This is my first encounter with Eric Drooker's evocative imagery. I'm determined it will not be my last. This book epitomizes the legitimacy of the graphic novel as a valid and valuable medium of expression. Powerful pictures crafted with a limited palette of colors make this story all the more striking and beautiful. The feeling of being swept up in a powerful story, of emotion and depth is immediate and takes the reader from the first page to the last. Perhaps the most remarkable thing is that this book can be read by anyone who can see the art on the page. No poor reading skills will block it's story, no language barrier stands in the way.

Native New Yorker, Eric Drooker is certainly a compelling artist and BLOOD SONG showcases his work in fine fashion. The art will likely appeal to a varied audience of viewers. The views presented in the story and the author's attitudes towards governmental authority might not appeal as widely. Mr. Drooker doesn't "mince words" with his story, nor does he pull his punches. But the larger message in Drooker's work is one of universal connection, hope and humanity in a continuing cycle.

Even if you've never encountered a graphic novel before, pick this one up, page through it. If that simple act doesn't keep you turning pages I'll be very surprised.

Happy Reading! ^_^ --shanshad

Entre sus mejores momentos: la comida en casa de Celestina con los criados y prostitutas, el primer encuentro de Celestina y Melibea, Melibea esperando a Calixto en el jardín, y un final que te deja un nudo en la garganta. Ah!, y por supuesto la sabiduría popular de Celestina.

La comparación con Romeo and Juliet de Shakespeare no tiene sentido. Las dos obras son opuestas. Por otra parte no cabe duda de que La Celestina es muy superior (más compleja, densa, apasionada, humana, personajes más solidos y destacados...)

Cito a Riquer en su extraordinaria Historia de La Literatura Universal:

Cuando Calixto llega al jardín de Melibea por vez primera persiguiendo un halcón y queda herido por la belleza de la joven (escena de caza frecuente en las novelas cortesanas medievales, por ejemplo en el Cliges de Troyes), se levanta un vendaval que lo arrasará todo, lo bajo y lo elevado, el afecto más gratuito y la codicia más interesada. Y el lector tras tanta belleza, tantos primores, tanta poesía, tanto realismo y tras una tan bien conducida historia de unas almas en desasosiego, ve que la tragicomedia de Rojas, a pesar de su declarada intencion moralizadora, cae en el vacío, como Melibea al arrojarse de la torre, porque después de la muerte de los dos jóvenes Rojas sólo deja entrever un "infierno de enamorados"

The author has done it again with this fine companion to his superb CHESAPEAKE BAY IN THE CIVIL WAR. Bravo, Eric Mills!

The advice is excellent and the improvised techniques are important in wilderness situations when equipment is very limited.

The size is small enough to fit in a first aid kit, backpack, etc.

The book is well worth the cost and could the most valuable item in your first aid kit.

It is also a recommended book for several local hiking groups.

This book is quite insightful, especially for a Southeast Asian media professional like myself. I recommend this book to everyone, even to those who work in the upper regions of the power sturcture of the media conglomerates critiqued in the collection.

For starters, it is a wonderful overview of how the media economy is shifting all over the world. The US market is saturated, as the book said, and the rest of the world is ripe for picking, especially my country, the Philippines.

This book is a tool to launch our own media analysis of what's happenning in our own countries. And from an analysis, we launch a critique, and from a critique, we launch steps to face the situation.

This book, published by New Media, is invaluable. I first read about it in an issue of Utne Reader. I took down the title and hunted it down in Amazon. I found it, bought it, and consumed it. I loved it because it gave me useful insights to work with.

This is a book I will dog-ear in my attempts to understand what to do in my field, and how to start my own media conglomerate from scratch. I already have my ideas, which I hope aren't just soundbites in my head.