This book was extremely enlightening and engrossing. It reveals many startling details about an assassination that in the public's mind is an open and shut case. This book will make you re-examine what you think you know about the murder of Robert F. Kennedy. It is a fascinating and disturbing look into the mishandling of the investigation as well as the trial of Sirhan Sirhan.

Klaber stands alone in his remarkable attention to detail and his insightful intuition as he dissects Sirhan, the assassination and all the people and events surrounding it. Investigative journalism at its finest; with no sides taken, no leaf unturned/unflipped/unanalyzed and certainly no minds unchallenged.

Klaber's wired-in work makes all the others' works putter off into nattering nabobs of nonsensical noise as he delicately delves into this June 4, 1968 seminal tragedy. Klaber kooks the krime and katers to only the most diskriminating kats.

What's Klaber writing about now?

I literally tore through this book. I couldn't put it down. Fascinating and frustrating with regards to the failure of the justice system.

For years.The fans of Abbott & Costello wanted to find out how their most famous film parody of horror movies"Abbott & Costello Meet Frankenstein!"came about.A few books have come to light in recent years:"Movie Comedy Teams"by Leonard Maltin,"The Abbott & Costello Book"By Jim Mullholland and:"Abbott & Costello In Hollywood!"by Ron Palumbo & Bob Furnemack.Now..As a companion to These three manuscripts is the paperback edition of the film's script.Film historian Phil Riley has found an early draft of the script that shows us all scenes and dialogue that never appeared in the final release print:"Oh Oh! And Up Pops The Devil","You're not going to leave me with all of this work"."You're not suppose to throw away all of that fat wasite".etc in terms of the film's dialogue.There is one scene that was never used in the film and sadly.It prohibieted Poor Lou from using his improvational skills as a true movie clown.The scene has "Dracula"(Bela Lugosi)using his hyponotic powers to lure poor"Wilber Brown"(Costello)back into the castle for the brain transplaint.Lou keeps trying to run away.But the power of the evil vampire's spell is so strong that he is constantly being pulled back into the castle via the cave entrance.He finds a rock and sits there."Dracula"(Bela) by now is getting madder than hell! And he says to "Wilber"(Lou)"I Said Come Back!"."Wilber Brown"sits on the rock and says"'No! I'm sitting right here and I'm not going back!".Until both Lou and the rock are zipped back into the cave and into the evil clutches of "Dracula"(Bele Lugosi) and "Dr.Sandra Morney"(Lenore Aubert).The book also shows some photos from the film and some wonderful behind the scenes candid pictures from the cast members,the film's director(Charlie Barton),The film's producer(Bob Arthur)and Dialogue Director(Norman Abbott..Bud's newphew)and the members of the Abbott & Costello families.There are also some thoughts about the making of the film from the team's family members and the true story of how this classic parody was conceived and filmed by the book's author:Mr.Riley.For fans of horror movies and for fans of classic comedy movies.This is one book to have in your collection.Bravo Phil! Kevin S.Butler.

This is a great treasure for Abbott and Costello fans as well as Chaney, Lugosi, or Universal fans. The pictures alone are worth the price of the book. The script is still titled "The Brain of Frankenstein" and includes deleted scenes which further add to the story. As someone who has seen the film many times the added info gives new insights as to the characters performances.

Classic horror film stars meet legendery comic duo make for great film and great book. behind the scenes info with rare photographs and insight into the relationships with all protagonist's. Also critic's reviews and posters and billboards from the orginal time of film's release.

I read this book to prepare myself for a salescourse at the company where I work. As it turns out I am no salesman, but the trainer did note that I had a very good insight into the salesprocess. So good, in fact, that he advised me to become a selling consultant for my company instead of a salesman. All that, thanks to having read this book in combination with "The New Strategic Selling" (also by Heiman). If you really want to start selling, you must read this book!

