also a comic side to a hysterical campaign against Russell in America in 1940, when he was denied a lecturing position (in mathematics and logic) because he was alleged to be " lecherous, salacious, libidinous, lustful, venerous, erotomaniac, aphrodisiac, atheistic, irreverent, narrow-minded, bigoted and untruthful", a description more remarkable for its love of adjectives than for its acuity.
Much of the book, however, is harrowing reading: all the more so because some of Russell's best intended initiatives (his conviction that he must not let his baby son see that he adored him) had predictably disastrous results. The most tragic life in the Russell family, and the one which Ray Monk is the first to do full justice to, though, is that of Lucy Russell, Russell's granddaughter. Reading the last pages of this book, it is difficult not to agree with Monk that Russell (and his entire family) was, indeed, haunted by the ghosts of madness.
Ray Monk magistrally portrays Russell as facing now the challenge of taking a new direction to his life, trying to achieve the same level of academical glory when entering into new fields of knowledge. The story is of a genius who had to prove to himself that he had not lost his intelectual vigour in the ageing proccess and at the same time , balancing his mundane needs trough popular texts written to readers not specialized in philosophy and mathematics, and many other areas where he was proficient.
He marriages now for the second time in his life, with Dora, with he would generate a son (John) and a daughter (Kate), began for him a new era as an educator and as a mass-comunicator, where he approached all the available means (newspapers, magazines, radio panels and lectures) in order to make money thus providing the material means for his special ideas on how to educate his children. He wrote many books on the subject and even inaugurated a special school where his two children where educated along with the children of some upper-class Englishmen and Americans.
He was two be married again twice and to have more children with Peter (yes, a very special nickname of his third wive). In terms of the outcome he got, it was nothing anyone could foresee at the beginning.
To sum it up, the book is a faithful portrait of a tormented man, surrounded by all kinds of people who loved/hated him, and who seems to destroy every inch of happiness one could have before getting to know him. Strange as it seems, the man who was trying to save the world with his pacifist stand against nazism, and later comunism, and all forms of totalitarianism, was incapable of understand the human nature of all people who lived with him.
This is a good book to read to everyone interested in philosophy and in the life of the greatest philosopher of the 20th century.
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This is a text written before that fateful discovery, and as such does not have the benefit of the Incompleteness Theorem to flesh out the ideas. As such, most of the material is wanting, at best, to the contemporary reader of mathematics. Adding to this the fact that the communication of mathematical ideas has tremendously changed in the intervening years, and the result is a text that, though one day had great significance, today seems like a much faded phtotgraph from a by-gone era.
Maybe this makes the text interesting in itself. However, those readers that wish for a current look at mathematical thought, and an introduction to the philosophy of mathematics may be best served by looking elsewhere.
Like anything Russell wrote, it is a pleasure to read - his writing style is wonderful, and quite extraordinary when one realises how quickly he wrote this book (in prison, too!), but I suspect that for many readers the mathematical content will prove a little tricky to grasp.
As a historical document, it is fascinating; as an introduction to mathematical philosophy it is too narrow-minded for 1999.
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However, this new edition is edited by Michael Fellman and he does quite a nifty job in eliminating the extraneous material and retaining the essentially great elements of Young's original volumes. The heart of the book is Grant's table talk, where he spoke with rare candor about some of his civil war contemporaries such as Lee, Longstreet, Jackson, Sheridan and Sherman. These comments still resonate today, and rarely did Grant speak about these men at such length or with such perception.
John Russell Young idolized Grant and saw in him the qualities that make him the quintessential American hero. Grant was a bashful, hopelessly naive and honest man, and these traits come through in this work, illuminating his wry humor and extremely likeable character. Fellman has done well in editing this new version which focuses the reader on Grant and not trivial details about flowers, luggage or place settings. A nice book!
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We compliment Margaret Russell for her good taste and her clear, presentation, refreshingly uncluttered by hyperbole.