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Frankly, the reviewer could not have been more wrong. Boa and Bowman defend each of the four approaches as valid and helpful in their own right. They go out of their way to point out ways in which various apologists do not fit neatly into one category. For example, they suggest that William Lane Craig is a classical apologist with evidentialist leanings, and that Alvin Plantinga is a Reformed apologist with classical leanings.
When Boa and Bowman come to discuss the integration of the four major approaches, they state very plainly, "we do not claim that our proposals should be accepted as _the_ final integrative approach" (p. 509). Or again, "We do not wish to be interpreted as proposing a 'new approach' or a comprehensive approach that definitively unites them. Indeed, we are not sure that this is possible or even desirable" (p. 535). Instead, the authors recommend that apologists take whatever approach they find most compelling and then strengthen that approach by learning from the other approaches.
This is the first book that presents sympathetically the apologetic thinking of such disparate thinkers as C. S. Lewis, Richard Swinburne, Cornelius Van Til, Karl Barth, and Francis Schaeffer. There simply isn't another book like it.
This book is extremely useful for a number of reasons. It's obvious strength is its thorough treatment of four major apologetic methods; classical, evidential, presuppositional, and fideist. This book is the best in print in dispassionately presenting each view, its strengths and weaknesses, and how each view interacts with various apologetic issues and objections. The reader will gain a solid working knowledge of apologetic school of thought to reflect upon and possibly incorporate in their own approach to apologetics.
Second, this book provides one of the best summary level examinations of many prominent Christian thinkers throughout church history. Anybody who wants a good summary treatment on the thinking of folks like Pascal, Kierkegaard, Van Til, Clark, Kuyper, Barth, Craig, Plantinga, Geisler, Aquinas, and many others will find it here.
Third, their demonstration of how each apologetic system interacts with key issues such as science, theology, the Bible, Jesus Christ, etc is very informative. I found these examinations to be very insightful, since it impressed upon me the reality that evangelical Christianity is not at all monolithic in how it views the relationship of apologetics to these vital issues. Through this diversity of thought, I have found my own approach to apologetics expanded and challenged in a very healthy way.
Lastly, the authors truly invoke a spirit of Christian love throughout this book. The authors clearly hold to the view that great Christians can and have held to each apologetical method, and the authors have properly resisted any attempt to use apologetical method as a litmus test to judge the level of anyone's Christian walk. This is very refreshing, and is definitely a step in the right direction. While properly pointing out where certain thinkers in each camp have strayed from acceptable evangelicalism (Barth and his errant view of Scripture, Pinnock and his god of limited omniscience, etc), they affirm the value of each apologetic method and the thinkers who hold to each view.
At the end of the book, the authors attempt an integration of each method which I found helpful and balanced. The authors properly note that pure integration may not be possible, and might not be desirable either. I felt that the biggest strength of their integration approach was the belief that each apologetic method is useful for reaching certain people who hold certain objections or presuppositions, and that these apologetic approaches can be integrated somewhat with certain methods being more emphasized than others based upon the beliefs and views of the person we are in dialogue with.
The only weakness of the book is that while it does attempt to deal with tangible objections such as in the inspiration of Scripture, the deity of Christ, and the problem of evil, readers who are looking for comprehensive apologetic responses to these issues may not be satisfied by what's here. This is a book that deals with apologetic method, and while it does show how each method generally responds to these kind of objections and issues, the reader will not really find a systematic treatment here, although I should stress that what is covered in these areas is very helpful.
But since this is not really the thrust of the book, I do not see it as a weakness of the book worthy of demoting the 5 star rating I've given it. This is a thoroughly researched book which in my view, presents the best contemporary treatment of apologetic methods in a spirit of Christian love that will hopefully serve as a model for further development of respectful apologetic method in the future. A well done book that is highly recommended.
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The book's understory is the attempt by Nason to find the young woman in Quebec and wreak revenge on the man who took her. Will Nason find his long lost friend and redeem her? Will his personal redemption come from something or someone more unexpected?