Throw the old rules of traditional sales out the window. Stephen E. Heiman and his co-authors, Diane Sanchez and Tad Tuleja, state in no uncertain terms that to remain a successful sales professional, you need to change the way you view the selling process. They advocate a customer-driven model of sales as the only approach for long-term success. The book includes “personal workshops” to allow you to apply these concepts directly to your sales situation. We ...recommend this book to anyone frustrated by the limitations of product-pitch selling. Note: This book is a revision of Conceptual Selling (by Robert Bruce Miller with Heiman and Tuleja, Warner Books, 1987), which has been updated to reflect the economy of today and tomorrow.

This was another fantastic book by the same people who brought you Strategic Selling. It provides the blocking and tackling of sales situations that fills out the strategic approach of their earlier book.

This is a professional, mature approach to selling that is sadly rare in the profession.

This is one of the best books I have read on how a shepherd cares and takes care of his flocks. It would be great if all ministers of the gospel would read and shephered the flock of God in such a caring manner. I am now a shepherd's wife. And I endeavor to avoid the pitfalls and horrors of ministry that I have come to know from those who rule over the people of God without a shepherd's heart. This is an excellent resource that should be added to all pastors' libraries. May God richly bless those who read this resource and go and acquire a shepherd's heart for the flock of God.

This book is great. It gives you a glimpse into life as a shepherd and the qualities of sheep, good and bad. Philip Keller writes articulately and expounding on one of the best loved passages in scripture. Get this book if you can, it is worth it.

This is an excellent book. It has improved my relationship with God immeasurably. If you want insight into how much effort God puts out on your behalf, read this book

"I purchased Sight & Insight ;the art of Burton Silverman several months ago, but just came across his listing with Amazon. I think it's a beautiful book with some of the best paintings I've seen that uses representational realism. The people depicted are both very real and very arresting in a thoughtful, reflective way. It's like reading a good book and looking up to conjure the image of the character in ones mind only this artist does that for you. He doesn't exclude the viewer though, because there's a lot of ambiguity in his characters that leaves room for ones own speculations as to the meanings of the paintings. The writing, by both Prof. McGrath and Philip Saietta are excellent if sometimes difficult sledding, particularly with the Professor. But it's really a very readable and informative collection of essays. Silverman also writes about his career with compelling honesty. It's a real treat to go through this book and well worth the price, many times over."

Sight and Insight! As a painter this book is invaluable to me, as an appreciator of art and a viewer it is an opportunity to view some of the most magnificent and masterfully executed paintings all bound together in a spectacular reproduction of artwork in itself. The execution in his draftsmanship, the use of form and the genius of the use of color by Mr. Silverman is incredible to behold. The narrative is clear and thoughfully written. I have purchased not just one book but two, one for use in my studio as a reference book. The other is a special edition signed by the Master. All who pick up the book have a delightful treat in store for them, for each time one gazes at his art, there are new discoveries to be made. As an artist I am in awe and hold a great deal of admiration and respect for his art, to have this treasure to enjoy and learn from in the form of a book is indeed a feast.

As the art director of the Merrill-Johnson Gallery, we are privileged to exhibit Mr. Silverman's work including several of the paintings in the book, "Sight and Insight". The paintings depicted in the book are fine example of the work that has made Mr. Silverman one of America's most respected realist painters. There are many books that are "how-to" paint (in fact Silverman has written two wonderful ones himself), but there are few "why-tos." "Sight and Insight" provides the reader an insight into the interpretive and artistic motivations behind his paintings. The book deserves to be in every serious art book collection for both the artist and the art appreciator.

I read the Aeneid in high school in the original Latin, and I now realize it was one of the formative experiences of my life. My Latin teacher knew all 12 books in the original Latin backward and forward, and the class was really something else! Fitzgerald's translation is pretty faithful to the original Latin, and he captures the original feeling as well as the meaning of what the great poet intended to convey. However, I have to say that Fitzgaerald is a bit too literal. He doesn't try to make it relevant for a modern audience the same way that Robert Fagles has recently done for both the Iliad and the Odyssey. We need a translator who can capture the verve as well as the grammar if Vergil is to be made available to modern readers as recent translations of Danta, Horace and Aeschylus have done. Until then, however, I think it's safe to stick with Fitzgerald (although I would recommend Dryden just for the experience!).

