Frank Hollon has masterfully joined the life of a prisoner, the life of hopelessness, with the source of hope, our creator. What better place to search out hope than serving life in prison for a crime you didn't commit? As I read this book I couldn't help but think of the many prisoners who might actually find hope in their hopeless situations.
On another surprise note, now I know what happen to the mouse game at the fair. All these years I've wondered why they took the gambling away, now I know. Thanks Frank!

"The God File" is a an excellent book that keeps the
reader captivated from beginning to end. The Author has
a gift for injecting the reader into the main
character. The story takes the reader on a
fascinating thought provoking journey to determine
whether or not God actually exists. It is a story
told with brutal honesty. As with Frank Turner
Hollen's first book "The Pains of April", I was left
with a lesson in humility. Today after reading "The
God File" I came up with my own conclusion about the
existence of God. In the process, my own life had a new
perspective. I rediscovered my own priorities.

Frank Turner Hollon's The God File is, by turns, tragic and hysterical, prosaic and pensive. It is largely an entertaining work of philosophy and metaphysics, as any work which undertakes finding proof for God's existence must be. But this is not about ontological proofs, teleological arguments, or categorical imperatives. This book is about proof of God in the details of life--whether revealed in Gabriel Black's memories or in the frightening interior of an Alabama prison. Mostly, as Black himself observes, the proof of God is found in the search for God.
Although I found myself laughing out loud at times at the Clyde Edgerton-like predicaments of many oddball characters, mostly I found myslef thinking about weighty and important issues. And there are many of them here to reflect upon.

A penny for our thoughts? More like a nickel and dime. Back before Woolworth's closed, you would have been able to buy this book there . . . along with a package a hair nets, a package of socks, the latest 45, genuine polyester bloomers, parakeet food, the cheapest eye shadow and lipstick known to woman (and an occasional man), and, at those special stores with a famous Formica-topped lunch counter, a grilled cheese and Coca-Cola. Today, Woolworth's is a mere memory to those middle-classers who spent time and money there. Woolworth's may have closed in 1997 (after 188 years of business), but author Karen Plunkett-Powell keeps the legacy alive as she takes readers on a nostalgic stroll down the aisles stocked with this and that. The reminiscences and recollections from die-hard customers add a warm touch but it's the test and photos take make the trip worth it.

Ms. Karen Plunkett-Powell's book is a joy to read, with great pictures. It follows the rise and fall of Woolworth's; sharing behind-the-scenes history that most people wouldn't know. BUT MOST IMPORTANT -- it brought back more memories than I realized I had forgotten of my child and teenage years and reminded me of just how many important things my family (and probably yours!) purchased from Woolworth's. My Woolworth's was in downtown Bradenton Florida, but reading the book I realized that people all over the USA and some foreign countries have many of the same memories that I do of Woolworth's -- parakeets, goldfish and hamsters, coke-floats and grilled cheese sandwiches, the 25-cent photo booth, parfume and cosmetics, the candy counter, comic books, my first watch, my first musical jewelry box, seasonal clothing, hula-hoops and batons, tennis shoes and flip-flop sandals, portable typewriters, play guns and dolls -- but most of all, Woolworth's was our Christmas Store. As the daughter of a 29-year Woolworth's saleslady, Woolworth's was where I wandered as a child, searching out all the things I hoped Santa would bring. Revive your memories -- this book sure is a trip down memory lane! Highly Recommended!

This book brought back so many memories - and I'm only 41! It's
fun to read, with a layout that mixes photos, anecdotes, drawings, and personal reminscences - almost like a magazine. Reading this book makes you realize that Woolworth's was everything Kmart and Wal-Mart are not - charming, inviting, and much more than a place to get a bargain. Author Karen Plunkett-Powell captures the Americana, the nostalgia, and the details that make us all smile when we remember Woolworth's. For me, it was about recalling the malted milks my aunt used to buy me at the counter when I was small, and the quick gifts I used to pick up for friends and my children from the Woolworth's that used to be located downstairs from an office building where I worked for many years. So many of our everyday experiences nowadays are empty -- do yourself a favor and travel back to a simpler yet more meaningful time by reading this book or buying it for a friend. It's not a typical boring history book -- and it makes a GREAT gift for the senior citizen in your life who you never know what to get for a present -grandma, a relative in a nursing home, a neighbor who signs for your packages or whatever - even if that person is not the type to sit down and read a book, they'll have so much fun leafing through it.

