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I was introduced to Thurber's works two years ago,by a short story of his that was included in my English textbook. I was instantly charmed by his writing. Ever since, I have read everything of Thurber's that I can get my hands on. Through my readings, I have discovered several key things:
1. James Thurber was NOT just a humorist/satirist. Of course, I have stayed up late reading his stories laughing out loud, yet there is more to the stories. Thurber not only chronicled people of his time, but people of all times. His works show that the little eccentricities most people possess are the very things that make them interesting. Take this excerpt from the story "Recollections of the Gas Buggy", included in "The Thurber Carnival":
'Years ago, an aunt of my father's came to visit us one winter in Columbus, Ohio. She enjoyed the hallucination, among others, that she was able to drive a car. I was riding with her one December day when I discovered, to my horror, that she thought the red and green lights on the traffic signals had been put up by the municipality as a gay and expansive manifestation of the Yuletide spirit. Although we finally reached home safely, I never completely recovered from the adventure, and could not be induced, after that day, to ride in a car on holidays.'
2. That excerpt brings me to my next discovery: James Thurber had quite a way with words, which to my knowledge, no author since has been able to near. Thurber's words transport you to another world, an amazing world, where everyone even slightly insane is portrayed with kindly satire. The character Briggs Beall, from the story "The Night the Bed Fell," is a perfect example of Thurber's wit.
3. An additional point I discovered is that Thurber's works need to be shared. I treasure this book so much that I brought it with me as traveled to Nebraska to visit my friend, just so I could read parts of it aloud to her. Whether it is a driving adventure with a Russian boat specialist("A Ride With Olympy"), an amusing maid("What Do You Mean It Was Brillig?"), or the light bulb smashing Elliot Vereker("Something to Say"), Thurber's stories need to be shared.
For these reasons, as well as others, "The Thurber Carnival" is a most wonderful book. James Thurber's writing is nearly magical, as well as his characters. This is a great book to pick up again and again, if only to read one of its great stories.
At first, I was convulsed by Thurber's uniquely hilarious cartoons. His dogs and his women are priceless...drawn in a style that nobody has ever been able to duplicate or capture.
It was only later, as I grew older, that I could appreciate Thurber's written humor. The "Thurber Carnival" (and it is) is a compilation of essays and excerpts from "My World--and Welcome to It," "The Middle Aged Man on the Flying Trapeze," and others. These were Thurber's earlier works that were very much a product of their times, but oh, so funny! Thurber was one of the great commentators on the vagaries of everyday life. Along with Robert Benchly et al., he set the tone for an entire generation. I still have this book, and I absolutely cherish it. It's hard to do Thurber justice in a review. All I can say is--buy this book and wallow in it. You'll be glad you did.
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Trollope presents a dilemma for most readers. On the one hand, he wrote an enormous number of very good novels. On the other hand, he wrote no masterpieces. None of Trollope's books can stand comparison with the best work of Jane Austen, Flaubert, Dickens, George Eliot, Tolstoy, or Dostoevsky. On the other hand, none of those writers wrote anywhere near as many excellent as Trollope did. He may not have been a very great writer, but he was a very good one, and perhaps the most prolific good novelist who ever lived. Conservatively assessing his output, Trollope wrote at least 20 good novels. Trollope may not have been a genius, but he did possess a genius for consistency.
So, what to read? Trollope's wrote two very good series, two other novels that could be considered minor classics, and several other first rate novels. I recommend to friends that they try the Barsetshire novels, and then, if they find themselves hooked, to go on to read the Political series of novels (sometimes called the Palliser novels, which I feel uncomfortable with, since it exaggerates the role of that family in most of the novels). The two "minor classics" are THE WAY WE LIVE NOW and HE KNEW HE WAS RIGHT. The former is a marvelous portrait of Victorian social life, and the latter is perhaps the finest study of human jealousy since Shakespeare's OTHELLO. BARSETSHIRE TOWERS is, therefore, coupled with THE WARDEN, a magnificent place, and perhaps the best place to enter Trollope's world.
There are many, many reasons to read Trollope. He probably is the great spokesperson for the Victorian Mind. Like most Victorians, he is a bit parochial, with no interest in Europe, and very little interest in the rest of the world. Despite THE AMERICAN SENATOR, he has few American's or colonials in his novels, and close to no foreigners of any type. He is politically liberal in a conservative way, and is focussed almost exclusively on the upper middle class and gentry. He writes a good deal about young men and women needing and hoping to marry, but with a far more complex approach than we find in Jane Austen. His characters are often compelling, with very human problems, subject to morally complex situations that we would not find unfamiliar. Trollope is especially good with female characters, and in his sympathy for and liking of very independent, strong females he is somewhat an exception of the Victorian stereotype.
Anyone wanting to read Trollope, and I heartily believe that anyone who loves Dickens, Austen, Eliot, Hardy, and Thackery will want to, could find no better place to start than with reading the first two books in the Barsetshire Chronicles, beginning first with the rather short THE WARDEN and then progressing to this very, very fun and enjoyable novel.
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English 385.150
5/23/02
Dr. Michelle H. Martin
Book Review
Doberman, Mary. You Read to Me, I'll Read to You. Illus. Michael Emberley. Boston:
Little, Brown and Company, 2001.
You Read to Me, I'll Read to You contains many different short stories that two people can read together. All containing positive lessons, each story has at least two characters who face a problem or experience an adventure. For example, in "The Dime," the pig finds a dime, but his friend the cat feels that the money belongs to him. Instead of the characters keeping the money and destroying their friendship, they decide to purchase a book and take turns reading the book to one another. Another story that has a positive lesson is "I Hate My Hat." The characters in the story are raccoons, and one raccoon continually says, "I hate my hat." The other raccoon says that "hate" is not a nice word to say and compliments his friend for wearing the hat so that no one needs to speak the word "hate" at all.
The book also possesses characteristics of a play because the text offers two speaking part. One reader reads the purple colored sentences, the other reads the pink colored sentences, and both readers read the blue sentences together. The color-coding also teaches the concept of following directions. Children of all ages need to know how to follow directions because they will encounter many areas in their lives that will require them to follow directions both at school and at home.
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Michael McCollum
Sci Fi - Arizona
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