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This is no extremist anti-corporate, anti-capitalist text, although it does clearly come to the conclusion that the vector of economic globalisation that we are on is neither inevitable, desirable nor sustainable. It is notable for arguing at the level of underlying principles and their practical consequences - it makes explicit the assumptions underlying corporate globalisation and questions them. This, in itself, is a valuable service as so much of the 'debate' in the media proceeds on the basis of bald assertion of essentially fallacious economic dogma.
The report starts with a critique of 'corporate globalization'. The term itself is useful, because the term 'globalization' has become something of a 'Humpty-Dumpty' word ('when I use a word, it means exactly what I want it to mean, neither more nor less'). 'Corporate globalization' describes a process driven and promoted by the large global corporations which, whatever its other consequences, gives primacy to the benefits that will flow to global business.
The critique identifies eight key features of corporate globalization:
1. 'Promotion of hypergrowth and unrestricted exploitation of environmental resources to fuel that growth
2. Privatization and commodification of public services and of remaining aspects of the global and community commons
3. Global cultural and economic homogenization and the intense promotion of consumerism
4. Integration and conversion of national economies, including some that were largely self-reliant, to environmentally and socially harmful export oriented production
5. Corporate deregulation and unrestricted movement of capital across borders
6. Dramatically increased corporate concentration
7. Dismantling of public health, social, and environmental programs already in place
8. Replacement of traditional powers of democratic nation-states and local communities by global corporate bureaucracies.'
It demonstrates each of these propositions and explores who are the beneficiaries of application of these policies. One of the complexities of trying to follow the arguments of the pro- and anti- globalisers is that both use statistics, both from apparently authoritative sources, that directly contradict each other. It is almost as if the two sides inhabit parallel universes that operate in different ways. Suffice it to say that the report puts forward convincing arguments in support of its case.
The critique proceeds to a devastating analysis of the impact of the World Bank, The IMF and the WTO, the three pillars of corporate globalisation, over the last four or five decades.
The report then argues ten principles for sustainable societies, as a basis for identifying ways of realising these principles in the subsequent chapters of the report. It argues that these principles 'seem to be the mirror opposites of the principles that drive the institutions of the corporate global economy.'.
One of the minor problems in the debate is that, whereas 'globalization' rolls easily off the tongue, 'the principle of subsidiarity' is neither easy to say nor obvious in its meaning. The report contains a chapter on the case for subsidiarity, and it is a strong one. The counter argument is almost entirely concerned with power. While there are many elements of conflict between corporate globalisation and the principle of subsidiarity - local control - they are not entirely antithetical. But the reach of the large corporates would unquestionably be reduced.
You may or may not agree with the arguments in this report, but they deserve serious attention. They are well and carefully argued, they represent (in fairly sophisticated terms) the views of a growing number of people around the world who believe that current beliefs and institutions serve them poorly, and they show those who wish to promote change a path for doing so.
What makes the book really important is the positive solutions and alternatives offered. The authors offer real ways to put into practice the Tikkun Community's first and second core principles (interdependence and ecological sanity, and a new bottom line in economic and social institutions).
I think other Tikkun readers, progressive-Democrats, Green party members, and thoughtful people everywhere---who want to see the world change from how it is now to how it could be---would want to read a book outlining specifics of how to create sustainable energy, transportation and food systems. And Alternatives to Economic Globalization does just that. I can't recommend this book enough (in fact I've already bought several copies to give to some of my friends).
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The book itself is divided into two parts: (1) medical practice finacial planning and (2) personal finacial planning. For, it is Dr. Marcinko's opinion, that in-efficent practices will no longer generate the free cash flow needed for personal planning endeavors. In the current managed care environment, he indeed may be right....
For example, the book augments the traditional financial plannig disciplines of budgeting, taxation, investing, insurance, retirement and estate plannig, with the new realities of managed medical care. These previously unaddressed topics include: office based managerial and cost accounting, marginal revenue and cost concepts, negotiating skills, asset protection, office computers, software and MIS, risk management and a host of legal landmines, including OSHA, Stark I and II laws, anti-trust, insurance fraud and abuse, HMOs, MCOs, PHAs, etc.
This book is so easy to read, fact filled, and stream lined for doctors, that I consider it a must read for all medical professionals. Rather than being overpriced, it is really under valued relative to the cost efficiencies it will bring to your practice and life. Without a doubt, this book will make you money, and save you even more. Don't go to the office, or through life, without it.
