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This 175-year-old fairy tale from the enchanted forests of Germany is intensely poetic and Romantic in style, yet it echoes Medieval sagas of hopeless, emotional quests. The ageless theme is the danger of unnatural union between a mortal and an immortal, human and supernatural beings--regardless of the sincerity of their Love. This short tale is further condensed by the skillful translator, yet it retains the flavor of dark mystery of the original. Fouque's sylvan setting and watery undulations surpise us at every turn: fl! ood, stream, fountain, ocean, lake. Ethereal, humanesque forms melt and dissolve into liquid elements. Does an evil demon stalk Undine and her cavalier? Is this presence trying to protect her or reclaim her from the solid world.? To which world would she rather belong--or does she even have a choice at all?
Like Hans Christian Andersen's LITTTLE MERMAID (forget the Disney version), Undine endures great suffering in exchange for the gift of a human soul. Alas, like the prince in the HCA original, Lord Huldbrand proves faithless to his bride, thus endangering their future together and both their lives. The plot flows along swiftly and inevitably to its disastrous conclusion; no one in the lovers' triangle triumphs in the end. The water sprites merely mock the futility of human endeavor. This is a fast read which will entice lovers of Fantasy into the spell of seeking ever more about UNDINE, a heroine as evanescent as a rainbow in the mist..
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Where Hammett and company's tales are sharp, grittily realistic, and driven by swarthy melodramatic plots, Stein's one mysterious foray into the Murder Mystery genre has little discernible plot, is distinctly un-swarthy, lacks melodrama, and for these reasons is perhaps far more realistic than Hammett et al. are held to be; _Blood_ clearly reflects the confusion we (I) feel in the face of traumatic events... the mind reels before the reality (which always lacks cliche and melodrama) of violence and leaves one (me) with nothing but an almost incoherent froth of language in one's (my) head, out of which occasionally bubble moments of "clarity": bits of facts and/or memories of incidents and characters which may or may not be accurate. Sometimes, too, the froth dissolves into moments of almost ritual invocation: "Lizzie do you understand do you understand lizzie": the mind reaching out to (hi)stries of past violence (the fall river axe murders, lizzie borden) to unsuccesfully but compulsively try to order and give meaning to the violence at hand.
Dazzling. The full effect of this book (the composition of "my take" on it which appears above) came only after weeks of letting the book sit in the back of my mind, as I moved back to pulp detective stories and on to other things.
It is classic Stein, a pure uncut jewelled antidote to the false-feeling closures of the usual mystery novel and the journalistic, faux-objective treatments of the violent throughout fiction, film, and (dare I mention) TV. A true refuge for the "thinking" person.
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I liked this book because it is a mystery and I like to try and figure it out before it ends. I think other school aged children would like this book. It is a series and there are more books to read about the Aldens.
I think the author wrote this because she wanted people to read mysteries and have imagination.