(NOTE: This review deals entirely with Fitzgerald's translation.)

The Aeneid is often called the founding epic of the Roman Empire. I think this requires a little explanation. The Romans absorbed almost completely the culture and art of Greece, and Homer's 'Illiad' and "Oddessy' were well known to the Romans. Virgil's 'Aeneid' is stylistically derived from Homer, but Virgil breaks new ground as well. Virgil's is much more of a national epic, and of course Homer couldn't be as nationalistic since Greece was not a nation in the same sense that Rome was. Also, Virgil is writing centuries after Homer and the events depicted in the 'Aeneid'. A lot of the story foreshadows the future of Rome and Virgil is writing about Rome's (mythical) history only to put his present day Rome in context. For example, he explains why there was such a national enmity between the Rome and the Carthage, why Latin came to be spoken in Rome, and he alludes to the origin of several famous Roman gens, including the 'Julius'. Any student of the classics will appreciate the mythological world created here by Virgil.

The translation by Fitzgerald is very good. The problem of translating poetry is twofold: stick to a literal translation, and you loose the verse; try to keep the verse and you probably will have a hard time staying true to the text. Fitzgerald's translation is in verse, and it is very lucid and flowing, not at all difficult to read. He may at times take some artistic license from time to time for the sake of preserving the verse, but I have the feeling he has stayed very close to the Latin text, and there is something to be said for reading the book as Virgil intended it - in verse.

Lastly, I recommend this particular edition (Everyman's Library, ISBN 0679413359) because of the introduction (Philip Hardie), the Post Script (Fitzgerald) and the extensive notes (Fitzgerald) on each chapter, explaining much that the casual reader would otherwise miss in reading such an historically loaded book. There is also a index of the people and places mentioned in the book, which is absolutely essential given the various people and events Virgil alludes to.

By the way, Fitzgerald has also translated the 'Illiad' and "Oddessy', and I would recommend those translations as well. Indeed, it would be best if you were to read: 'Illiad' and "Oddessy' by Homer, 'War at Troy' by Quintus of Smyrna, 'Annals' by Tacitus, and some of the relevant lives from Plutarch. Although this is certainly not required to enjoy the 'Aeneid', it would help the reader get more out of the book.

What can be said about this classic masterpiece in epic poetry? Virgil clearly emanated the Homeric style of epic, and his debt to Homer is very apparent in this work. Still, it retains a style and flavor all its own. The poem tells the story of Aeneas, the Trojan hero from the Iliad who survived to found the Roman race in Italy. The first half of the poem are his adventures in reaching Italy (comparable to the Odyssey), and the second half deal with the war that results from his landing there (comparable to the Iliad).

It is said that Virgil wrote this poem at least partially in hopes of fostering the national sentiment of the Romans, of making them proud of their heritage, and of uniting them in a common ancestry. His motives are very clear--there are a number of references to the future glory of Rome, and various visions of the leaders and generals who would bring Rome her greatest glory. Interestingly, this poem was never completed, and Virgil, on his deathbed, asked that it be destroyed. It was preserved, however, by Augustus, and so we have it in its mostly finished form today.

This translation by Fitzgerald is excellent. Like his translations of Homer, Fitzgerald's Aeneid flows very smoothly, and stays true to the feel of the original. Also, there is a postscript in the back detailing both the history of the times, and various events in Virgil's life. This postscript is very helpful in understanding the world in which the poet lived.

There is also a glossary of names in the back, very useful for keeping all the people, places, and deity straight. The Everyman's binding is a great way to go at an affordable price. All in all, this version of The Aenied is very satisfying. I highly recommend it.