First off let me point out that this book leaves out most biographical information about Sinatra -- it focusses on the recordings themselves. It examines Sinatra's approach and technique to recording and singing. That makes the book extremely interesting and is its greatest strength.

Unfortunately, that is also where its weakness comes in. The book is quite clincial and could use a few more anecdotes and stories -- more "colour" if you will. I'd like to hear more interviews with musicians who worked with Sinatra and from Sinatra himself to get a better idea of the people making the music, because I feel that that the force of Sinatra's personality counts for something in his performance. I personally think that "chemistry" counts as much as technique in music and would like more of that brought out in the book.

This is not enough of a flaw to stop you enjoying the book, it is very engaging and will appeal to anyone who loves Sinatra's records. I still highly recommend the book.

I hestitate to add one more criticism -- Obviously one can not go into exhaustive detail about every single Sinatra recording, but I found it odd that Sinatra's greatest album "Songs For Swingin' Lovers" is barely mentioned while an entire chapter is devoted to the out of print (in US) "Close To You". I realise this is a personal preference, but I found it disappointing.

Chuck Granata's book, placed on the shelf next to Will Friedwald's SINATRA: THE SONG IS YOU, gives the admirer of Sinatra's art a superb and fascinating look at WHY this man was the greatest popular singer of the 20th century. Where Friedwald goes into great detail explaining the unique musicianship of the man, Granata gives his readers the knowledge of how this artistry was captured and preserved for generations of listeners. Anyone interested in Frank Sinatra, great music, the recording industry or the technology of sound recording must own this book. In an age when innovation is often hard to come by, Granata truly has broken new ground! --Scott Allen Nollen, author of the forthcoming SINATRA AT THE CINEMA (Mindnight Marquee)

No book has ever captured the experience of a recording session and the recording experience like Charles Granata. Long known as an authority of Frank Sinatra's work, this book actually conveys why Sinatra's recordings are classic and still speak to us. Granata's viewpoints are fair and, in the case of the controversial Mitch Miller recordings, as balanced as a writer can be in presenting all sides of the story. His interviews with such under-appreciated musicians such as arranger George Siravo ( who contributed far more to the canon of Frank Sinatra than most people realize) are particularly valuable. I am delighted that he has quoted extensively from Nelson Riddle's arranging book (which I edited for publication), which has much valuable information about how Nelson worked with Sinatra. The history of the recording field, rare photos and even reproductions of score pages simply make this a must-have volume.

A first rule of thumb when approaching Cabell's 18-volume opus, the Biography of Manuel; every book will be about Cabell's relationship with his wife. Cabell is obsessed with marriage, and objectifies all of his female characters to fit one of his imagined female roles; nag, whore, or unapproachable beauty. Cabell's characters always return to their nagging wives, for familiarity's sake if nothing else, with never a suggestion that it might be possible to have a long-term relationship between a man and a woman in which both are creators and in which both learn from each other.

The book Jurgen is from the same mold. Jurgen the pawnbroker moves from one of Cabell's stereotypical women to another. The book became well-known because of the godawful sex sequences, in which Cabell archly refers to Jurgen's sword, staff, or stick -- the resulting call for censorship made the book famous, but that doesn't mean it was Cabell's best. I thought The Silver Stallion and, in some respects, even The Cream of the Jest or The High Place to be better examples of Cabell's writing.

I would recommend that anyone who likes fantasy read at least one of Cabell's books, because he writes like no one else. This book had the usual Cabell wittiness and sardonic feel, so if it's the only one you can find, certainly try it.

Early in his journey, Cabell's Jurgen comes to a place known as 'The Garden Between Dawn and Sunrise.' In the garden live all the imaginary creatures that humankind has ever created: centaurs and sphinxes, fairies, valkyries, and baba-yagas. Jurgen is surprised when he sees his first-love wandering around the garden, but his guide replies "Why, all the women that man has ever loved live here...for very obvious reasons."

