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Miep and her collaborator Alison Leslie Gold have done a wonderful job in bringing to life in clear crisp prose Miep's role in helping the family during that terrible time when barbarity had stood the world on its head. One point of interest is the inconsistency of Miep's report of events, with others, on that awful day of the family's arrest in August 1944. Chapter 15 of Miep's book should be read closely with the very precise account of that day contained in "The Diary of Anne Frank: the Critical Edition."
This is not to imply that Miep was in anyway involved in the betrayal of the family. Clearly, she wasn't. Miep's inconsistences just make her book more realistic, more readable, more earthy. Her book becomes an account not of a hero, a saint or a fighter for a cause. Miep was simply a friend who cared.
It also serves as an independent witness to many of the events Anne described in her Diary. This was dramatized in a made for television movie about 10 years ago.
Miep and her husband Henk opened their home and hearts to Otto Frank for seven years after the war. They helped preserve his post-concentration camp sanity and gave him strength to live.
Had Miep read the Diary after Anne's capture, she states that she'd have had to burn it since it implicated people as hiders of Jews. Thankfully, Miep did not read it until years later. Even with Otto Frank's post-war encouragement, it was simply too painful for her to read. The miracle of the Diary's survival and gift to the world is due to Miep's remarkable courage and mysterious fate.
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He provides interesting breakdown tables of casualties after each major battle. I especially liked the way the author analyzes mistakes that were made by both sides. His critiques of Adms. Ghormley and Fletcher was especially interesting. The final concluding chapter was als very excellent as it gives a good tactical and strategic summary of the whole campaign.
The only minor quibble I had was with the comparatively short (comapred to the land and sea) coverage on the air aspects. More personal details on the airmen who particpated would be better since the author himself stated that control of Henderson Field was instrumental to the Japanese inability to resupply their land forces, and the eventual win. The daily listing of air casualties over-claimed/suffered by both sides gets a bit numbing after a while.
Perhaps the most interesting part of this book to me was how Mr. Frank not only provides the American viewpoint of the battle, but also the Japanese viewpoint. It was interesting to read about how aircraft and casualty claims were greatly exaggerated by both sides. I also felt that the final chapter was interesting in the way that everything was summarized for the reader. I have been reading books about the Pacific war since I was in the 4th grade, and this is the most comprehensive account of the entire Guadalcanal campaign that I have come across. This book is a must read for any World War II reader.
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Now, here's a more analyzing, less gushing side to why I love this so much. Let's start with the art. The art is amazing. It's a big change from the basic comic style of the other Sandman novels. This one is very expressionistic and the lines are very simple and nearly abstract. It makes a few characters hard to recognize until they're called by name, but it adds wonderfully to the drama, and a few characters look better than ever before(Delirium especially, not to mention ole Murphy and Death). The overlying drama is in the form of a towering tragedy, and it is in The Kindly Ones where we finally see the developments of everything that came before match up to drive home a truly powerful feeling. And the elusive, "is it good" criteria? This one went off the charts for me. And the end...oh, what an end. I _don't_ cry(Not because I'm some overly macho guy. I wish I could, but I'm so dead inside...thank you Neil for making me FEEL.), but I felt those tear ducts on the verge of pouring out years of unshed tears of pain and joy and affirmation and...didn't I already list those off?
In short, though short will never do justice to it, The Kindly Ones is the best story from the best series by my favorite author: no mean feat at ALL to be all of those. Please, pick this up after the first 8 Sandman graphic novels. Comics aren't just for kids anymore, and this one is too achingly beautiful to go unshared. Neil Gaiman is truly a god in his field and must be worshiped accordingly :). Enjoy!
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Dorothy, who was not in the last book, again comes into this story. After being shipwrecked, she and Billina, a yellow hen, arrive on land. They wander around to see where they are and discover a new friend, Tik-Tok, a wind-up, mechanical man. They also find a castle. Inside, lives the family of Ev, who have been captured by the evil Nome king. Only a princess who can change her heads lives inside. Dorothy, Billina, and Tik-Tok decide to rescue the Ev family with the help of Ozma. --I won't mention who Ozma is because you may not have read The Land of Oz. You will find out in a later review.--
I would highly suggest this book, along with The Land of Oz because of the adventures and fun.
