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It's not difficult to beat up the Army Corps of Engineers. It's run roughshod over more than one engineering and erth moving project. In this book the authors make a compelling case (as do several other good books)that the Corps used traditional steel and concrete projects to force human utilization on the nation's coastal zones. In spite of the very incisive and useful analysis in this book we should recognize that American's love the coast, are moving there in unprescedented numbers, and are investing massive amounts of capital in housing, recreational, and commercial construction.
Was the Army Corps of Engineers a culprit in the "urbanization" of America's coastlines and beaches or was the Corps an inevitable partner in coastal development? My own analysis (see our discussion at ...) is that the coast and seashore is a magnet for population throughout the world. Most "megacities" in the world are coastal cities. It is instructive that, although the Corps exists only in the United States, "Corps-like" construction and structures which seriously assault the coastal areas (by "armouring" the beach) takes place in all the coastal zones I have studied.
Everyone who has visited, lived, or worked near the beach must read this book. But ask yourself this "If the Army Corps had not undertaken these projects who would have done so?"
Steffen Schmidt, Ph.D Professor of Politics and Coastal Policy Iowa State University and Nova Southeastern University, Oceanographic Center, Ft. Lauderdale
Whether you live near the coast, are thinking of moving there, or are just curious about those million-dollar Malibu mansion you see tumbling into the Pacific every winter, you need to read this book.
She's been re-writing her series from the beginning. I thing her original names for the first few books were terrible (almost kept me from reading them), but changing them is confusing!
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Peter Viertel, who worked with Huston on "The African Queen" also wrote a book about the experience titled "White Hunter, Black Heart" which Clint Eastwood made into a movie.
She is the first one to say that she is a bit of a pain in the neck, bossy and interfering. And always worried about the details. And she freely admits that when there is no bathroom, she's gotta go.
She lively discribes how the cities look, how it feels to be in the jungle. Explaining that taking a shower there is like angels touching your body. And that there is nothing worse than having to go to the bathroom (in somewhat of a rush...) and finding a black mamba snake there. She was so shocked she had to throw up. And the throwing up keeps up until after they come back in England.
What struck me as most odd was that she doesn't hold back. She told off Huston often, refused to help Lauren Bacall with the food, carried the mirror around and often thought what the hell she was doing there. But it was fascinating. Reading about it is fascinating, you want to go there yourself and look what it is like in real-life (instead I watched The African Queen for the 164th time).
The photographs in the book are really worth looking at - they give you a feeling of actually being there. Seeing Kate washing her hair with her 'house-boy' standing by, the costumes close-up, the little comments next to the pictures, one of 'Bogie Allnut' - Bogie laughing out loud wearing his costume and of 'Rosie Hepburn' - Kate sitting on the railing, wearing slacks, holding Rosie's English umbrella...
It really shows that Katharine Hepburn had many talents - she is certainly able to write an extraordinary tale of adventure, making movies, making fast friends, overcoming problems (the sinking of The African Queen, giant antz, losing twenty pounds by drinking water, almost being killed by a wild boar) and loving it all.
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In addition to material covered in chapters, there is also scenes included for student and teacher use. There are 2 person scenes, multiple character scenes as well as monologues for men and women. It's a good place for students to start their searches for material.
The material covered is a wide range. There are sections on Interpreting the Drama which includes Improvisation, Voice and Diction, and General Acting Techniques. A section on Appreciating the Drama talking about History of Drama, the Structure of Drama and the Varieties of Drama. Then there is also a section on Producing the Drama which includes the musical, the set, lighting, costuming and even make-up.
I believe this book gives students a great introduction to theatre and drama which concrete information they can take with them. Some students come to theatre and drama classes with a basic knowledge of the material, and this can help build on that knowledge. And if students have no knowledge, this book starts with the basics like stage directions and different parts of a theatre.
I highly recommend this book to any teacher with an introductory or intermediate theatre and drama class.