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Locke's Moon Hoax is one of the most remarkable works of 19th century U.S. literature. Ormond Seavey's intro to the 1975 edition does a good job of placing the hoax in literary and cultural perspective. Seavey notes, for example, that the hoax appeared at "a time when the tall tale was first recognized as a characteristically American narrative" (p. xxiv). Seavey also makes note of the reaction of showman P.T. Barnum to the hoax, and draws a parallel between the Moon Hoax and Edgar Allan Poe's 1844 "Balloon Hoax."
The text of the hoax itself is a charming piece of literature; it could be seen as a pioneering work of science fiction. The text's flavor of authenticity is enhanced by the many technical details about the new telescope; Locke even names the glassmaking firm that allegedly created the lens for the device! Locke's descriptions of Herschel's bogus discoveries are delightful. We learn about the lunar oceans; trees; gigantic, obelisk-like amethysts; unicorn-like creatures; tailless beaver-like humanoids; and most wonderfully, "Vespertilio-homo," the winged human-like species alluded to in the book's title. "The Moon Hoax" is a marvelous book that deserves to be rediscovered by new generations of readers.
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Stedman's graceful writing style, his obvious humanity, his wealth of scientific information, his artistic achievements, his jungle or social adventures, and his modern angst, all contribute to a lengthy and fascinating experience for the reader. Richard Price's introduction ably sets the scene.
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