Moments like this, simultaneously jaded and genuine, sentimental and cynical, are the most delightful parts of 'Jurgen: A Comedy of Justice.' Nominally the story of a medieval pawnbroker's quest to find his lost wife, 'Jurgen' becomes a bildungsroman in reverse as, on the way, its hero regains his youth and visits the lands of European myth, from Camelot to Cocaigne (the land of pleasure) -- each land shows Jurgen a way of life, and he rejects each in favor of his own sardonic stoicism, for he is, after all, a "monstrously clever fellow."

That phrase describes Cabell as much as it does Jurgen: the author is remarkably erudite, and, like a doting parent hiding easter eggs, drops in-jokes through the book on subjects as far-ranging as troubadour poetry and tantric sex. Cabell corresponded with Aleister Crowley in his day, and, in ours, is an influence on Neil Gaiman ('The Sandman,' 'Neverwhere,' etc.). The book itself caused quite a splash when it became the centerpiece of one of the biggest censorship trials of the early 20th century: something to do with Jurgen's very large *ahem* sword.

Social satire and an idiosyncratic cynicism in the guise of a scholarly romance-fantasy, 'Jurgen' is what would have happened if J.R.R. Tolkien and Dorothy Parker had gotten together to write a book.

In the 1920s, James Branch Cabell (rhymes with "rabble") was considered by many to be one of the greatest American writers, based on this novel. Tastes changed with the coming of the Great Depression; worse, Cabell never again came close to writing a book of this quality, despite his many attempts. Whether or not Cabell is a great writer (and I incline to the view that writers should be judged by their best rather than their mediocre works), Jurgen is a great book, full of insight and a joy to read. The eponymous protagonist is a middle-aged pawnbroker who is given an opportunity to relive his youth. In his travels he encounters, among others, Guenevere, the Master Philologist, the Philistines, his father's Hell, and his grandmother's Heaven. In the end he has an opportunity to question Koshchei who made all things as they are. I heartily recommend this novel. Although it is in an older fantasy tradition, it is at least as readable and enjoyable as the best contemporary fantasy, and its literary quality is far greater. I have re-read it many times.

Eric Frank Russell is absolutely the master of showing the possibilities of humanity at its best. Using a metaphor whereby a wasp in a car causes the driver to have an accident, killing four grown men, a man is convinced to go in alone and take down the government of a hostile alien planet. It's truly inspring to see this man, using nothing more than his brain and some supplies sent with him, torment and annoy the government, thereby aiding Terran forces.

I read this book when I was eleven or so and have spent the rest of my reading life in search of something that fascinated me more. Tolkien's was the only fiction that may have done so, but it is, of course, nothing like Wasp.

WASP is a short, simply written book, but it has some quality that makes people mad for it. I think it is the sardonic omniscient voice that adds so much to the flavor of WASP: the voice of the Author himself.

A new edition was published not long ago that was completely unabridged. I felt the slightly abridged version read better (It's always good to cut out the fancy talk.). But I may just be used to the same slightly shorter edition most people have read.

If you want a guaranteed fascinating read (and be swept away on wings of reading enjoyment!), buy this book now. Be forewarned, however, that some might say it kind of glorifies terrorism.

I first read this book in early 60s and have reread it a few times since. It is a timeless story of how one man, with some essential supplies, can disrupt a whole world. More importantly to me was that soon after reading it for the first time, I read a review of it in Astoundin magazine. There the reviewer mentioned THE GOOD SOLDIER SCHWEIK and THE REVOLT OF GUNNER ASCH. I found Scweik heavy going but the Revolt of Gunner Asch introduced me to Hans helmuth Kirst. I have been reading Kirst ever since. Apparently, somebody in Germany has recently come out with a trilogy of videos "08/15 Trilogy" which comprises the first three (of four total) Gunner Asch novels: The Revolt of Gunner Asch Forward Gunner Asch The Return Of Gunner Asch. and all this became available to me because Eric Frank Russell wrote the WASP.

This book lays the best foundation for architectural study and design of any book ever published. It should be required reading at every university and would make a great primer for high school students with enlightened teachers.

After seeing this book on the shelf of a friend's architecture office, I bought it for my homeschooled children who are genuinely interested in architecture and building...Their dad (who teaches drafting and construction) and I could not put it down! The drawings are clear and so comprehensive. The book covers so much...Architectural styles, drawing types, etc. Mostly in drawings with very little text. So many architecture books are filled with heavy text, that you are lost in it, rather than learning the ideas and concepts. That is not a problem here. It is not to say that in any way this is a simplistic, elementary book...I'm sure it is used at the post-graduate and professional levels. The drawings and captions/info just say so much more than all those words! We are all learning a lot from this book, and are looking forward to buying more of this man's work.

