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If you are looking to improve your understanding of "end time" prophecy, you can't do better than to rely on this Bible as the basis of your study.
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You need to follow the directions--there's a joke around my house about the "10-minute scolding," because sometimes we would get carried away. But believe me, one minute is longer than it sounds--long enough to make a real impact on a child. It also forces you to pay attention and "catch" your kids doing something right, so you can mention it during the next One-Minute Scolding.
The best thing about the One-Minute Scolding is that it never makes things worse. Sometimes it works like a charm; other times, it has less impact. However, it never escalates things. That in itself is a blessing.
Buy a used copy if you can, and I hope this book goes back in print, because it's much needed. I see the author has some newer books out ("The One-Minute Mother" and "The One-Minute Father"). I haven't read them, but if it's by Spencer Johnson, how bad can it be?
Good luck, parents!
If you have a naturalistic philosophy, you might be interested in this book. I read somewhere that adult apes deal with misbehaving juveniles by cuffing them first, then hugging them.
The translators have done such a good job of rendering the original languages into a very classy English that I believe this translation to be a good choice for public reading as well.
The Open Bible overall is very good. But if you're interested in investing in only one study Bible, I strongly suggest Thomas Nelson's "Nelson Study Bible."
I'm happy to have this one in my library.
[addition] Almost forgot; another great plus is there's a very good dictionary in this Study Bible. The great this is they've placed it before, not after, the Bible. I really like this idea because now Genisis, Exodus, etc. have a nice buffer between themselves and the front cover. This will greatly reduce the wear to the front books of the bible because your opening Genisis 1/4 into the book! Well, I think it's great. Cheers!
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Nelson uses color to a variety of ends. A palette of moody greys and browns is used for "East, Coast 1990" (there is a comma between East and Coast - in the book) and again for "Years of Discretion, 1997," also the east coast. You get his point: a Californian in New York notices the greys, the browns, and would appear to feel the somberness of things. In fact, "Years of Discretion" begs the question - What, exactly, was going on that was represented by that bridge? You sense some sadness there.
Nelson's paintings wink genially at Rene Magritte, David Hockney, and many others. Nursery rhymes, too. (A grown-up Jack and Jill climb a hill, in one painting.) Their titles are often funny - but never cute. These are literate and extroverted paintings, and deserve to be seen by a wide audience.
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Private Voices, Public Lives is exemplary of feminist literary theory in its rejection of an objective interpretive stance, frankly acknowledging the subject position of the interpreter. It is an ideal companion text for women's studies and women's literature courses.
Mandela acaba de haber salido de la cárcel en Sudáfrica, después de cumplir 28 años de una condena perpetua por su lucha contra el sistema racista del apartheid. Su visita a Cuba tuvo una importancia especial, dado en papel imprescindible de cientos de miles de voluntarios cubanos en la lucha militar contra la invasión de Angola por el ejército sudafricano. La derrota de los invasores en la histórica batalla de Cuito Cuanavale en 1988 abrió una nueva y exitosa etapa en la lucha contra el apartheid. También fue una experiencia importante que fortaleció la conciencia revolucionaria en Cuba, haciendo posible avances contra la presión del capitalismo y el burocratismo.
El título del libro "¡Que lejos hemos llegado los esclavos!" viene del discurso de Fidel, hablando de los raíces africanos de los pueblos de Cuba y de todo el Caribe. Una perspectiva internacionalista incomparable de la unidad de los intereses y las luchas de los pueblos explotados y oprimidos en todo el mundo!
Never Come Morning has its moments: the fight scenes at the start and end of the book; the scenes in which the characters consider their lives, in a style that will be made much use of in The Man with the Golden Arm. Everything else is dark and gritty, but is not especially effective within the story because of its apparent inclusion for the sake of something anecdotal in order to flesh out the characters' traits and thoughts. In addition, Nelson Algren makes reading this book a chore like he did with The Man with the Golden Arm, by having rapid changes of viewpoint in scenes with a multiplicity of characters. This would have been quite benign given a more omniscient writing style like Fritz Leiber's, but is very distracting here.
Nevertheless, Never Come Morning is engaging, and, taken in overview, is a very satisfactory read, which demonstrates the power in Nelson Algren's writing. A power that in subsequent works, grows and grows.