The title-novelette, "Nightflyers" is by far the best... A team of nine specialists takes flight on the Nightflyer in pursuit of a legendary alien spacecraft, eons old. But things on the Nightflyer aren't exactly as they seem, and it's captain isn't sharing all he knows.
"Override" and "A Song For Lya" are two more great pieces, but they can also be found in another of his collections, A SONG FOR LYA. A fourth great story, "Weekend In A War Zone" takes a look at one of our future forms of entertainment- recreational warfare! I wouldn't have minded if that story were a lot longer.
The last two stories are just ok, but all in all, this collection is well worth your time. Because of his recent popularity, Martin's older works should be hitting shelves again soon, but if you can't take the wait- check the libraries and used bookstores like I did
Override: Imagine you make a decent living as a corpse handler on a pretty planet named Grotto. To you, working with the corpses is a job, not all that unpleasant, but others on Grotto call you and your kind "Meatminds" and want to do away with corpse labor. And then, you discover someone has an "override box", and they are able to take control of the corpses away from you. Miles away from town, without control of your corpses, will you survive?
Weekend In A War Zone: Welcome to Maneuver, Inc., where you can pay a great deal of money to sign up for some weekend war games. Only unlike a weekend of tennis, you might not come back alive, because these games are real.
And Seven Times Never Kill A Man: On the world of Corlos, the Children of Bakkalon reside within the City of Steel Angels. Outside the city are the forest folk called the Jaenshi, living quiet lives in harmony with planet and gathering around their clan's pyramid. The Steel Angels come out from their city and destroy the pyramids, hunting and killing the Jaenshi, calling them soulless animals. The trader neKrol has come to Corlos in his ship, the Lights of Jolostar, in an effort to save the Jaenshi. Is there room on this planet for more than one race?
Nor The Many-Colored Fires Of A Star Ring: All around the galaxy are the Star Rings, "gates" to different parts of the universe. Kerin and Jenny are at the Nowhere Ring, ready to try Jenny's theory of a self-sustaining ring using no nullspace engines.
A Song For Lya: Robb and Lya are summoned to the planet Shkea, where the
Terran planetary administrator has become concerned with the number of humans joining the Shkeen Cult of the Union. With their psi talents, they travel to the city to learn of the creatures called Greeshka and their role in the cult. It is the only religion of the Shkeen, and one of the Talented will fall victim to this cult of love.
"Lighten Up: Survival Skills for People Under Pressure." Mr. Braverman should find his own material.
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The 61-page Introduction is important. It covers the literary sources, development of the traditions, religious relations, authorship, date and place, selected aspects of theology, purpose, and structure of the Gospel. It is rich in theological ideas. It was "as if scales falling from the eyes" as B-M listened to his mentor, C. H. Dodd, explain the structure of the episodes of the Book of Signs (chapters 2-12), each episode consisting of sign plus discourse, and each encapsulating the whole Gospel. He realized that that was probably due to the Evangelist's preaching, as the Evangelist expounded the significance of the traditions in the light of Christ's death and resurrection. Now a familiar observation in Johannine studies, the concept that much of the Fourth Gospel was the product of preaching must have been a creative thought then. New insights have continued to flow unabated as scholars delved into the depths of this Gospel. Nowhere is it more apparent than in the discussion of the Gospel's dual nature, simultaneously depicting the historical ministry of Jesus and the situation and faith of the Johannine community some 50(?) years later. "The Evangelist sets the historical ministry of Jesus in Palestine in indissoluble relation to the ministry of the risen Lord in the world" (xlvii). If Luke traces the origins of the Church in two volumes, one [his Gospel] of Jesus and the other [Acts] of the risen Christ acting through his disciples, John presents the historical Jesus and Jesus the risen Lord together in one book and a single perspective. B-M masterfully sketches in succession how each of several scholars has treated this theme, in the process displaying a fascinating interplay of ideas.
