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"slicing off/ a chunk of time/ like chocolate" Wow! What an image! Her poems are not only full of surprise and insight, but nimble and risky as life itself. I loved the opening quote by Stein "Anything scares me,/ anything scares anyone/ but really after all/ considering how dangerous/ everything is nothing/ is really frightening." Where did that come from?! Christopher Morley's "Life is a foreign/ language; all men/ mispronounce it" is another gem. She bring these intimate and foreign worlds beautifully into focus for us.
Which reminds me, I like her line-breaks and syntax. Both carry meaning in multiple ways and syncopate the music. Also, what a great title, "Soup With Greasy Eyes"! I especially admire the family poems. They're hard to write, so close to the bone, but resonate with the illusive truths that make up our lives. "Mother fades like disappearing/ ink. She doesn't sign her name." Oh! "Prisoner," "Borrowing the Knot," "The Bopper"-powerful and moving poems. As are "How His Fiction Began," "Traveling in Cameron" and especially "Table For Two" with its visual richness and perfectly discovered kinship that runs through the book-"Who are the beggars/ who block the way, argue for a purse? Who/ are the bearded men and dirty-handed/boys? Are they lost/ kin?" (from Ana Marraksia. . .) Yes, for all of us! So. . . I look forward to reading the book again and again,
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