Doctors are NOT Poor Business People
It is well know that doctors and nurses are poor business people, especially in the world of managed care. Well, not this editor or his contributing authors; all from the fields of law, accountancy, medicine, insurance, securities, business, management and the investing and financial services professions.
Not only does the first section of this book review medical office practice management tips, but it also teaches physicians how to profit more from their toil. Then, the book relates best practices to invest hard earned money in the sectors of risk management, budgeting, housing, automobiles, college educaton, taxation, investing, retirement and estate planning.
URLs and information resources abound, and the CD-ROM is a fabulous guide giving 'real-life' examples for the above topics. Physician and healthcare provider specificity makes this major textbook a 'must read' for all medical professionals.
Table of Contents Preface About the Editor About the Computer Disc Disc Contents Contributing Authors Ch. 1 Setting Up a Medical Practice Ch. 2 Office Business Equipment Ch. 3 Business Decision-Making in Medical Practice Ch. 4 Practicing Medicine in the Era of Managed Care Ch. 5 The Economic Fundamentals of Financial Planning Ch. 6 Essentials of Risk Management and Insurance Planning Ch. 7 Personal Financial Accounting and Income Taxation Ch. 8 Medical Office Tax Reduction Strategies Ch. 9 Introduction to Investment Concepts Ch. 10 Portfolio Management Ch. 11 Principles of Asset Protection Planning Ch. 12 Elements of Retirement Planning Ch. 13 Techniques of Estate Planning Ch. 14 Planning for Special Situations Ch. 15 Selecting a Financial Advisory Team Glossary of Terms Additional References Web Sites of Interest National Association of Securities Administrators and Associates 1999 Member Index Representative List Index
Also recommended: 'The Business of Medical Practice' Springer Publishing Same Editor.
Thank you.
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This book's thought provoking essays also force all of us to think about our own carnivorous instincts. Since almost all of us eat meat from the supermarket the book takes cows as an example and asks non hunters if the castration of bulls, the branding, the feeding of them in outdoor, closed in, excrement filled pens and the eventual slaughter of them is really somehow better than the hunter who shoots and kills a deer in the wild? It seems we all live with blood on our hands. But not to let you think this book is simply cut and pasted from the pages of American Hunter. The book also questions trophy hunting and whether hunting should even be considered a sport.
Since many hunters spend a good deal of time defending what they love to do, I would recommend that they pick up a copy of this book in order to be able to answer the question "why do I hunt?"
If one expects this to be a book merely about hunting, that expectation is wrong. If one expects this to be essays written only by undereducated, good old boys-"slob hunters"-who relish ambushing Bambi from a truck that is wrong. If your expectation is that all the essays will be unambiguously pro-hunting or gun sport, you are "off the mark." Fairly, Nelson, in his introduction says," In the United States, hunters are probably the largest, most diverse, and most important potential advocates for preservation of natural habitats and protection of wild animal populations." That remark comes close.
I believe that many city folk have so lost touch with wild life that they now believe that hunting is something akin to a video game using live ammunition. That a hunter would relish spending an entire day tracking game, and not succeed seems antithetical to their purpose for some. After reading these essays, one understands why the writers deem the day a success, something very special; e.g., "I began to realize that what I like best about hunting was the companionship of a few good old trusted buddies in the out-of-doors."
If hunters can feel so deeply-even those who later abandon it-one hopes for a return to earlier days when more Americans shared the pastime. Pete Dunne writes about "the Great Moment: How the universe held its breath, waiting-waiting for the sound of an echo that never came; the echo of a shot that was never fired" while sighting a deer-and not shooting-after his many years of hunting. You can feel the heart of this "ex"-hunter who still declares that "anti-hunters who believe that hunting is synonymous with killing and that anyone who hunts is unfeeling and cruel" ... "aren't dishonest. They are merely wrong."
I could go further, providing so many wonderful examples of the humanity of these writers. I suggest, however, that you make the time to read this book. Perhaps the greatest compliment I can pay to these writers is that they are knowledgeable, articulate, caring people. If their hunting experience has helped them become that way, hunting is very important to our culture and our society.
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Since we were in the midst of a reorg, it was exceedingly helpful in reshaping the new board into a more effective and cohesive part of the company. We did a much better job of first creating the criteria to evaluate candidates and a lot of the politics went out of the process.
I don't agree with all of the authors assertions about what a strong board can do for a company. I still think much of that is up to the people doing the actual work. However, since a board is a critical element of any modern company, read this first and do it right the first time.
Bruce R. Ellig
Corporate Vice President HR (retired)
Pfizer, Inc.