Keller's classic book on Psalms 23 provides unique insights into the conduct & character of mankind.
If the reader can not gag on the continual self-promotion of Keller, smeared throughout the booklet, it remains a very good choice for devotional reading.
A better title may have been "Shepherd exalts himself while commenting on Psalm 23".
Spend the [money], it's still worth it.

Mr. Keller is very good at bringing to life the shepherd's view as expressed in the 23rd Psalm. He is personally aquainted with the Eastern way of sheep ranching, which of couse is the method employed and understood by David, the psalm's writer. More than just being insightful into the shepherd's mind-set and references, he takes us beyond the physical realm to the spiritual applications that were intended by the the Lord, who inspired David to write it. Herein lies the real worth of this book, because we are brought to see the Great Shepherd, Jesus Christ, and how He is caring for the sheep of His pasture. It brings great comfort to know the love and care that My Shepherd exhibits for me. I recommend it to read by all those who have called upon the Lord and have let Him be their Shepherd. As they read this book they'll understand in a far deeper way the psalms' opening line, "The Lord is my shepherd, I shall not want." I also recommend it to those who ! ! are seeking such an encounter with the Lord God. He is patiently waiting your surrender. God bless you and brother Keller.

My brother bought this book for me and started my addiction to Mr. Keller's writings. I read the book through and only put it down with great reluctance. Mr. Keller took one of the most beloved of Psalms and made it so that I was not only able to understand it better, but I could see the "subtle colors" in it. I not only love this Psalm for why I first read it, I can see more of the background to the picture that God was painting for us through David's hand. I would not only recommend this book for ANYONE, I have bought copies of it to use for presents. If you read it, you will be happy to pass it out to someone that you love. Mr. Keller has written in such a style that you will enjoy reading his book and then go back into your Bible and read what the Lord has written for us with a lot more joy in your heart for His provision.

This books introduces the more advanced Java topics, wich are mentioned in other books but never explained. This book explains these topics in clear and easy to understand way. If i see a Sybex book i mostly leave it in the bookstore, but this book is ok to pick up!

This is definitely one of the better (a lot better!) books on Java I've bought so far(I've got about 10 others). Explains difficult topics well. I use a more general book on Java for a general view of the language/classes and I use this one for more difficult topics which a lot of books only mention but do not explain. The use of diagrams and figures together with easy to follow explanations gives a better understanding of Java topics like streams, threads and networking.

After taking a class from Phil, I went ahead and bought his book. I have found it to be one of the best resources for general Java matter, as well as in depth discussions on advanced technologies. A+ Phil.

This is a masterpiece in self development work.He graphically narrates the importance of travel and education.The advice to his son Phillip is both practical and scholarly. Though at times one may get the feeling of "over kill", Chesterfield has embellished and tempered the book with sound practical knowledge.
Foremost, in the steps for acquisition of knowledge, was the advice given for taking up the study of various languages, especially Latin. The book makes for compulsive reading and must adorn every library.