Roberts paints his historical characters and events with great accuracy and fullness. You feel like you know Arnold, Daniel Morgan, Aaron Burr and others as they endure a grueling 600 mile journey through the wilderness of Maine and Canada in their attempt to seize Quebec. The march to Quebec, siege and assault on Quebec are told in riverting detail. If you want a great understanding about this campaign, I recommend this book highly. If you want a great read, I recommend this book even higher. Enjoy!
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Beginning in the mid-1930s, Roberts wrote a series of brilliant but erratic historical novels about America in the late 1700s, set in his beloved Maine or in neighboring Boston and Portsmouth, NH. "Northwest Passage" (which was serialized by the Post) was his masterpiece and the most popular book in America for two years during the 1930s, although it's barely remembered today (or, if remembered, known only as the source for a mediocre Spencer Tracy movie of the same name).
The book is the story of a real person, Major Robert Rogers, a miltary leader from pre-Revolutionary America whose unit, Rogers' Rangers, was America's first to fight "Indian-style" (in other words, to fight battles the way we fight them today). Rogers' great success in warfare led to him becoming one of the colonies' first published authors, a star in London, and later the royal governor of Michilimackinac (the fort at the tip of the Lower Peninsula of Michigan ... and the land westward), but his unwillingness to join with pluderers who wanted to loot the British and colonial treasuries in the name of the Crown led to his arrest and unwarranted disgrace ... and to his ultimate decision to side with the British during the American Revolution, like Roberts' other main hero, Benedict Arnold ("Arundel" and "Rabble in Arms").
This novel is made up of two very different but intricately-plotted books. Book 1, which ranges in place from Harvard College to the British Army during the French and Indian Wars and the New England art world, tells the story of a young man, Langdon Towne, who becomes Rogers' personal secretary during Rogers' Rangers' expedition to destroy the town of St. Francis, home of the native group most hostile to the New England settlers. Book 2, which begins in London, crosses back to upstate Michigan and the Dakota lands, and then returns to London, tells the story of Towne's advancement as an artist and his involvement with Rogers' plan to discover the Northwest Passage.
The reason that this book rates 4 stars instead of 5 has to do with a writing issue that must be mentioned. Roberts' friend Booth Tarkington served as "editor" of the first three-quarters of the book, and the Roberts-Tarkington prose is stellar. However, under severe time pressure to finish the second half of the book (due to its smash-hit status), Roberts wrote the last quarter without Tarkington's help, and the change in writing quality is jarring -- especially as it comes right during the most historically-important and dramatically-important section of the book, Rogers' betrayal by his Northwest Passage expedition commanders and by his British and American enemies. Roberts had offered Tarkington co-writing credit, which Tarkington refused, but this justaposition of styles shows just how critical Tarkington's help was. The plot continues smoothly, though, even if the writing doesn't.
One more point: in researching and writing this book, Roberts uncovered (after two years of searching, and just before publication of Book 2) the actual court-marshal transcripts of the two court-marshals with which Rogers was involved, which were believed to have been destroyed by Rogers' enemies -- and both supported Roberts' sympathetic treatment of Rogers. Thus, not only was this book incredibly popular, but it was significant for historical research as well. What more can you ask from one book?
"Northwest Passage" is arguably his most popular work, and its Book I was made into a pretty good 1940 movie with Robert Young as the fictional Langdon Towne and Spencer Tracy as the legendary Robert Rogers. (I must admit that everytime I read Rogers' dialogue in "Northwest Passage" I hear the voice of Spencer Tracy.) Anyway "Northwest Passage," the novel, is actually made up of two very different books.
Book I is one of the finest pieces of historical fiction that I have ever read. It's the story of Rogers' Rangers attack on the Abenaki Indian village of St. Francis during the French and Indian War. The story revolves around a fictional character, Langdon Towne, an upper middle class lad who wants to become a great artist by painting "true life" subjects such as Indians. Fleeing a dispute with local crooked politicians, Towne joins Major Rogers and his Rangers on the eve of their departure for St. Francis. What happens next is a thrilling story. Roberts' descriptions of the northern New England terrain, the agony of fatigue and starvation, and the gruesome depiction of the barbaric nature of war are stunning to read. Also amazing is the depiction of Major Rogers as seen through the worshipful eyes of Towne. The reader will finish Book I with a heroic image of Rogers as an indefatigable, courageous, clever tactician and born leader.