"Corporate Boards: New Strategies for Adding Value at the Top" is positioned towards people who are perhaps on boards or who are executives dealing with boards. The authors are extremely credible, having dealt with and advised senior leadership from nearly every Fortune 100 company.
This book really brings together in one source all you need to know about building a more effective board - it is filled with real and practical guidelines and actionable how-tos. At the same time, it challenges the current governance approaches, arguing that despite all the "best practices" available, we still have a relatively simplistic understanding of how to build a great board. This book gives the reader more sophisticated insights into what it takes to have an effective board.
The authors also raise a number of issues that are critical given today's environment. For example, are boards solely responsible to shareholders or are there other, equally critical groups to which boards need to be accountable? Finally, the authors discuss the implications of the Internet for the boardroom.
In short, I strongly recommend this book, particularly for those who deal with senior leadership, corporate boards and governance issues.
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I became a fan of her art in the 60's when I read about some of her "performance" art; one favorite; she dressed herself in her best dress,gave scissors to members of an audience, sat down in a chair and encouraged them to take snips out of her dress. At first, people were shy to do so, then as one or another became bolder and snipped bits from the dress, the group became practically frenzied and she felt even worried they would go farther than just snipping a dress with the shears. A wonderful elucidation of human behavior and original; it gave new insight into ourselves and thus was truly a work of art. Other works that impressed me were photos of the bottoms of bare feet, from under a glass surface, and of course the film of buttocks, which I personally never did have a chance to see, but loved the idea of.
This book is a tremendous resource of information into Yoko Ono's varied art including her music. (No reason why a CD can't be part of a book, great idea.) This book is a fine retrospective, and I only regret that Yoko Ono will never fully take her place in modern art because of the diluting influence of pop culture on her history, and because conceptual art still has not been given the same validity as other media. (Christo perhaps is the only one to have transcended this barrier, because he sells prints of his monumentally engineered and staged concepts.)
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Llewelyn is rarely mentioned in English literature so I read the play with interest. This edition is edited by the late G. K Dreher who wrote an interesting introduction and modernized the spelling and punctuation. I did not expect to find new historical insights into Llewelyn but was interested to see how he was portrayed to an Elizabethan audience. In fact, George Peele is surprisingly sympathetic in his presentation of the man who posed such a threat to the English crown. As Dreher points out, the play was written for an audience of people who "under Elizabeth were enjoying health, expansion, new knowledge, relish and hope". They were citizens of a country in the midst of becoming a great power and enjoying a cultural renaissance. Peele knew that they would sympathize with King Edward's desire to unite Britain under one monarch but would also respect the motives of the Welshman who fought for the rights and dignity of his own people.
Although practically unknown today, George Peele was highly respected by his literary contemporaries. He was an Oxford "Maister of Artes" and the play contains a sprinkling of the Latin tags and classical allusions that we expect from an educated writer of his time but my own favourite passage is a homely one:
(The Friar's novice responds to his master's command to visit town in order to buy food and wine)
"Now, master as I am true wag,
I will be neither late nor lag,
But go and come with gossip's cheer
Ere Gib our cat can lick her ear ."
This new edition of the play published by the Iron Horse Free Press in Texas.
George Peele's King Edward the First Modernized & Illustrated
Peele, George. King Edward the First. Ed. G. K. Dreher. Midland, TX: Iron Horse Free Press, 1999;
ISBN: 0-9601000-7-5 (hardcover, 224 pages with illustrations).
The publication history of George Peele's chronicle play, Edward I, begins in 1593, as the Stationers' Company register tells us:
Die Octobris./. [1593] Entred for his Copie vnder thandes of bothe the wardens an enterlude entituled the Chronicle of Kinge Edward the firste surnamed Longeshank with his Retourne out of the Holye Lande, with the lyfe of Leublen Rebell in Wales with the sinkinge of Quene Elinour [.]
Alternately called Longshank, Longshanks, and Prince Longshank, Peele's Edward I was performed fourteen times by the Lord Admiral's Men between August 29, 1595, and July 14, 1596. The play's successful stage history occasioned the printing of a second edition, which appeared in 1599.
