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Essays on topics related to the subject are preceded by text written by the editor and exhibit curator, Cornelia Homberg, ("Vincent van Gogh's Avant-Garde Strategies"). Homberg suggests the 'petit boulevard' was both an avant garde artistic movement following the Impressionists and an actual commercial location in Paris at the end of the 19th Century. The Exhibit featured works by members of the avant garde group (Van Gogh, Gauguin, Seurat, Signac, Pissaro, Toulous-Latrec, Anquetin, Bernard and others "petit" artists).
Homberg challenges the notion that Vincent van Gogh always worked alone and that his art was a "one-off" as other critics have suggested. She says Van Gogh was a member of an artists colony located in the vicinity rue Lepic where he lived with his brother Theo (Montmartre area), that he may have coined the phrase "Petit Boulevard" (he discussed it with Theo in their letters following his removal to Arles), and he saw himself as a leader of this innovative group (which he hoped to bring to Arles as a "brotherhood" of artists).
In his essay entitled "The Cultural Geography of the Petit Boulevard" Richard Thomas describes the material dimensions of the place and time within which the "petit boulevard" artists worked. He describes the "off-off-Broadway/Bourbon Street" atmosphere of the bohemian artistic community -- a proletarian territory dominated by factories, caberets, taverns, le circque, brothels, and other down scale establishments (Chat Noir, Molin Rouge) where 'decadent iconograpy' was born. He says artists such as Toulouse Latrec, Steinlin, Willith, and others developed commercial prints depicting this mileau.
In the third essay, Elizabeth Childs describes the escape of Gauguin and Seurat to Pont Aven and Van Gogh to Arles following their Paris adventures. Here the artists hoped to reconnect with the timeless cycles of nature and leave the crass, commercial, class-ridden city behind. Childs says once Gauguin reached Pont Aven, the Celtic Catholic nature of Brittany spurred Gauguin to develop a medieval stain-glass cloisonnist style of art. She contrasts Gauguin's work with Van Gogh's 'rural' art which he based on a love of Japanese prints (by Hiroshege and others) and what he fancied to be Japanese culture, as well as the Barbizon style which included Daumier and Millet. In the last essay, John House discusses landscapes by Van Gogh (who influenced by his Dutch predecessor Rembrandt and the French Millet) as well as other artists of the period including Gauguin.
The book is filled beautiful reproductions of the paintings and other works included in the Exhibit (prints and photographs of the various items of art, the people involved, and the places they lived and worked). Sadly, one would have to do quite a bit of traveling to recapitulate the Exhibit, and then the synergistic effect would be missing. On the other hand, the book is a solid testament to the art that followed Impressionism. Although I had seen many of the paintings in their home museums (National Gallery, Chicago Art Institute, D'Orsay, Van Gogh Museum, etc.) I had not seen some of the works in private hands, nor the photographs of the period. This book is a valuable addition to my collection.
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My brothers and I avidly collected these moths at night, in the rural North Carolina mountains. It was thrilling to see them dart around the street lamps like fiery jewels. Unfortunately, most books on this subject feature photos of pinned, faded samples. I've always felt it was a shame people couldn't experience their enchanting magic like we did. John Cody's book does that.
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"The Wisdom of John Paul II" is not only a great addition to your inspirational or religious library; it's also a great addition to any library. I suggest giving this book as a gift, especially if you're looking for something meaningful that can be read over and over (instead of being used as a dust-collector). Non-Catholics and even non-religious will find the Pope's words inspiring, and his message of universal love can be understood and appreciated by all. He does not viciously attack groups in conflict with Church teachings but graciously approaches controversy as does a leader of the faith. Wherever he acts as an apologetic, he does so with the patience and firmness that has guided the Church through more than two decades.
This book, in part, acts as an intimate autobiography as it his diary of his times and how he has confronted the Church and society he has been entrusted. What makes this papal journal stand out from the rest though is that it is more than a portrait of the Pope or a collection of his quotes. His words represent one man's thoughts, but it also gives us a strong picture of his vision for the Catholic Church of the new millennium. Every issue is one that immediately concerns contemporary society, and that makes this book such an enjoyable and necessary read.
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The title page reads: "A simple, straightforward job-search book for people who would rather be working than reading a book" It is 88 pages long and is packed with creative pointers. It begins by disucssing your attitude and ends by telling you how to handle a job offer. Included are sections on identifying your skills, researching the job, doing well on interviews, finding leads, and managing your time. One section covers disability issues.
Equally important, it is designed to be a reference manual with easy to find sections and lots of tables and charts.
As a career coach, I have read hundreds of books on resumes and job search and can tell you that this is by far the bible of job search. It is truly a must-have for all job seekers.
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Working it's way through religion, sport, social structure (the Welsh Matriarchy), drinking, rugby, and more drinking, it had me laughing out loud with it's insightful observations (although these were not always complimentary, they were all true! ).
Well worth a read if you are Welsh, or if you know somebody who is about to travel to Wales.
The book intoruduces the concept of 6 vectors within which future paths can be examined. These are the inter-state system; world production; world labour force; human welfare; cohesion of states; and the structures of knowledge.
The book displays the weaknesses inherent in the world system thesis. These include overstating the degree of integration of the economies of the world and thus not taking into account the emergence of "non-states" run either by armed bandits or by organised crime.
The book does not deal adequately with the current state of the state. Given the debate around MNCs and their increasing expansion into areas which were the domain of the state this is an issue needing serious appraisal.
The depiction of this era as being a post US hegemonic era is also an area which will be contested by many writers, not least of all the Fukuyama's of the world.
Wallerstein concludes that the future depends onm how the following factors develop: * the extent to which there is loyalty to citizenship;
* the level of security through police order; the extent to which military orders are maintained; * level of welfare especially in relation to health and food distribution; * stability of religious institutions.
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Richard Price has painstakingly arranged his research in such a matter that you get 4 different perspectives of life in Saramaka (Maroon colony located in the interior of Suriname): German Moravian (religious sect), Dutch Colonist, Saramaka, and his own. It is neatly arranged so that the information flows like a captivating story in which you follow these historical characters and get caught up in their lives, motivations, changes...
Because he has made one character the focal point, you get a more centralized view of what it was like in 18th century colonial Suriname and you can take away more detail from these individualized accounts.
I have discovered a great source for Maroon history in Suriname and will be seeking out all of Richard Price's titles to get the complete story about the Maroons.
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