Book II, though, is a disappointment. Of course, it is very understandable that Book II is a let down, since Book I can hardly be topped as a historical adventure. Roberts' spends most of Book II tearing down the heroic image of Rogers that he built-up in Book I. Alcohol, debt, political enemies, a bad marriage, and his own vices reduce Rogers to a rather pathetic character. Book II also suffers from a lack of focus- we follow Towne as he develops into a famous painter from New England, to England, to the Upper Great Lakes, to Canada, back to England, and then to New England. Unlike Book I, which dealt with just a few short months of time, Book II is all over the place. However, the biggest problem with Book II is that nothing really happens in it- just Rogers' long decline and Towne's search for fulfillment.
Finally, Kenneth Roberts' books usually contain some extremely well developed and strong female characters, but "Northwest Passage" is lacking in this department. The interesting character of Jennie Coit disappears quickly. And Anne Potter, who had the possibility to be extremely interesting, is just too thinly drawn.
"Northwest Passage's" Book I is a terrific piece of historical fiction. I cannot speak more highly of it. However, Book II drags, and is really only interesting in that illustrates what happens to the characters introduced in Book I. Book II is actually just a very long and detailed epilogue to Book I.
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"Carol" tells the story of cold-hearted miser Ebenezer Scrooge, who despises the Christmas holiday and scorns all who celebrate it. But a visit from a series of supernatural beings forces him to reevaluate his attitude--and his life.
With this simple plot Dickens has created one of the enduring triumphs of world literature. It's a robust mix of humor, horror, and (most of all) hope, all leavened with a healthy dash of progressive social criticism. One thing I love about this book is that while it has a focus on a Christian holiday, Dickens puts forth a message that is truly universal; I can imagine this story resonating with people of any religious background, and also with more secular-oriented people.
This is a tale of greed, selfishness, regret, redemption, family, and community, and is enlivened by some of the most memorable characters ever created for English literature. Even if Dickens had never written another word, "A Christmas Carol" would still have, I believe, secured his place as one of the great figures of world literature.
This is what you can call a simple idea, well told. A lonely, bitter old gaffer needs redemption, and thus is visited by three spirits who wish to give him a push in the right direction. You have then a ghost story, a timeslip adventure, and the slow defrosting of old Scrooge's soul. There are certain additions in the more famous filmed versions that help tweak the bare essentials as laid down by Dickens, but really, all the emotional impact and plot development necessary to make it believable that Scrooge is redeemable--and worth redeeming--is brilliantly cozied into place by the great novelist.
The scenes that choke me up the most are in the book; they may not be your favourites. I react very strongly to our very first look at the young Scrooge, sitting alone at school, emotionally abandoned by his father, waiting for his sister to come tell him there may be a happy Christmas. Then there are the various Cratchit scenes, but it is not so much Tiny Tim's appearances or absence that get to me--it's Bob Cratchit's dedication to his ailing son, and his various bits of small talk that either reveal how much he really listens to Tim, or else hide the pain Cratchit is feeling after we witness the family coming to grips with an empty place at the table. Scrooge as Tim's saviour is grandly set up, if only Scrooge can remember the little boy he once was, and start empathizing with the world once again. I especially like all Scrooge's minor epiphanies along his mystical journey; he stops a few times and realizes when he has said the wrong thing to Cratchit, having belittled Bob's low wages and position in life, and only later realizing that he is the miser with his bootheel on Cratchit's back. Plus, he must confront his opposite in business, Fezziwig, who treated his workers so wonderfully, and he watches as true love slips through his fingers again.
