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This book really shines describing his family relationships and watching his young daughter grow into an independent woman. Read this book if you climb or like climbing stories. But more importantly read this book to explore interpersonal relationships with your kids.
The question "Why do we climb?" has been answered with as many different twists as it has been asked. However, I suspect most of us that climb do it to look inward as much as we do to see the beauty from the summit. Norman shares his personal glimpses of life with family and mountain in a wonderfully refreshing way.
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Reading this book first enabled me to understand Bucky so when I did move on the Critical Path and Synergetics I knew what I was getting in to. And boy if your ready to go through the mirror to see the truth, you're in for the ride of your life!
Enjoy!
Part biography, part scientific dissertation, the author enlightens us on the wonderful and extraordinary life of R. Buckminster Fuller, a true renaissance man.
Many people have never even heard of Buckminster Fuller... but his ideas, inventions and philosophy have touched the lives of everyone on here on 'Spaceship Earth' as he liked to call it.
Just take a trip down to Epcot in Orlando, FL and see a geodesic sphere in real life, one that engineers and construction types said would not stand... its been standing there for almost 20 years now. Or, look down the street to the Contemporary Resort at the Magic Kingdom. Built entirely with modular construction and finished in record time.. a la "Bucky" Fuller.
Certainly this man was a great innovator... but what I was most impressed with was his 'comprensivist' point of view. He always strove to see the big picture of what is happening on Earth as well as the entire Universe around us.
Get this book if you want to open you mind to new ideas and paradigms. It has changed the way I look at many different things now.
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This book is a refreshing approach to a difficult topic, filled with wisdom and insight.
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On the first count, the ruins are clearly shown to be consistent with a fortress, and with no evidence of any scribe work. Furthermore, the collection does not consist of anomalous writings at the fringe of Judaism. Rather, they are very typical of Judaism 2000 years ago, with plurality of ideas and beliefs, divisions and competitions among its sects, and a general condition that fostered the environment that eventually led to Jesus and the birth of Christianity.
However, as important as the above findings are, they pale in comparison to the parts of the book in which Prof. Golb exposes the movers and shakers in the field of Dead Sea Scrolls scholarship to be petty, coniving, over achieving academics with personal scores, sensitive egos, strong biases (mostly against Jewish history), and a willingness to put dogma above the truth. For anyone in academia, the danger that ideas become dogma, and then prevent all other original ideas from further study and support, is a reality we all know too well. In this book, Prof. Golb traces the birth and development of the Essene dogma, and shows how destructive it has been to scholarship and the truth.
While the writing can be dense, the story is so compelling and the perspective so personal (Prof. Golb has been ridiculed for his ideas, as often happens with those who challenge dogma), that it is an easy read for anyone.
An equally appropriate title for this work could be "A History of the Dead Sea Scrolls." It deals with all the work that has been done since their discovery, the excavation of Khirbet Qumran, and many other important relevant topics.
Though I very much enjoyed this book I wish that the author could have dealt more with his theory and not just his criticism of the traditional Sectarian theory. He believes the scrolls were of Jerusalem origin and Khirbet Qumran a Jewish military fortress, but does not go in depth to elaborate as much as he does pointing out all of the other researchers' fallacies.
But this does not cut down the importance of reading this book to anyone interested in looking into the Dead Sea Scrolls. If you are such a reader, THIS BOOK IS A MUST:)
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The novel opens in Provence, France, where Bogner reintroduces us to Det. Michael Danton and art historian Jennifer Bowen, now in a state of prenuptial bliss. Next, a continent away in Venice, California, Bogner introduces murderous Garrett Lee Brant "and his beautiful Eve" who are just stepping out for a millennium New Year's party hosted mammary-enhanced Heather Malone, Garrett's benefactor and sometime lover. Garrett is a frustrated artist who is fascinated by Gauguin, with whom he "holds regular conversations." (His back story reveals the ability to speak in a number of voices.) Garrett has received no recognition for his work on canvas but is enjoying enormous commercial success doing tatoos on the Venice (CA) boardwalk. Eve is skilled in the art of makeup. Switch to Provence where Michael is called to investigate a girl's body washed up on the beach. Switch back to Heather Malone's party, an upscale S&M affair. Heather introduces to Mr. Jan Korteman, a Belgian photographer who specializes in high-grade pornography. Eve makes her own moves and a four-way psychological sex drama unfolds.
And thus two "parallel" stories evolve, with Michael investigating the girl's death and consoling the parents and with Jan taking Garrett and Eve to live as his house guests in Belgium where they engage in a sinister artistic collaboration. The stories evolve asynchronously: The protagonists working slowly to stop the crimes that the antagonists have yet to commit. This yarn is not driven by the beat of a metronome. It is driven by the fascination of the reader who realizes that by the end of the book the two stories must converge. As the book begins to run out of pages, the antagonists' story accelerates and catches up with the protagonists, with fascinating and deadly results. Bogner has invented a new technique in thriller fiction: Converging stories told in warped time.
And as if this was not clever enough, Bogner throws in one final twist which will make the reader pinch himself, turn back to the first page and read the story once more. "The Deadliest Art" is high art, every bit as clever as "The Cabinet of Doctor Caligari."