Several other important themes that recur in the commentary proper make their first appearance in the Introduction. While the Kingdom of God is scarcely mentioned [only in vv. 3:3,5], "every line of the Fourth Gospel is informed by it" (xxxiv). The Paraclete actualizes the words and deeds of Jesus in the life of the Church -- the Fourth Gospel itself "is a supreme example of the truth and application of the Paraclete doctrine which it contains" (liii). The concept of Son of God (closely associated with Son of Man) is the prevailing characteristic of Johannine Christology. The glorification of Jesus coincides with his crucifixion (unlike Isaiah's Servant who is exalted because and after he had suffered). The realized eschatology of John is not to be divested of its future aspect (contrary to Bultmann). All these, and more, are elements that B-M uses in the commentary discussions of John's theology, which turns out to be largely Christology. In the end you have to agree with him, "The theme of the Fourth Gospel is Christ" (lxxxi).
In common with other scholars, B-M accepts a four-part structure of the Gospel: (A) The Prologue; (B) The Public Ministry of Jesus, otherwise referred to as the Book of Signs (Dodd, Brown); (C) The Passion and Resurrection of Jesus, also known as as the Book of the Passion (Dodd) or the Book of Glory (Brown); and (D) Epilogue. He expresses a reservation, though, concerning the nomenclatures "Book of Signs" and "Book of Passion/Glory", since he considers that the WHOLE Gospel may be viewed as a book of signs and as a book of the passion and glory of Jesus. As he interacts with the established figures of Johannine scholarship, B-M does not hesitate to disagree as well as to cite approvingly, for he is a Johannine expert in his own right. He argues his case very well indeed, but to get the benefit of it you have to read thoughtfully. B-M is never shallow and merits careful study. Knowledge of some Greek will help, but you can still gain a great deal without. Running to about 600 pages, as compared for example with Brown's two-volume, 1200-page work (Anchor 29, 29A), this commentary is necessarily less detailed. But as a presentation of modern Johannine study coupled with the author's independent understanding, it is certainly a noteworthy effort.
The second edition (1999) is identical with the first (1987), with the addition of supplementary bibliographies and reviews of a number of significant books on John that had appeared since the first edition (for example, John Ashton's important "Understanding the Fourth Gospel"). The commentary follows WBC's usual format. Some find the format "unfriendly", but it is not so. The usual gripe that references are given in line with the text (not in footnotes) hardly deserves notice. If you are ready to go beyond introductory expositions of the Fourth Gospel, give this book serious consideration.
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In the case of older speeches, the selection is very good, considering the restraints of time, and the readers are uniformly excellent.
As for the modern speeches, it is a marvel of technology that we can hear these speeches as delivered. It is incredible that we can hear the voice of William Jennings Bryan. I can listen to Martin Luther King's "I have a dream" a thousand times and never tire of it! How I wish I could listen to the voice of Patrick Henry! But this selection is too heavily weighted to the modern, and many of those do not deserve billing as the GREATEST speeches of ALL TIME. Also, some of the modern speeches which are included are abridged, e.g. Reagan is cut off in the middle of a sentence, while lengthy and undeserving speeches are played out in their entirety.
Also, with only a few exceptions, the selection is almost entirely American. It is hard to understand why Jimmy Carter's lengthy speech on energy policy is included, while Pericles' funeral oration is not; or why only a small portion of a single Winston Churchill speech is included; why while Bill Clinton's complete 1993 pulpit address, in excess of 20 minutes, is included.
It would be helpful if the complete list of speeches were available to online buyers, as it would be to shoppers in a brick and mortar store.
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On a further note, I don't have a clue what the 'Incest' guy was talking about. The story that is the namesake of the book has a scene where a father and daughter are laying together in bed consoling each other, I assume that he might have interpreted what happened incorrectly (or then again, perhaps I did).
The "Ice Dragon" won an award and after reading it and wiping your tears away you will know why... its simply amazing how one man has so many stories that, in just a few pages can cut through a persons layers of bitterness and expose emotions that one may have believed to have been long since dead.
("With Morning comes Mistfall" and "Lonely Songs of Loren Dorr" fit into this category...Not to mention the Title story about a Daughters mystical Paintings...)
For you anarchists out there you will find the story "closing Time" has a pleasent way of dealing with the whole mess out there....