It all makes up the perfect Christmas tale, and if anyone can find happiness after having true love slip through his fingers many years ago, surprisingly, it's Scrooge. With the help of several supporting players borrowed from the horror arena, and put to splendid use here.
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Then it started to snow, so he found a hole in a tree and he slept there for the night. Rat went after him and succeeded. Soon they found Badger's house. Suddenly Otter came and told Rat and Mole that everyone was looking for them. First, Otter, Badger, Rat, and Mole sat down and had dinner. Then Badger led them through a tunnel that took them almost to Rat's house. Rat protected everyone with his handguns. Everyone was safe and happy that day.
When they got to the surface they saw that it had stopped snowing while they were walking home. They soon thanked Badger for letting them visit at his house and for giving them shelter when they were there. They thanked him dearly for showing them the way home. Soon Badger left and went back home to eat dinner. Everyone had a fun day and at the end of the day they all went home for bed. To find out more about what happens you must read the book titled, The Wind in the Willows.
The animals have vivid human personalities. Mole is timorous and meek, Rat is adventurous and poetic, Badger is unpredictable but protective and mean when he needs to be. Toad, however, is the most salient figure; he is wealthy, greedy, conceited, and clumsy, and he lives in a stately manor called Toad Hall. Mole and Rat's interests are simple; they enjoy boating down the river and socializing with other animals, including otters, field mice, and a seafaring Rat who regales the Water Rat with eloquent tales of his voyages around the world. They even encounter the god Pan, in a strangely ecclesiastical moment.
Toad's picaresque adventures throughout the book provide a counterpoint to Mole and Rat's more pastoral activities. Toad is so captivated with the idea of faster and faster transportation that when a motor-car overtakes and wrecks his horse-drawn cart in the road, he can only watch the departing vehicle in avaricious rapture. So then he buys car after expensive car, wrecking each one with his incompetent driving. Despite his friends' attempts to cure him of his obsession, he steals a car in a frenzy and is consequently thrown in jail. However, he escapes by means of a ridiculous ruse and, after many more adventures, finally returns to his native river-bank only to find that Toad Hall has been taken over by gun-toting stoats, weasels, and ferrets. (Note the parallels to Homer's Odyssey here.) Fortunately, his friends rise to the occasion to help him reclaim his home, after which he resolves to learn some modesty.
A great thing about the book is that Grahame uses many words that may be new or unfamiliar to young readers, but they're used in such a way that kids may be able to figure out their meanings by context. Also, while there are lessons to be learned through the animals' (especially Toad's) examples, there is no heavy-handed moralism to dilute the book's enjoyability. Clearly this is a work of the utmost creativity and imagination and demands the adult reader expand his or her mind to the realms of childlike wonder.
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I'm not particularly knowledgeable about this era of history; I'll leave that aspect of the novel to the judgement of people who are. As a novel it's very fine. The structure of the book allows us to gain snapshots of the war, which also enables us to access the war -- another way to say it is that Roberts never drowns us in detail. The protagonist is not the hero of the book -- Arnold is -- but by showing him always second-handedly Roberts manages to avoid the "hero pulp" trap. The style is sturdy and workmanlike, and because Roberts doesn't seem to be stretching for poetry it remains readable, while a lot of books from this period have dated badly.
It's faults are few. A sidetrip to the Sac nation could probably have been cut with little damage to the main narrative -- it feels like padding. The final climax seems like it could have been played out on a much bigger scale, but this may just be attributed to changes in taste. (A lot of classic "swashbucklers" are not action-packed in the sense that a modern reader would understand the term.)
And in some ways the distancing that works so well for Roberts also hurts him, in that nothing in the book is ultimately engaging the way the best of Dumas, say, is. Still, a very interesting, readable book.
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Told from the Loyalist perspective, this is a fascinating acount of the period from 1775 to 1783, a viewpoint that you won't find anywhere else. The Amazon reviewer did a good job of explaining what is in the book, I need only add that it is a real page turner. I read this book 20 years ago, but the impression it made upon me then is still with me.
