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Buy This Book if you can find it, Its expensive but worth every cent...
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As to the book,I can only review the second part (I made the mistake of ordering legends 2 thinking that it was all 11 stories, but it was really just three.) The three stories that were in it were:Debt of Bones by Terry Goodkind
The Hedge Knight by George R.R. Martin
and Runner of Pern, by Anne McCaffrey
Of the three I read, The Hedge Knight was definitely the best, it has alot of action and the grimly real, but exciting story that only Martin can provide. It is set in the Seven Kingdoms of Martin's excellent series, A Song of Ice and Fire.
Debt of Bones was good, and it showed me what type of a writer Goodkind is,(I haven't read anything by him but that, but it got me interested and I bought the first book in his series, The Sword Of Truth.
Runner of Pern was probably the one I least liked, I knew nothing about Anne McCaffrey, and it was okay, but not nearly as good as The Hedge Knight.
Be sure to buy the edition with all 11 stories, I have just ordered the full edition, Most all of the writers in the 11 stories, I have read before and it is interesting to have a short work to read by them, about a different part of their world. This will also help you get aquainted with writers you havn't read before, see their writing style, and decide if you want to read more of them.
The quality of the stories was high. King's story was beautiful and enchanting, I am not a great fan of Pratchett, though, Feist and Goodkind's stories were entertaining enough, if not a little predictable.
I felt myself also highly attracted to Williams' story for some reason. And I havent even read the series. Still gotta find the first book somewhere. :)
Jordan's story, as a WOT fan, was nice enough. It was nice to be back in the WOT world again (this was during the wait for book 9). For me, it grabbed hold and didnt let go. Although I agree that it might be a little vague and incomprehensible for the people who are not familiar with the Wheel of Time.
The big thing about Legends though, has got to be the Hedge Knight. It got me to reading Martin's work, and it had got me to favoring Martin above Jordan as soon as I was done with the series.
Legends did what it was made for - introduce fans into worlds they havent explored yet, and show them a little bit more of the worlds they know and love. So yes, Legends was brilliant.
My dad got me this as a gift a few years ago, and i have been consistently re-reading it since. All of the stories are masterpieces, even more so in that they are all less than a few hundred pages, yet still present a rich, textured world, unique to each story. This book has led me to 5 different series, 3of which i have completed again and again (I just can't seem to find the rest of the other 2). All of the stories are exquisite.
New Spring, by Robert Jordan, last story in the book, has affected me the most. It was one of the last stories I read, not just for being last, but I have read the 7000+ page series again and again in the last few years.
I have not read the Memory, Sorrow and Thorn series, but the story by Tad Williams is very complex; it took me a few readings to get the full plot. A great older read.
The Earthsea story isn't really connected to the other books, but they are good. And Ms. Le Guin has also written a few kids books.
The Hedge Knight, by George R.R. Martin, is most likely my favorite story. I haven't gotten around to reading the series yet, but it's on my list. Wonderful storytelling and action.
King, as always, is absolutely stunning. Leaving no violence or sex out, this serves as a wonderful intro or stand-alone. The Little Sisters of Eluria is a #1 first story choice.
The Feist story was a bit wierd, and kind of unfufilled. The Seventh Shrine was the last story I read. I think i was a bit put off by its length. It was worth the time, and i still have yet to pick up a book of the series.
And I won't settle for subliminal messages: BUY AND READ THE BOOK! NOW!!
Oops, I seem to have left out the Card story. It is funny, and linked to a wonderful series whose depth so far is rarely equaled in my reprtoire. The Ender series, also by the same author, is much more famous, and about par, on a totally different subject. a very funny yarn, when the rest of the series is slightly more somber.
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I highly recommend this book, but as I write this review, the question I ask myself is, "Exactly *whom* would I recommend it to?" When I first picked up the Rag, I was dubious. Of course I loved Song of Ice and Fire, and I found myself quite impressed with most of Martin's horror and sci-fi works as well... But I didn't have much confidence in an out-of-print horror book with a hippie/seventies/classic rock setting.
Fortunately, I read it anyway, or I would have missed out on one fabulous book.
But will YOU like it?
-If you occasionally find yourself enjoying episodes of VH1's Behind The Music, or the movie Almost Famous, you will appreciate Martin's meticulous attention to the music industry.