A total of 11 wonderous and magical stories affiriming that GRR Martin was the Master even before the Song of Ice and Fire was Created.
Buy this book! It will be [$$$], but its worth it if you want to laugh and cry again.
As one might expect from such a source, the book is better-written by far than the standard baseball bio. But the choice of a subject famous for an activity that does not captivate the author creates a certain monstrous gap in the purpose, and a real loss in describing Jackie's climactic voluntary retirement from the game at his peak, a mere one year after winning the MVP. If Mr. Martin was half the baseball fan he is a writer, the book could have soared to something like a Greek tragedy. As is, it will appeal to those interested in the man, in the personal foibles and flaws inherent in all humans, and in the efforts of spirited people to overcome them. These efforts better grip the reader when made by one, like Jackie, who has attained greatness in one of life's pathways.
Frankly, there are two possible audiences for 'Quartet', and the book is a somewhat scysophrenic appeal for both.
For the die hard fans such as myself, the collection offers 'Black and White and Red All Over', the beginning of an unfinished novel, and STARPORT, an unproduced pilot for a television series.
For the newbies, the collection features The Skin Trade, Martin's fantasy award winning werewolf novella, and Blood of the Dragon, an exerpt from 'A Game of Thrones'.
Thus, no matter in which category you belong, the collection is only half for you.
'Black & White' begins with a classic Martin line 'On that dump April Morning Ned Cullen started his day with a glass of cheap champagne gone flat, a cup of cold black coffee, and a Murder'. Merely reading that line made chills run down my spine. This, I knew immediately, was going to be top notch Martin.
And it is. The story of three journalists trying to solve a Jack the Ripper style Murder in later Victorian New York City is so obviously among Martin's best works that one is left amazingly frustrated to know that there is no ending, that the story ends in the middle of a scene, with a note from Martin which says, effectively 'that all I've got, sorry'.
As great as 'Black & White' is, though, you can see why it was rejected. The complicated structure, and the detailed description of NYC (Martin has a knack for the Historical narrative, and it is a pity he doesn't do it more often. Even more than in his Fantasy and Science Fiction, Martin has a way of making the past come alive) carries through a hundred pages in which, plot-wise, little yet happens. Martin is setting the base for the larger scheme, but, like Fevre Dream and A Storm of Swords, the build up is slow and meticulous and careful, unlike A Game of Thrones, where the action begins immediately. This is hardly a bad thing for itself, and Black & White handles the exposition superbly, but as exposition, you cannot see where he's going yet.
The Next piece is 'The Skin Trade', the werewolf novella. Willie and Randi are among Martin's most memorable characters, and the tale of haunted hunters is among his best. The only weakness might be the slightly too complicated plot - after several readings, I'm still not one hundred percent sure I know exactly who did what and why.
But there is so much great writing there, such a powerful and nonchalant description of the paranormal, and Martin's wonderful way of making the exotic into common life, without losing any of the majestic beauty
So you admit you're a werewolf?"
"A Lycanthrope... . So Sue Me. It's a medical condition. I got allergies, I got asthma, I got a bad back, and I got lycanthropy, is it my fault?'
But than, a different character describes himself "Perhaps I'll come for you myself some night. You ought to see me... . My fur is white now, pale as snow, but the stature, the majesty, the power, those have not left me... We are the dire wolves, the nightmares who haunt your racial memories, the dark shapes circling endlessly beyond the light of your fires."
An unproduced Screenplay, STARPORT, is a pilot for a series that never happened. As such, it is a shame that Martin doesn't tell us something of what he had planned for the series. It is difficult to judge the story on its own. For example, is Kim, the Nazi girlfriend of undercover cop Aaron, a character that was supposed to return again? If not, she gets much too much screentime.
STARPORT follows a police force in near future Chicago, where an alien constructed base exists. The screenplay does a good job of introducing some memorable characters, but the plot suffers. Usually, Martin is a masterplotter, his tales brilliantly conceived and excecuted. Here, however, the plot is little more then a mechanism to get the characters to meet and interact. Particularly weak is the solution to the mystery, which is obvious and expected, and robs us of a character which could have been a very effective source of conflict for the series.