At least eleven modern editions have been published since R. Dodsley's 1827 text, the most recent of which is: King Edward the First, a retroform edited by G. K. Dreher, published by Iron Horse Free Press. Publisher George R. Dreher, son of G. K. Dreher, notes that the "aim of this edition is to provide . . . a few unriddles in the text, modern spelling and punctuation, and an introduction for readers who are not familiar with the play." Partly a celebration of Peele's life and works and partly a tribute to Dreher's father's scholarship, the volume brings together G. K. Dreher's previous editions of Peele's Edward I (Adams Press, 1974) and David and Bethsabe (Adams Press, 1980). The new edition also includes an introduction, a commentary, and 23 images: 8 medieval illustrations from the British Library, plus 1 each from the Public Records Office, Eton College, and the Beinecke Rare Book Collection (featured in Edward I); 12 illustrations from museums around the world by the artists Raphael, Michelangelo, Salviati, Rembrandt, Chapron, Berton, Beckmann, Picasso, and Chagall (featured in David and Bethsabe). Together these components fashion a useful volume for a general reading audience; indeed, this text does more than any previous edition to popularize Peele's work. Although not a critical edition, the book will perhaps be most valuable as a teaching text for undergraduate studies.
George Peele (1556-96), born in London, was one of the principal writers of chronicle history plays in the Elizabethan literary movement, which culminated in Shakespeare's Henry IV plays and Henry V. Peele was educated at Christ's Hospital, Broadgates Hall (Pembroke College), and Christ Church, Oxford where he won praise as a translator of one of the Iphigenias of Euripides. In 1580 Peele married Anne Cooke, daughter of an Oxford merchant. With Ann he returned to the environs of London in 1581 where he pursued an active literary career in association with the "University Wits", a group of playwrights that included John Lyly, Robert Greene, Thomas Lodge, Thomas Nashe, Christopher Marlowe, and Thomas Watson. Peele's works concern courtly and patriotic themes and can be classified according to three main categories: plays, pageants, and miscellaneous verse. In 1589, in a vitriolic preface to Greene's Menaphon, Nashe suspends his condemnation of most late-sixteenth-century English writers to praise Peele as the "chiefe supporter of pleasance now living, the Atlas of Poetrie, and primus verborum Artifex" who "goeth a steppe beyond all that write." In 1592 Greene considered him "no lesse deserving" than Marlowe and Nashe; "in some things rarer, in nothing inferiour." Peele's surviving plays are: The Araygnement of Paris (1584); Edward I (1593); The Battle of Alcazar (1594); The Old Wives' Tale (1595); and David and Fair Bethsabe (1599). His miscellaneous verse includes The Tale of Troy (1589), Polyhymnia (1590) and The Honour of the Garter (1593), an epideictic poem to the Earl of Northumberland. Excerpts from Peele's writings were first anthologized in 1600 in Englands Helicon and Englands Parnassus.
Peele's Edward I combines three narratives, each announced by the original text's full title: the Chronicle of Kinge Edward the firste surnamed Longeshank with his Retourne out of the Holye Lande, with the lyfe of Leublen Rebell in Wales with the sinkinge of Quene Elinour. Peele derives the first story, the return from the Holy Land of King Edward I (1272-1307), from at least four different chronicles, but chiefly those of Grafton and Holinshed. Peele shapes his account of the life of Llywelyn (?-1282) from popular tales of Robin Hood. The third story is an unhistorical account of Queen Elinor portrayed as a divinely judged murderess. Peele subordinates the second and third narratives under the first in order to frame the play's central plot of Edward's glorious military victories over the Scots and Welsh, especially his devastating campaigns of 1277 and 1282-83 in which he conquered the Welsh principality of Llywelyn ap Gruffydd.
Edward I resounds with nationalistic pride at a time when England's victory, in 1588, over the Spanish Armada continued to fuel public celebrations. Edward's first speech in the play, for example, invokes a providential design for England's history:
O God my God, the brightnes of my daye,
How oft haft thou preferu'd thy feruant fafe, By fea and land, yea in the gates of death, O God to thee how highly am I bound, For fetting me with thefe on Englifh ground?
G. K. Dreher's modern edition standardizes the text's spelling, punctuation, and stage directions, thus achieving a very readable version:
O God, my God, the brightness of my day, How oft hast thou preserved thy servant safe, By sea and land, yea in the gates of death. O God, to thee how highly am I bound For setting me with these on English ground.
This latest return of Longeshank will certainly contribute to George Peele's popular reputation as one of the most important chronicle playwrights in Elizabethan England. In addition to Peele's Edward I, Iron Horse Free Press currently offers three other books by G. K. Dreher: Samuel Huntington, Longer Than Expected (an illustrated essay on the Presidency of Samuel Huntington, first president of The United States in Congress Assembled); Now the Dog is Quiet (a novella written in opposition to world hunger); and Ourselves & One Other (a collection of Christian devotional meditations).
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