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The presence of Heidegger is so insistent that sooner or later we want to find out more about this controversial figure. But where to start? His most famous work, 'Being and Time,' is notoriously unapproachable by the unprepared, but where can we find a really good Introduction to the man and his main ideas? After tackling several well-known Introductory studies, and quickly abandoning them as just too dry and boring, I finally discovered George Steiner's short study.
What a joy it was to read Steiner! I'm one of those compulsive scribblers who always read pencil in hand, ready to annotate significant and memorable passages to make sure I'll be able to find them when I want to return and re-read them, and after a single reading pretty well every page was marked.
Steiner has a beautifully lucid style, and he writes with real passion. After a 28-page Introduction, 'Heidegger: In 1991,' and an 'In Place of a Foreword,' three Chapters follow : 1. 'Some Basic Terms;' 2. 'Being and Time;' 3. 'The Presence of Heidegger.' The book is rounded out with a Biographical Note, a useful Short Bibliography, and an Index.
Steiner throughout shows great skill in actually making us feel the movements of Heidegger's thought as it flows along totally unexpected and amazing paths, and one is left wondering what heights Western thought might have risen to if it had stayed true to its original impulse. It would seem that, for Heidegger, thought was not mere ratiocination, but something more akin to devotion, a devotion we come to share.
Here are a few lines from the book : "We are trying "to listen to the voice of Being"" (p.32); "Art is not, as in Plato and Cartesian realism, an imitation of the real. It is the more real" (p.136); "Creation _should be_ custody; a human construction _should be_ the elicitation and housing of the great springs of being" (p.136); "Man has labored and thought not with but against the grain of things. He has not given lodging to the forces and creatures of the natural world but made them homeless" (p.136); "... the Heideggerian asker lays himself open to that which is being questioned and becomes ... the permeable space of its disclosure" (p.55); "The earth, says Heidegger, must once again be made a _Spielraum_, literally, a space in which to play" (p.149). These are truly luminous thoughts, and the book is full of them.
I'm not sure what specialists may think of this book, but as a non-specialist I found it a very exciting book to read, and one that left me eager to know more. Steiner's study strikes me as what must be one of the best possible introductions to Heidegger for the ordinary reader.
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Even if you are the most unsuccessful messenger around, the valuable productivity guidelines in this book would go a long way in defining and improving your status. If diligently applied, the principles of this book would enhance your overall potentials: be it official or domestic.
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It's possible that it is so succesful because there are only two writers, which clearly helps the pace. And ofcourse, the fact that half the book is written by my favorite writer George R. R. Martin, speaks for itself.
Dead Man's Hand is a 'parallel novel' to Wild Cards VI: Ace in the Hole. It follows a plotline that was mentioned in WC6, but not exploared - Chrysalis's murder, and the attempts by Martin's Jay 'Popinjay' Acroyd and Miller's 'Yeoman' Brennan to find the killer.
Popinjay, previously meerely a secondary character, proves to be a classic Martin hero - witty, clever and seemingly superficial, there is more to him than meets the eye, although that is only revealed slowly. I must admit I was disappointed that we won't see the Turtle in this story, but Jay was a suitable compensation.
Yeoman was a different story. Although I have allways liked him, his new love affair with Jennifer 'Wraith' Maloy, is not only unlikely but uninteresting, unlike his past relation with Chrysalis. Now Brennan is little but your average action hero running aroung beating people up and delivering one liners.
As a mystery, the novel works rather well. Certainly the identity of the killer is unexpected. On the other hand, the authors don't quite let you feel this is a Mystery novel - you're too focused on the action/thrilelr plots resolving the story of T-Malice, the master that enslaved so many Wild Cards characters, and the Shadow Fist gang - who try to benefit from Chrysalis's murder.
One of the things I liked best about this novel was the focus on jokers. Although the heros are an ace and a nat, there are more Jokers active in this Wild Cards novel than in any other, many of them showing strength and courage. The Wild Cards series tends to focus on Aces, but I personnaly like the Jokers at least as much, and quite possibly more. The dark side of the Virus, so to speak, can be more fascinating than the more obvious Superhero stuff.
Overall Dead Man's Hand is a thrilling ride, filled with action, advanture, cool ideas, and an extremely powerful climax, in which there is a confrontation between several major characters. The confrontation at the end is one of the Wild Cards' strongest moments, and this novel certainly holds up there with DOWN AND DIRTY, as the best of the Wild Cards so far.
Garrett is an elegant stylist, a wry and fearless observer and a gifted humorist. This book ought not be discarded--it is the best American novel about America written in the past decade, and it is a shame that it has not crossed over into the mainstream territory of book clubs and high school reading lists.