But STARPORT is a great piece of writing anyway, and would have made a very good introduction to what might have been the best SF TV show in recent memory.
The final selection is an excerpt from A Game of Thrones, telling the story of Dany, the princess lost in the wilderness, wed to a barbarian but fearsome warrier. It is, of course, a very fine piece of work, the Dany narrative being one of the best realised parts in Martin's brilliant novel, but it is the least valuable in the bunch, because I doubt many readers of this book have not read it before. and I have the feeling that the amazing climax to the story is more effective as the end of A Game of Thrones, than as a conclusion for a supposedly self standing novella.
Ultimately, I greatly enjoyed Quartet, both the fiction and Martin's wonderful introductions, but as the selection of pieces included is problematic, I can only recommand Quartet to die hard -got to have everything- fans such as myself. If you are a casual reader, one who only read few if any Martin stories, you'll be much better off picking A Game of Thrones, Fevre Dream, the anthology Sandkings, or Robert Silverberg's Legends, which contains Martin's The Hedge Knight among much other great fiction, as introduction to one of today's greatest writers.
While interesting, Martin's historical recreation of the Ripper's supposed exploits in New York, based in part on the mysterious, and historically accurate, death of a prostitute by the name of Old Shakespeare in emulation of Jack the Ripper is rather difficult to overcome, possibly because the reader knows that the novel, and the mystery, remain unfinished. Although entertaining, and well crafted, simply knowing that the mystery has no solution, like Charles Dickens's The Mystery of Edwin Drood, makes intellectual investment in the narrative and the characters rather difficult. If the novel is ever completed, it will surely stand with the best of Ripper fiction, alongside such works as Alan Moore's From Hell (2000), as well as among the best of Martin's own work.
Martin's werewolf novella, "The Skin Trade", is the most engaging of the collection's work: It's a traditional page-turner horror novella, with the pacing of a well-plotted action film. The characters are interesting, the mystery well constructed, if not slightly transparent, and Martin handles lycanthropy with aplomb. Like the equally well-plotted "Blood of the Dragon", a novella that factors in to Martin's high fantasy opus, A Song of Fire and Ice, which won a Hugo for best novella in 1997, "The Skin Trade" is a wonderful read for both Martin fans and not. But having both been previously published, it is the script for "Starport" that makes this collection worth owning.
As Martin details in his introduction to the 168 page script, which comprises the most space of any of the selections in the collection, "Starport" was the proposed SF series to replace Alien Nation on Fox in the early 1990s. Explicitly a cop drama, much like Hill Street Blues, but more in line with Alan Moore's recent Top 10 comic book series, "Starport" concerns a near future Chicago police department that concerns themselves with the vast influx of alien races that have begun trade with Earth, with Chicago acting as one of the three "starports" on Earth to facilitate such. The cast is an ensemble of characters, most of which are human police officers and detectives, but accentuated with alien diplomats, merchants, and workers. The sheer inventiveness of the fictional world that Martin created in "Starport" is amazing, more so than his carefully constructed alter-Earth in the Wild Cards series, and while reading the script, it's hard not to mourn the loss of such an amazing entry into SF television. Engaging, funny, intelligent, the only aspect of "Starport" that is a little trying is the Klingon-esque Angels that play alien foils to the human cops with their arcane honor based culture. But "Satrport" is an amazing piece of work, and hopefully one day Fox will realize their loss. But until then, at least "Starport" is published, alongside some other outstanding work from Martin's most important phases of development.
George R.R. Martin is the greatest author ever, and he knows it. Not many authors could put out a book with an incomplete story, a screenplay, and 2 materials that have already been published (one being just an exerpt from Song of ice and fire). But this book works here becasue of the intoductions and explanations to the stories...too often we forget that there is a real person writing our stories and that they have problems and concerns in life too..this book gives us back this precious insight...
the story "black and white and red all over" is an incomplete jack the ripper mystery and is the best of them all.. it is 100 pages with no ending that ends mid-sentance!!! but when finished i was dying for more....now i will probably never get more but in some cases that is what reading is all about...
Buy this book, (Especially the awsome limited edition hardcover)