This is a finely written account of one of England's very best contemporary painters. The author in a learned but easy to read style gives a clear exposition of the painter from abstract rebel in the 1960's to representational painter in the 1980's and 90's.

This is a beautiful book highlighting in particular the truely brillant images of New York City. Bill Jacklin is an Englishman in New York who is building, in a fine body of work, a visual narrative of New York that few if any can match. His work is a more complete and more intrinsically sympathetic account of his chosen city than David Hockney's pictures of LA. Mr Taylor has done the painter and the readers of this book proud with a model monograph.

I am a network engineer for a wireless company and I would like to note that Mr. Russell's books are very outstanding and helpful. It gave me a very good understanding regarding telecommunications protocols and among other things. It had helped with me my job funtions, and enable me to share these knowledge to my fellow engineers.

As a young boy he heard the words of Horace Greely, and indeed went west to seek fame, fortune, and adventure. After two years with Jake Hoover in the Judith, his dreams of wranglin', and ropin' came true at the O H ranch. Over time the home of the "Big Sky Country" became his perminant domain, and his mother Miss Montana, she blessed her son with a gift that would speek for many of his kind that ventured before him. He illustrated with brush, and canvas. He wrote in scripture, and sculptured in bronze. With his gift, C M Russell was able to protray what it was like to live in a time when spurs, the six-gun, and the feel of leather was a cowhands only cherrished parcel. He became the "Cowboys Cowboy", and the voice of the "Red-Man". Montana's dearest son had done what she wanted him to do. Russell for those who knew him was Loving, Kind, and Loyal. He never forgot his roots, no matter where he traveled. In the end Montana was more than proud of him. For she had raised him as Montanan. Over the years he became a Montanan. And at the end of the trail, he was buried as a Montanan.

"Complete Introduction to Parrots" is an abridged version of the classic "Parrots and Parrot-like Birds", by the 12th Duke of Bedford. He was an English lord, and perhaps the most prominent bird breeder in the early 20th century. His books were the state of the art in technical content in their day, although they do not reflect the immense advances in aviculture since then. However, he had an incredible flair for writting amusing anecdotes about the misadventures of his parrots (including truly rare species, like Lear's macaw), which he let fly free in the English countryside. This is why his books continue to be published, long after the other aviculture books of his day have fallen by the wayside, and why they shall continue to be 50 years from now, when the books that are state of the art today have become obsolete and fallen by the wayside.

As novice birdwatchers, this book was indispensable for planning our birdwatching trip to SE Arizona. It gave specific locations to visit for birds that you could expect to see there. Directions were clear and concise. With help from this book, we saw nearly every bird species we had hoped to see. This book is a must for this region!

If you need a quick and dirty, but highly authoritative low-down on Shakespeare, this book by a traditionally revered Shake academic literary critic is for you.
John Russell Brown is Prof Emeritus on Theatre/Drama and English Language/Literature. Everyone who studies Shakespeare has read some reference to him or one of his articles.
He's old-school so you won't be deluged w/ deconstructionalist or other literary criticism arguments and terms. So, in this sense ANYBODY will understand this book, even if they aren't a navel-gazing graduate student.
Like any good Prof of Drama he throws in several chapters about acting and interpreting the play from an actor's point of view.

Dorothea Tanning shows an incredibly wide range of artistic styles in this compilation of her works. Some of the most intruiging and inspiring paintings I have ever seen!

This is the premier book on the topic of erisa subrogation. lawyers and benefits persons have been waiting for a book to provide a summary of the relevant principles and law in this area. the book will provide great help for practitioners in this complicated and often confusing area of law.

Eugene Delacroix: Selected Letters 1813-1863 is a broad anthology spanning decades of personal correspondence of one of the foremost French Romantic artists. Black-and-white renditions of Delacroix's art illustrate the highly literate and fascinating pages of Delacroix's thoughts, ably edited and translated by Jean Stewart. Eugene Delacroix Selected Letters 1813-1863 is enhanced for the contemporary reader with an informative, extensive introduction by John Russell, and very highly recommended for academic reference collections and anyone with a keen interest in Delacroix's art and a dedicated desire to learn more about the man behind the masterpieces.