-If you are a fan of Stephen King, The Rag will make you feel right at home.
-And, if you've enjoyed any of Martin's other writings, you're sure to approve of his style here as well.
The bottom-line is, this is one book that truly doesn't deserve to be out-of-print, and thanks to Martin's rocketing popularity- it soon won't be. As soon as you can, give it a try!
Buy this book, put on some good music and enjoy the ride...
(and for those of you that still want A game of Thrones...There is some supernatural elements in this book)
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to shape American thinking. Unfortunately, I can only
play the first 2 CDs on my CD player. I have a friend
who has a CD player that can play all of them. Apparently
it has something to do with the index numbering on each
CD. Instead of each CD starting at 1 it starts where the previous CD left off. I wouldn't take a chance that this
product won't play in your CD player. I think it is very
unfortunate that I paid so much for the complete set of speeches
and I can't listen to most of it.
I WOULD WAIT UNTIL THE NEXT VERSION COMES OUT THAT CORRECTS THIS
FLAW.
It would have been also nice to have some text to accompany the
audio CDs.
A must for every buddding philosopher, peace activist and politician.
Inspiring, informative, and soul-stirring, this tape brings to life the original recordings of Martin Luther King, Jr.
Having grown up in the era of the Vietnam war and civil rights demonstrations, I got this tape thinking it would help me remember some of the key issues of the time and compare them to where we are now.
What I was not expecting was the emotional and spiritual journey this tape took me on--it was a journey at a speed that made me look for my seat belt.
Let me interject a personal note here. I am not an African American. I am not black, but neither am I white. My family name is an "Americanized" version of a Sicilian name. While my family did not emerge from slavery on southern plantations, it did emerge from near slave conditions in Sicily. I would also like to note that Sicily was invaded by the African Moors, as is evident by the curly hair and nose structure of modern Sicilians--and by the fact we get sickle cell anemia (whites do not get this disease).
Italian-Americans, who make up 6% of the USA population also underwent an era of extreme prejudice and discrimination--as did African-Americans, who make up 13% of the American population.
Some people malign Dr. King as "that nigger who riled up all the niggers." Others said he was moving too fast. Others said he was asking for too much. And on and on. What these people fail to realize is Dr. King wasn't riling up anybody. He was not an agitator. He made a call to love. When you listen to his speeches, this all becomes very clear. I am not comparing King the Man to Christ the Lord, but to condemn his call to love does compare him to Christ and does condemn both King the man and Christ the Lord. To my mind, that is hypocritical and presumptuous.
In his speeches, Dr. King presented such concepts as:
*African-American slaves are not rightful property and never were. These people were kidnapped from their homes in the area of the Gold Coast.
*The Emancipation Proclamation of 1863 declared all men (grammatical convention makes the pronoun gender-neutral in this context) equal. Yet, 100 years later, American people of color had actually moved backwards in relation to "white people." King presented incontrovertible evidence of the nullification of the Emancipation Proclamation and the abandonment of law and order that allowed suppression and oppression of an entire race of people.
*The segregation movement was part of a "divide and conquer" strategy to keep poor whites--especially poor Southern whites in their place by creating an even lower class.
*As a unit, African-Americans have more wealth than most countries--including France!
*No violent uprising has ever succeeded, unless it had the support of the general population. African-Americans did not have, and could not possibly have, such support in the USA.
*A violent uprising by African-Americans could never come to any possible good. At the outset, it would increase fear and mistrust. The government would be duty-bound to squash it, and had the power to do so. Violent uprisers would have to defeat the local police, then the county police, then the state police, then the state militia, then the National Guard, then the US Armed Forces--not exactly the recipe for success.
But non-violent action could succeed. This is what Dr. King espoused.
Dr. King said two conditions existed:
1. Power without love--this characterized the white system .
2. Love without power--this characterized the black community.
His goal was to combine power with love--not for black people, but for the brotherhood of mankind. His vision was that people would be judged by their character, not by the color of their skin.
This tape concludes with an incredibly moving speech, given to an audience of 10,000 in Tennessee. ...
It was Dr. King's last speech, given the day before a killer stopped Dr. King's campaign of love and brotherhood by severing Dr. King's spine just below his chin.
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And my greatest honour was to have my personal copy of this book autographed by Sir George Martin himself at EMI Abbey Road Studios in London...