What is meant by 'more than a mystery'? I mean that the author has widened the scope, brought more to the table. Mysteries usually present the good man or good woman, usually a detective or cop, who then pursues the bad guy who has perpetrated a crime on usually good folks. The progression is linear from start to finish with few detours. Subplots are usually absent along with any serious reflections from the hero, minor characters appear and disappear after they help the hero, the bad guys are caught, resolution is complete, and a new book will appear next year. Along the way it is sometimes difficult to suspend disbelief because the hero carries a 25 shot 6-shooter. Examples are MacDonald's Travis, Parker's Spenser, Grafton's Kinsey, Child's Reacher, White's Doc Ford and a thousand others. A lot of these are good men and women detecting, pursuing and catching the bad folks in very good books. I've read them and like them. Norman Bogner, on the other hand, takes a lot of time defining and exploring his characters. With precise use of literary hydrofloric acid he etches very real people in glass. Because the people are real they have flaws and sometimes the glass fractures because of internal struggles within the characters, as well as cracking under the pressure of the externals not under their control. The crimes, along with the accompanying mystery/detective motif, the setting in southern France, and the pyscho-killer, presented in 'To Die In Provence' act as a catalyst to bring the strengths and weaknesses of Michel and Jennifer, as well as others, to the surface and we see them struggle and reflect and we wince and fret over them and we want them to 'grow out of it' and overcome. We want to know the answer to the question, 'If it doesn't kill you, does it make you stronger'?
Bogner uses the same deft strokes to paint the canvas of his settings and the minor characters evolving in the background. Whether we want to or not we painlessly and relentlessly learn about the town of Aix-en-Provence, a good French restaurant, food, wine, and the friends, acquaintances, and parents of Michel, the French Judicial system, and, most surprising and different, how a killer operates and what makes him tick within the clock of the mystery. As one reads larger, more encompassing, questions surface. How is a man's behavior affected by his origin? How can a rich young girl-woman be captivated by a killer? The latter, of course, is the 'Manson' question. If you want to know how the author answers these, read the book
After an intervening book, 'Honor Thy Wife', a 'mainstream' novel, Norman Bogner has returned with another compelling mystery, 'The Deadliest Art.' The author, not content with leaving Michel and Jennifer in literary limbo, brings them back in an even more intricate plot. While it is nice to have read the previous book, it is not at all necessary for Bogner, with wide reach and skill, reintroduces you with great detail. And a whole new set of questions is asked while the 'mystery' evolves. A young girl's body washes ashore near Aix-en-Provence. Her back is disfigured. Why? Thus, the mystery is triggered. Danton takes charge of the investigation and the backgrounds change, ranging from the back alleys of San Antonio, Texas, to Bruges in Belgium, the ever present Provence in France and, finally, to Venice, California. Again we relentlessly but painlessly learn about art, food, places and people, French and American cultures and, amazingly, tattoos. While the mystery unfolds and the murders pile up so do the larger questions. Bogner attacks the question of why, especially in America, are we so intent on being someone else, where is the benefit in illusion, what is art, and where are we going. Along with this the author has created a killer and his accomplices so diabolical and sociopathic and tied and knotted them to art in such a clever way that future villains may be defined as Bogner-esque in scope. When the book finally and fittingly ends, it ends with exploding revelation in Venice, California. Today, standing on the Venice Boardwalk in front of the Small World Bookstore, both of which front the frequently polluted Pacific Ocean, one can watch the unending parade of current American Culture before you in all its glory. One can only smile and nod one's head at the author's choice of a concluding locale. And one realizes that 'The Deadliest Art' has presented us with a slice of American culture presented as a reflection of ourselves. Whether we want to or not. If one has read 'From Dawn To Decadence' by Jacques Barzun, that giant tome, or Morris Berman's, 'The Twilight Of American Culture', or watched 95% of recent American movies or television, one cannot help but see the undercurrents in 'The Deadliest Art.' The author has succeeded again in giving us not only a compelling mystery but a compelling novel. More important, he has asked tough questions. If you read one book, you'll want to read the other.
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Her crisp advice on the main requirements of a speech of "passion and compassion with a purpose" is very potent and often leaps off my mind each time I prepare to instruct or make a speech. Walters has carefully drawn from the "secrets" of public speaking pros and concocted them into a surefire formula for success. What's more, her anectdotes and quotes are both entertaining and memorable.
I found myself a better speaker even after reading and applying steps 1 and 2. Wait till I conquer step 11! Thank you Lilly Walters for an absolutely inspiring and terrific book.
Far fewer are the books which cover the deep longing, the seemingly never-ending search for answers from the perspective of the student, and the many strange paths this sometimes can take during a lifetime. The Quest Seeking The new Adam is such a book. Written as a series of often strange encounters and the ensueing conversations with a native American medicine man, this story follows the tribulations of a man called Adam - a seeker.
This short novel so very well illustrates the agony, frustrations, and doubts of the beginning seeker, and it follows through all the way to the slow acceptance and understanding of who and what we are truly are, ending in the climax of the great inner revelation, the first glimpse of the divinity we are.
And the teacher, the "Old Man" as he is known in the story? Though naturally comming from the Native Americam Indian traditions, his teachings are universal, as all divine truth must be. This universality is exemplified in one of the names by which he is known: Phanes. A greek name - and true to the name he frequently uses the greek myth of Prometheus to help bring understanding to the student.
The latter alone is a good reason to read this short story, but certainly not its sole quality. As a seeker my self (and who is not, at one time or another?) I was able to easily empathize with the character of Adam. It could just as easily been me in this story, and not some distant personae. When I started reading this book, I was unable to put it down until I had finished it from cover to back. Though many of the concepts in the book were not new to me ("Thou art God", being perhaps the most important, and sometimes shocking one to some), the path itself taken by Adam is certainly different than my own and others, and so can give many an insight to the reader.
This book is not for casual reading, but for all seekers in the world, both beginners, and for those who may have already journeyed some distance. And as such, I would recommend it to any one, any time. A book I most certainly will read more than once.