After reading a children's collection of Chesterfield's writings (The Book of Good Manners) I decided to get this Oxford paperback edition of the actual full-length letters themselves. Chesterfield's complete letters fill six volumes, so any one-volume edition is going to be a selection, but it was the subject of manners which made these letters famous, and this subject is mostly written about in his letters to his son and his grandson, and this edition contains 85 such letters. It also has a few letters Chesterfield wrote to various friends and associates and letters having to do with the functions of his various political career. Even if one doesn't much admire Chesterfield's advice to his offspring (for whatever reason) these insights into behaviour and human nature (in the halls of power or not) are not a bad thing to have an understanding of in your overall world-view. Despite the apparently famous and oft-quoted line from Johnson that these letters teach the morals of a dance master or a prostitute (what Johnson was probably saying was these letters describe the 'surface' of society and the insights and advice in that sense tend to come across as shallow, yet I think it's fair to allow Chesterfield to assume the potential character and substance and depth in the human beings who may practice the manners with the artistry that he describes them) some of Chesterfield's insights come out of (without trying to sound dramatic) esoteric teachings and schools, or at least border on the practices taught in higher schools. 'Tact', for instance, is a worldly word for a higher spiritual practice of seeing things from the point-of-view of other people as-well-as being objective enough about yourself that you can know what kind of impression you are making on others. 'Not expressing resentment', as well, is an art of a high order (dealing with emotional energy in general), beyond the obviousness that expressing resentment makes you look like a fool. In fact, Chesterfield paints a cumulative portrait in his letters of a human being who is not just 'going-through-the-correct-motions' but who is actually, potentially, more conscious (and capable of being more conscious) of himself and the world around him than the average human being usually is. Having said that, I'm sure Johnson saw enough trained monkeys (of the human kind) in his day fully capable of practicing these manners that Chesterfield describes, and so it's understandable that he may have cringed a little upon discovering their publication. Yet, hollow men (or mental vacuums) and fools aside these letters are worth the time of anybody interested in increasing their understanding of themselves, human nature in general, and society at any level.

While the prose is definitely that of the neoclassic, this text is filled with insight into the nature of society, relationships, business and leadership. I found a dusty old copy of this text in our university library when I was an undergraduate, and it has stayed with me throughout my life. Imagine that these are letters! Each one as carefully crafted as a published essay, and each with a specific point all aimed at the same goal: providing the author's son w/ the tools (weapons in some cases) necessary for success. Here's an example (a paraphrase, as I do not have the text at hand):

Each man is born with all the passions, but in each there is a governing passion which runs stronger and deeper than the rest. Seek out each man's governing passion, and when you have discovered it, remember never to trust him where that passion is concerned. Play upon it to your own advantage if you wish.

The text is full of wisdom such as this. I'm delighted that Amazon can find it for me.

My book is the 1966 edition by Atheneum. The theme is devoted to the right of an animal to its territory, and expresses the interesting fact that the possessor is usually the victor if and when confronted with an intruder. After reading Ardrey's work, I have watched with interest my 17 pound bundle of fluff, chase a much larger dog from our property. It was no contest. Just as the one knows his rights and the bounds within which they can be excercised, so too, does the other realize that, as an intruder, he has no right to contest that right. One needs to keep in mind that man is no less an animal than those studied by Ardrey who, although his writing is good, tends to be a bit tedious until he gets to the point of his discussion; namely, that man is no less territorial than lesser beasts. Within certain social groups this truth is more revelent than in others. Immigrants to the U.S. stake out their "turf," as they say, and woe be to the trespasser, not a few of whom have been killed. Readers who take seriously what Ardrey reveals should be able to point to areas on earth where his thesis is in full bloom, and is the cause of considerable consternation and death. I would rate the book five-star were it not that it takes awhile for the casual reader to appreicate what is being written. It is a work which every Secretary of State should read and discuss with the President and membes of his cabinet before allowing the United States to become actively involved in national affairs, which is not to suggest that the U.S. should remain aloof from affairs that deal with decency and terrirotial righteousness.

I spent many a long hour reading philosophy on the nature of property, possession and place. Also, I have spent many an hour reading the history and politics of nations for their respective histories of territorial aspirations. The mystery and problems of the human connection to particular places still eluded me.

I picked up this book at a flea market and began reading. I learned more and gained more insight into the nature of Nature's territorial inhabitants than all my previous reading. Through carefully observed case studies of animals, conservative conclusions are drawn. Light on theory, and heavy on examples of particular territorial behaviours of our fellow creatures, `The Territorial Imperative' is must read for any person interested in the way of Nature and ourselves.

When I first read this book after being graduated from Boston University as a science major, I was stunned by the depth and perception of observation by the author. It, the book, has made a profound impact on my life and scientific beliefs.