And if you've read all the Oz books and are looking for other titles that are just as magical and just as inspired, try the Chronicles of Narnia, King Fortis the Brave or Abarat. All will introduce you to other magical worlds that are every bit as fun to visit as Oz.
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The human struggle to find hope and beauty in the most tragic of settings is what this novel evokes so well. Soviet medicine, cancer, a Zek fresh from the Gulag, and in a twilight turned dawn, Solzhenitsyn finds for his semi-autobiographical protagonist happiness, not only in winning victories against a malignant tumor, but in thoughts of perhaps one more summer to live, with nights sleeping under the stars, of three beech trees that stand like ancient guardians of an otherwise empty steppe horizon, a dog that shared his life there, and of a young nurse and spinster doctor, both of whom he hoped at times to love.
The picture one often got (accurately) of the Soviet Union was of greyness, gloom, uniform drabnes, and of a totalitarian police state. This book serves to remind the reader that, despite such circumstances, even desparately sick human being might still seek, and find, happiness in his own, private world. Along with that, Solzhenitsyn never lets us forget the utter corruption of the Soviet state, often in the person of Ruasov, an ailing bureaucrat who has managed to turn personnel management into an exquisite art form, as an instrument of psychological torture, slowly administered.
Of all Solzehenitsyn's works, this is my favorite. The people one encounters are vividly real, and the ending isn't what one would think (or hope), but is fitting, nonetheless.
-Lloyd A. Conway
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Miller subtly drops these apparently irrelevant scenes on you halfway into the stories, which serve as a preamble to some of his most powerful lines/images... [among my favorites: In DK Returns, Commisioner Gordon's speech to Captain Yindel "Roosevelt knew about Pearl Harbor but didn't stop it because 'it was too big'" only to have Yindel return in that single frame on the last book to say [about Batman]: "He's too big" - [she finally "gets" Gordon!] second-favorite: The splash page in every issue of DD Born Again, showing Matt's sleeping journey, from the lap of luxury down to the gutter, and then back to the most comfortable bed any of us will ever know - must've took me three reads to click, and realize what Miller was doing (you just don't see that too often in this medium, and by all means NEVER as masterfully executed!). I won't even go into Sin City, "it's just TOO BIG")
Do yourself a favor. Pick up Daredevil Born Again and read it at least twice, then pick up Dark Knight Returns, Batman Year One, Sin City (all of 'em), and 300, and READ THEM SLOWLY, cause, believe me, when you're done with them, you'll be sad... because you'll have to wait, like the rest of us... patiently... for Frank's next work of art. And make no mistake, this is art of the highest form!
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I would say that some of the techniques written about in this book would be very tough for players to use in a casino without a great deal of practice. However, some card cutting techniques I have already used and they do work!
Blackjack players who are looking to add to their bag of tricks some really great maneuvers will want to have this book in their libraries.
I think the book is very well written and organized and May's writing flows. He explains very difficult concepts in a way that is understandable. I believe this is one of the top books ever written on blackjack and is definitely worth buying.
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Like the book cover says, "No one is more qualified to demonstrate the power of trueSpace than Frank A. Rivera" and it shows. The character master himself illustrates the power of TrueSPace. If you don't have it get it.
I have been waiting years for him to write a book, and had given up since he suddenly vanished without a trace only to find that he has been using and supporting Truespace for the past few years. I don't use trueSpace but I had to see what made Frank leave the highend arena and write a book about Truespace. Well, I have to say the program is terribly easy to grasp with Frank's book in hand. I was creating great work in no time.
Frank deserves five stars for his efforts in this book. He gets down to business and with real world examples that can be appriciated by pros and beginners alike.
Please don't make us wait no more than a year to write another exceptional book on CGI my friend.
Timothy