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For those in the recording industry, Martin's detailed explanations of how he created some of the now-famous effects on that album, at a time when recording science was still somewhat primitive, is quite interesting.
If you don't like the Beatles' music, you probably won't be able to sit through the sometimes technical recording talk, but anyone for whom the Beatles marked the culture of their youth should find it fascinating.
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As I said, the book feels over ambitious, the length being to short to be able to develop in a proper way the complex cornucopia of names, places, languages and customs that Martin set to create. The drive of the plot depends entirely in the amusing planet Worlorn, a once bright world where for a decade a 'Festival Of the Worlds' was held, but which now is turning dark, little by little leaving the sun than once brightened it. Worlorn is now almost unpopulated but the past glory of its cities still remains and is the stage for a story which moves around a past romance and the traditions of war-like people called Kavalar.
Martin tries hard to make his characters be as 'flesh and bone' as possible but in my opinion he only partially achieves it: At the end of book the Kavalar characters seem much more interesting than the main ones, Dirk and Gwen (although probably that was all along Martin's final intention).
Don't expect a fast paced adventure; Sometimes the story drags with seemingly no apparent direction but Martin is building tension towards a quite philosophical finale when the experiences on this planet have transformed the main character's views on life
It is in the impressive set of vistas from Worlorn that we get the best parts of the novel. The exquisite description of each abandoned city and its secrets already shows the magnificent talent that Martin will develop fully in his most successful saga: 'The Song of Ice and Fire'.
I was amazed at the beauty of the writing, the vividness of the imagery, and the originality of the story. I would like to see more stories about the "manrealm" and especially the Kavalaar people (how about some "teyn" poetry?)
I would give this book five stars except the ending was too sad. Actually, it was so sad I've been up late every night for the past week thinking about it. Also, no one I know has ever even heard of George Martin, let alone this book, so I have no one to talk to. "Dying of the Light" is full of dark and lonely imagery, and even though it has made me feel depressed, it is a wonderful story.
(I would have liked to see Garse and Dirk become teyns!)
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Unfortunately, the praise gets to be redundant and--may I say it?--almost hollow, without the balance of some thoughtful criticism. Personally, I wouldn't have much negative to say regarding Tolkien's work, but I found very little that was genuinely fresh or enlightening in this collection of "meditations." I did discover an interest in some of the authors included (not a bad reason for their involvement in the project) and in earlier 20th century writers that I have never familiarized myself with. Lord Dunsany, E.R. Eddison, Fritz Leiber, and Mervyn Peake are only a few of the old standbys mentioned repeatedly.
Although interesting, a quick read, and well-written, this collection might best serve those curious in unearthing the inspiration beneath some of their favorite authors. I was hoping for something with more vitality, but overall I'd recommend the book.
Harriet Klausner
As we all know, the train has all but disappeared from the travel scene in the USA; in the United Kingdom, however, the train is alive and well. In using this book, you come away with the impression that not only is the train a viable alternative to other forms of intra-Britain travel, but it the preferred way to go in most instances.
Following an introductory chapter giving lots of valuable information on train travel in Britain, the rest of the book is divided into chapters by country by "base city". For each base city reachable by nonstop flights from the USA, the book provides some very useful information about the airport of arrival, including the location and hours of things like the banks or foreign exchange counters, baggage storage facilities, and most importantly, the different means of transportation between the airport and the center of town (time, cost, etc.) In point of fact, the entire cost of the book can well be amortised by using public transit, rail link, or shuttle service rather than taxis.
The heart of the book is found in the sections about rail travel, and the rail stations which the tourist is likely to use. If one is the type of traveler who needs very precise and specific directions to find things, this book does it all for you. Detailed information for each station is provided, including the location of the tourist office (if there is one), the currency exchange facilities, the location of baggage lockers and/or baggage check room, where to have one's Britrail pass validated, etc.
Furthermore, the author suggests, for each base city, a brief description of the major places to be visited, as well as a certain number of one-day sidetrips to points of interest easily reachable by train from the base city.
Finally, the book provides train schedules for trains between different base cities. While these are, of course, subject to change over time, they do provide useful information for the traveler, in particular the length of any given trip (in hours and minutes).
A useful book for anyone planning a trip to Britain.