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The resulting effort, *Trending into Maine*, is an idosyncratic collection of articles and documents, most of them of a highly anecdotal nature, ranging from vignettes of early Maine colonists to a philippic against the defacement of the state by billboards in the 1930s.
At least half of the material in the book is not in Roberts' own hand, but consists in miscellaneous source documents, from letters of a sea captain's wife in the 1840s to eyewitness accounts of Maine exploits during the Civil War, all of them carefully edited and introduced by Roberts. Some of the figures portrayed in the book actually served as inspiration for characters in Roberts' novels, such as Mary Storer (the basis for *Arundel*'s Mary Mallinson), Mary Littlefield (the source for Phoebe Marvin) or Stephen Harding, who became Steven Nason in *Arundel* and *Rabble in Arms*.
Perhaps the most interesting piece for fans of Roberts' historical fiction is the chapter entitled "Road to the Past", a digest of the author's *March to Quebec*, in which, as an outgrowth of his research for *Arundel*, he had gathered all the extant journals of members of Arnold's 1775 expedition. If you ever contemplated retracing Arnold's footsteps, you should find all the information you need in this mini-travel guide.
The book also contains a chapter on Maine food and recipes, and evocations of two of Roberts' favorite hobbies, hunting and fishing, complete with a six-page list of the best fishing spots in the state- though some of the fish may have moved or died since 1938.
On a more serious note, *Trending into Maine* gives a few inklings of Roberts' political philosophy. From *I Wanted to Write*, I already knew him to be a staunch anti-communist and an opponent of the welfare state. Given his rather unphilosophical and concrete-bound character, I was curious to know what these political inclinations stemmed from, and in the chapter on "Seamen and Sea Serpents", I found the answer.
Roberts simply absorbed the popular wisdom contained in such maxims as "You cannot have your cake and eat it too", "Diligence is the mother of good fortune" or "A penny saved is a penny earned". And he saw Roosevelt's New Deal policies as a complete inversion of the good sense and sound morals they encapsulate, replacing them with "such warped maxims as... 'A government handout is better than a good name or riches'; 'Absence of competition is the life of trade'; 'You can eat your cake and have it too', 'Waste a lot in order to have business a lot'; 'Waste and laziness are the parents of good fortune'; 'What a man has, so much is he unsure of, and so much should he be made to disgorge by unsound laws'; 'Rome was created in a day by hasty and crack-brained legislation'; 'Leap first and look afterward' [the most concise summary of pragmatism ever]; 'Be sure you're wrong, then spend four billion dollars going ahead.'"
For those of you seeking to document the ruinous blundering of the Roosevelt administration, there is an excellent chronicle of the W.P.A.'s botched-up Quoddy Village project, which Roberts describes as "a relief measure that didn't relieve: a rehabilitation measure that didn't rehabilitate: a piece of New Deal planning set in motion by half-baked irresponsibles who had neglected to work out their plans." Roberts is at his most journalistic in this piece, and at his wittiest: commenting on the withdrawal of promised "federal" funds, he remarks: "Perhaps the White House thought it ought to have a monopoly on spending money improperly".
Roberts was not a consistent libertarian, though. At certain points in the book, for instance, he advocates or supports regulatory measures aimed at preventing behaviour he disapproved of, such as zoning measures to keep loud vacationers away from Maine or laws banning "the killing of ducks, geese and all other waterfowl", simply because the poor birds are too easy targets, as against the resourceful Maine partridge.
*Trending Into Maine* is too eclectic and uneven to feature among Roberts' greatest works, but if you have already read and reread the latter, and are looking for insight into the man himself, you might definitely enjoy this collection, which the Boston Herald once described as "an exhilaratingly lyrical book, with a warm glow over it, and a clean wind through it, and an unspoken challenge and invitation in it that sets a man's eyes gazing northward."
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