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Get this book and a book with a lot of practice questions and you are set.
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About seven years ago, I picked up an earlier edition of "Soul Of The Night" in a used bookstore on a friend's recommendation. Finally, a couple years ago, I got around to reading it. Inside I found descriptions, ways of seeing that I could have never managed on my own.
Although it's not a religious book, I (as a Christian) found myself inspired and challenged and not a little awestruck by Raymo's writing. If you are not so inclined, don't let my mention of this dissuade you ... I would not wish to do a disservice to Raymo or the book in that way.
Pleasures abound here and for a decidely non-science/astronomy reader, I was ushered through a door I never thought I'd find. Raymo's style is so friendly that I can also apply to him what I have used to describe Jimmy Webb's amazing book on songwriting ("Tunesmith") ... the only thing that's missing from the book is the author's physical presence and the beer!
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The authors attended a conference to road-test their material in apologetics workshops for Christian leaders and laity. The care taken to make their collected material accessible means that this volume would make an ideal 'reader' for the intelligent non-specialist, or for philosophy undergraduates. The general tone of the papers might be described as the philosophical equivalent of 'smart-casual', and one or two of the authors try just a little too hard to 'let their hair down'. This is not to accuse these papers of flippancy or a failure to treat their subjects with due seriousness when they are being serious.
This is a well produced book, edited with an introduction and a couple of papers by Professor Michael J. Murray, who co-edited 'Philosophy of Religion: The Big Questions'. It also comes with a foreword by Alvin Plantinga.
The range of subjects covered in sixteen chapters is admirable: pro and anti- theistic arguments, the relationship between faith and reason, religious pluralism, providence, religion and science, the incarnation and the trinity, resurrection, heaven and hell, miracles, ethics and the authority of scripture. I would highlight the scrupulous but nevertheless refreshing contributions from Robin Collins (on 'The Fine Tuning Design Argument' and 'Eastern Religions') for particular praise. The papers on 'Religion and Science' (W. Christopher Stewart) and 'The Authority of Scripture' (Douglas Blount on a topic infrequently covered in similar books) are also particularly edifying.
My main criticism for this compendium is that it has a distinct lack of suggested further reading, an oversight that will leave more advanced readers straining at the leash for greater detail and less advanced readers with no-where to advance towards. However, this is a fine body of accessible work that deserves attention from believers and non-believers alike.
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How many film performers have done as much as well as Michael Caine? For more than forty years, the actor has delivered shining performances in dramas, thrillers and comedies. He's carried flicks as a leading man, shared the spotlight as a costar, contributed to emsemble casts and has even take small roles.
In WHAT'S IT ALL ABOUT, Michael Caine vows this book is the only autobiography he will write. I hope he changes his mind. I am sure Mr. Caine had to leave a lot of good stories out of his first volume. And since its '92 publication, he has been knighted and won another Oscar. Why not another book?
The most noteworthy aspect of WHAT'S IT ALL ABOUT is that Michael Caine, despite having done almost everything you could want to do, has had the same personal and professional ups and downs as you and me. He tells stories we've all been through, such as being nervous about meeting women and his strained relationships with friends. (Of course, you and I would not be pals with actor Terence Stamp.)
This Michael Caine fan wants more movie-making anecdotes. If Mr. Caine does publish a second autobiographical volume, I request a synopsis of the making of each of his ninety-something films. He barely mentions two of my favorites: WATER and especially the obscure comic gem WITHOUT A CLUE.
Bravo to Michael Caine for not kissing and telling. He alludes to the bedroom activity that made the 1960s what it was for the rich and famous but does not name names.
The night Michael Caine won the Best Supporting Actor for CIDER HOUSE RULES, ceremony host Billy Crystal had been making fun of Caine's role in a JAWS film. Yet Mr. Caine did not return the dig during his acceptance speech, despite notorious Crystal bombs such as MR. SATURDAY NIGHT, FORGET PARIS, and FATHER'S DAY.
Unless, of course, Michael Caine's saving those remarks for his next autobiography!
For now, read WHAT'S IT ALL ABOUT.
This is the real thing. Caine starts at the beginning and tells it all without indiscreet name dropping. He mentions that he does not plan to write another autobiography and so does not want to leave anything out. That makes for a really great read.
But what's really special about this autobiography is how approachable Caine seems to be. He comes across as just a regular guy whom you could approach on the street and say hi. Considering that most of the other autobiographies I've read, however great they may be, still seem like stories told by a celebrity who has deigned to share his/her life story, that in itself is an amazing accomplishment.
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If you served in Vietnam, chances are that the places where you hung your web-gear on a hook are described in Mike Kelley's amazing work. Some of what he lists includes coordinates of places that were just mud berms, sandbags and fighting positions.
It is obvious that Mike Kelley did more than years of detailed document research. He met hundreds of vets over the years, and enlisted their personal knowledge. The final product is a treasure of information. I can't imagine a Vietnam veteran not wanting a copy. This kind of reference material will be pulled off my personal library shelf every time the subject of Vietnam gets serious. No future article that references Vietnam will be written without a reality check through these pages. The glossary of "minutia" alone is worth the price.
Bill Hunt
Vietnam
1972
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But this is the crux of the struggle that subsequently determined Russian history. Many authors tried to give a view of that turbulent period; Pasternak in "Doctor Zhivago", Solzhenitzen marginally in "Ivan Denisovitch" (Denisovitch was in a gulag because he was a returnee from the German front and thus viewed as a political traitor) and Ayn Rand "We the Living." Bulgakov's novel is one of the richest, most touching and well-written I have read on this historical time.
He takes the story from the personal standpoint of a single family affected by the German betrayal of Russia to the incomprehensible brutality of the Civil War. The use of "white" and "red" as symbols in describing everyday objects and landscape is novelistic, the action is pure stage drama as you'd find in a play or film.
This is a far better novel than "Doctor Zhivago", which dealt with essentially the same subject (families torn apart by the Civil War and their way of life forever altered.) If you are at all interested in Russian history, I can't recommend "The White Guard" enough to you. I just loved it.
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THIS IS A DEFINITE BUY FOR ANYONE WHO CALLS THEMSELVES A WRESTLING FAN.
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Alpine Circus is essentially a compendium of columns originally published in SKIING magazine. All are interesting. Most are funny. One -- the piece on Sarajevo -- is intensely moving.
Four stars out of five. While very enjoyable, the book doesn't fully display Finkel's remarkable talent as a writer. Hopefully, future collections will. You'll see a lot more of his work... he's still a mere sprat.