This book is not just for reading, but for studying. Each page uses excellent graphics to demostrate and teach the principles of architectural design. Each page teaches a principle and the following pages build on that principle.

This book is a text book and a study guide all in one book. I would recommend this book for student & practicing architects and interior designers.

I found this book in my cousin's room and did not emerge until, bleary-eyed, I had read it cover to cover. Since then, I've re-read it dozens of times, along with the prequel, Cheaper by the Dozen. Gilbreth family fans will want to know Frank Gilbreth wrote another, adult book, about his father. Also, the University of Texas at Austin has the Gilbreth motion-study film collection.

I loved this book. I read it after I had read "Cheaper By the Dozen" which is a book of the events before the events in this book. This is like a sequal to that. I loved them both and I wish there were a ton more books about this family. I think it would be a dream come true to meet some of them. It is so neat to read a whole families life story and it is even more fun to have such an interesting family as the Gilbreths. Sometimes I don't know how they lived. They are really neat people and they inspired me in the weirdest ways. I would recomend this book to everyone of any age. But first you should read "Cheaper By the Dozen" it is up to you but it is more fun to read it in order. I think you should give at least one of these books a try, they are great I think and they would make great gifts if you need a good gift, also. I hope you take my advise and read these books.

If you enjoyed Cheaper by the Dozen, reading this book is a must! After Father Gilbreth dies, Mother is left to carry on with her dozen children. The hilarious (and sometimes ridiculous) escapades in this book range from Tom, (the cook) having trouble dosing the Gilbreth clan with castor oil, to first dates and general instruction for the girls by their brothers on how NOT to get kissed! This book is HILARIOUS! Trust me - this is one you DON'T want to miss! Settle yourself down in your favorite easy chair and laugh yourself silly with the amusing escapades of the Gilbreth Clan!

If you are a fan of the Lone Ranger, movie serials and/or Clayton Moore, this is a must read. Moore is quite possibly the only movie serial star alive today. He provides a wealth of inside information on how they were made. His insights into the production of the Lone Ranger series is also quite facinating. His feelings on portraying the Lone Ranger come across as sincere and genuine. He also seems to be a very pleasant person and a real pro. However, what keeps the book out of the five star rating are a few details that he skips over. For example, he glossed over why he was replaced by John Hart in the role of the Ranger for a year. I think there is more to the story. Moore also describes his longstanding friendship with Tom Neal. I would have been interested to learn about Moore's feelings about the murder that Neal committed in the late 60's. Maybe that kind of sordidness doesn't belong in a upbeat and positive book like this. All in all, a great book that must be read by Lone Ranger and serial fans everywhere.

Massive doses of nostalgia are guaranteed upon reading this book. Clayton Moore takes us on a ride to the thrilling days of yesteryear in a very pleasant account of his days as The Lone Ranger with many anecdotes and behind the scenes stuff. The book not only covers the TV series, but life after the series making personal appearances and continuing with the tradition of living up to the high standards set by Moore's masked alter ego. Of special interest is the part where Moore talks about his feelings with the movie The Legend of The Lone Ranger and the period of time when he was forbidden to wear his mask in public. Highly recommended to all fans of The Lone Ranger.

Clayton Moore's book is a treat for aging baby-boomers who still return to those thrilling days of yesteryear. Even with his respectable work product as a B movie actor in the '40s, Moore ("Jack" to insiders) was relatively unknown when he first appeared as The Lone Ranger in TV's version of the classic radio series. The best parts of the book are the behind the scene details of the famous TV show. Moore recalls his friendship with Jay Silverheels, a full-blooded Mohawk whose real name was Harold J. Smith. Tonto's dialogue both annoyed and amused Silverheels. Silverheels joked about it with Moore, but he also worked to improve the film image of Native Americans. Two horses portrayed Silver. We also learn the story of Lone Ranger Rock, featured in the opening sequence of the show. For decades, Moore made personal appearances in character. Wherever he traveled, everybody loved him for what he meant to Western folklore and us. He was careful to preserve the integrity of the image in his private life. In a conspicuous public relations blunder, The Wrather Corporation, because of a new movie (circa, 1980), took Moore to court to prohibit him from wearing the mask in public. Loyal fans united in protest and stayed away from the box office in droves. After the film flopped, Moore got the mask back. Moore says he knew there was a private person besides the public image, and that he was careful to keep the two identities separate. Regardless, Clayton Moore was that masked man. Recommended reading for nostalgia buffs and generations of loyal Lone Ranger fans. ;-)