This book is a collection of four different works of Saint Augustine. The table of contents is as follows:

"Christian Instruction", introduced and translated by John J. Gavigan

"Admonition and Grace", introduced and translated by John Courtney Murray

"The Christian Combat", introduced and translated by Robert P. Russell

"Faith, Hope, and Charity", introduced and translated by Bernard M. Peebles

Index

The supplemental materials in this book consist of fairly short introductions to each work written by the translator of that work, footnotes that explain translation issues, references to other works, including scripture references, and finally, a shared index.

Each of the four works which comprise this book will be discussed in turn.

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The title of the first work, "Christian Instruction", leaves the reader to wonder whether the work is intended to instruct him in Christianity or to be an instructor of others in Christianity. The answer is: yes. To quote Augustine himself, in his discussion of it in his "Retractions":

"I...completed the work in four books. The first three of these help to an understanding of the Scriptures, while the fourth instructs us how to present the facts which we have just comprehended."

Of the "books" alluded to by Augustine, the first prescribes the proper attitude for the study of scriptures, specifically from the perspective of "faith, hope, and charity". The second prescribes a program of education, central to which is knowledge of language: both the general knowledge of language as a system of signs, and specific knowledge of Hebrew and Greek. The third prescribes a system of hermeneutics or interpretive principals and rules. Finally, the fourth is essentially a discussion of rhetorical methods of persuasion and their application to teaching Christianity to others.

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The second work, "Admonition and Grace", was written because a number of monks had been disturbed by an a letter of Augustine which they thought so exalted the importance of divine grace as to leave no place for human free will (and responsibility). The specific question they asked was:

"Why are we preached to, and given commands, in order to have us avoid evil and do good, if it is not we ourselves who do these things, but God who effects in us the will and the deed?"

To the immediate question, Augustine in reply developed the doctrine that while man of his own free will could do no good without grace, he could recognize his own evil, and in that power lay his responsibility:

"Whenever you fail to follow the known commands of God and are unwilling to be admonished, you are for this very reason to be admonished, that you are unwilling to be admonished...You are unwilling to have yourself shown to yourself, that you may see your own deformity, and seek one to reform you, and beg Him not to leave you in your ugliness of soul."

Not content with having answered the question at hand, Augustine went further, and discussed the ultimate origin of sin, and the state of man and the fallen angels before their respective falls and the nature of those falls. Going further yet, he discusses grace with regard to Mary and the elect, and still further, ultimately ending in a theodicy.

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The third work, "The Christian Combat" is a short, muscular work "written in a plain style for brethren not proficient in the Latin language". Its end is to lay out how a Christian should live, and to identify heresies that Christians should avoid falling into. As befitting its audience and purpose, it is simple and direct. The basics of Christian belief and scriptural justifications for them are quickly described, then then warnings are given a series of heresies that must be rejected.

The points of Christian belief covered are the nature of evil (Manichaean dualism being explicitly rejected), the governance of Providence, salvation through the sacrifice of Jesus Christ, and God as the Trinity.

The list of heresies to be rejected is actually the bulk of the work. Each begins with a "Let us not heed..." introduction, followed by a description of the particular heresy, and then a justification (generally scriptural, sometimes logical) for why it should be rejected.

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"Faith, Hope, and Charity", the fourth and final work in the book, is also known as the "Enchiridion", or handbook. It was written in response to a letter containing a list of questions pertaining to Christian doctrine.

"Faith, Hope, and Charity" begins by discussing is a wide-ranging work, as its origin might suggest. Most of the work is loosely organized around the apostles' creed as a framework for explaning the faith. As such, it discusses belief in God, the goodness of creation, the nature of sin, the origin of sin, God's grace and Christ as the means of man's salvation, the church, the resurrection of the dead, the relation between providence and free will, hope and the Lord's prayer, and finally charity as the crowning principal of the commandments and the true good at which man should aim.

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For my part, the work that really stood out was "Grace and Admonition". The subtlety and power of Augustine's solutions to the problems of grace and free will make truly impressive reading. Several times, I went back to the beginning and started reading again - not because I didn't understand it, but because I was so floored by it, that I simply had to read it again right away.