I found that this book, like all Robert's books, communicates to me not only a history of the period, but also a feel for the period. That is a very difficult thing to do! In Kenneth Roberts we are in the hands of a master.
This is a very entertaining and informative novel that will serve to give you a more balanced perspective of the Revolutionary War period.
The way the material was presented, and the way the ideas were pushed through as well as the pace was as if this book was written with someone like me in mind.
An indispensable book for any physics student...
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The One Minute Manager process needs to become a new habit and to expand the skills both of the one minute manager and the people who work for her/him. That's where Putting the One Minute Manager to Work comes into play.
This excellent sequel to the One Minute Manager provides more guidance on how to combine goal-setting, praisings and reprimands. This is combined in the Price System. Price stands for Pinpoint where performance should be improved, then Record the current performance, Involve the person involved in setting goals and how reviews and coaching will occur, Coach people to improve results, and Evaluate the performance to reinforce the good and replace the not so good.
This is basically the classic Skinner model on behavior modification, and it works well.
The key limitation of the approach is that it does not go far enough to determine where and how much performance should be improved, learn what is possible, and use best practices to transfer knowledge.
In terms of the 2,000 percent solution process, this just covers part of the first two of eight steps. But it does cover what it covers well.
If this process improves you from where you are today, by all means use it. If you are already a great communicator and motivator, then you are beyond this book.
My guess is that almost everyone in their first managerial role would benefit from this book. Communications are the biggest source of stalled performance in most companies, and this book provides solid information for overcoming that stall.
If your company has other stalls, like avoiding the unattractive, disbelief, misconceptions about customers, helplessness, and so forth, you will need additional help. But with improved communications skills, you will be in a good position to attack those stalls as well.
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But just another book attempting to prove what others have tried to do before....show that the nations leaders knew about the Pearl Harbor attack and just let it happen so the US was forced to join WWII. Anyone well read on the subject will see that without a list of sources with footnotes all of the "facts" given here can't easily be traced to their source. So you have to believe what you read. I've seen all this info before elsewhere.
Ain't history great...you can write whatever you want if everyone you drag down with your "proof" is dead and gone.....well thats show-biz.
Most would agree that Kimmel and Short, especially Kimmel, got a raw deal by taking the brunt of the blame for the attack, when the leaders in Washington should have shouldered as much or more of the blame. But why can't people just accept that the Japanese completely fooled everyone and carried out a bold and successful attack??
But I guess that won't sell many books.
This book goes beyond Pearl Harbor and delves into Naval Intelligence and how various Admirals did and did not respond to this information. Battles were won or lost on intelligence.
This book is a powerful piece of history and a must read for anyone interested in World War II and the Pacific Theater of Operations.
The text is mapped out in such a way that it divides the various apologetic 'tasks' into 4 areas or parts. First, apologetics as 'proof.' Second, apologetics as 'defense.' Third, apologetics as 'offense.' And fourth, apologetics as 'persuasion.' Each part carries its own weight when dealing with certain areas or aspects of the task of apologetics. For instance, apologetics as 'proof' takes various thinkers, approaches, and worldviews and delineates them in detail for the reader. Further, a thinker is given, say, B.B. Warfield, his thoughts, writings, and methods are examined and exposited, and then his approach is described and demonstrated for the reader. This is the trend in all four parts.
The authors also cover the role of philosophy in apologetics, which I might add, is a very important role. Thank you for its inclusion, this makes for an important read. Moreover, once all the various thinkers/scholars are examined, the authors take their reader to what is called the 'integrated approach.' It seems interesting that the integrative approach is applied predominantly by/to reformers or those who adhere to what is known in philosophical circles as reformed epistemology. Nonetheless, this approach is examined along with its adherents.
Finally, the book also includes a few very nice extra features such as apologetic web sites, a further study section, lists of tables and charts, a name index, subject index and Scripture index. I have enjoyed reading this text, and it should be pointed out that it is written in a style of a reference text, so the reader can read 'at' it if the intent is to find a particular thing, or the text can be read from cover to cover. Either way, the book makes for good reading, I highly recommend this text.