I really liked the book and the movie itself. Stephen King, for sure, didn't intend when he wrote Rita Hayworth and Shawshank Redemption to emphasize a lot on the character of Andy. I think the basic character is the Morgan Freeman one. Frank Darabont, emphasized on both characters, Andy and Red. I have to ask myself, it's the redemption of who and of what? Is it the redemption of Andy, of Red, of Warren...? I think it's the redemption of all the characters in the book. At the end each one of them took what he deserved. Warren Suicide, Andy Freedom, and Red Hope. The brilliant thing about Shawshank Redemption script and movie is that the reader can't know what will happen and can estimate nothing untill the end of the story, there's no meaning of hope yet. What's hope in that movie? Is it something that we usually loose when we grow older under certain TERRIBLE conditions? Red lost all hope of getting outside Shawshank, at a certain time he wasn't willing to go out, he can never face the outside. Shawshank made him a machine man with machine heart and machine mind. Andy remind him back of his humanity, and hope is what deferenciates humans from other living species. I realized at the end that Hope is Freedom and it's not the opposite. When you have hope you can be free and when you don't you can never be free. The difference between Red and Andy is that Andy always believed in hope and that thing made him free, Red got out of Shawshank after 40 years and he was not free. Red started to feel freedom ("I think it's the excitement only a freemam can feel, a freeman at the start of a long journey whose conclusion is uncertain") when he regain hope and broke all rules and went to see his friend Andy. Hope is like dreams, when you lose it you lose your existence and therefore your humanity.

This is a great read. This book doesn't just contain the screenplay to one of the best movies of the 1990s. It also has a delightful introduction by Stephen King which explains his relationship with Frank Darabont and describes his "dollar baby" policy concerning his short stories and novellas. There is also a sort of short foreward by Darabont briefly describing how the movie came into being. This book contains the complete shooting script (deleted lines and all) and a bunch of notes by Darabont illuminating why certain scenes were cut, lines where changed, etc. Anyone interesting in filmmaking would really benifit from reading this. For those who aren't even in the least bit interested in how a movie is made, this is still a delightful read. It is a good thing, perhaps one of the best of things.

The shooting script contains forewards (by Stephen King by Frank Darabont), the screenplay, changes from the screenplay to the movie, some final thoughts by Darabont, and the credits.

It's fascinating reading the screenplay after seeing the movie, then reading the changes made in to the screenplay and why. For example, in scene 36, Andy approaches Red to buy a rock hammer and they agree on ten dollars. In the movie, it just happens and we overlook the question on how Andy would have gotten the money in the first place.

In the screen play, we find out in scenes 40 and 41 where he got the money (brought in with him ... internally). However, later, the book explains how the scene read well, but didn't work well on the screen. In retrospect, we don't really *care* that he had money anyway, so the scene is easily dropped without sacrificing clarity.

The book adds some interesting "inside" information. For example, when we first see Red meeting with the parole board, the file has a picture of him when he was younger. This photo is actually a cameo by Morgan Freeman's son, Alfonso, who also provided some of the background voices during the "Fresh Fish" taunting in the early part of the movie.

Overall, the book adds depth to an already excellent cinematic experience.

is just awesome! I went from being a 1.0-1.5 player to being a 4.0 just using Frank's book. Before I could hardly hit solid groundstrokes and now I'm doing it with ease. Great job, Frank!

If you want improve your game whith no complications, by this book right now! It's approach to solve the tennis strokes problems is incredible. You will feel your game step up as you read it.

A short easy read. It's only a little over 100 pages and almost half the pages are pictures of professional players in action. IMO: The best thing about this book is that it's free from defective advice (which is saying a lot for a book on tennis strokes -- regardless of who wrote it). Worth a read even if you're a teaching pro or advanced player.