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Note for the squeamish: There is some fine black humor inside that may shock you.
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The story cycle bases one novella per season, and each follows characters on a journey, whether it's one of hope, descent into corruption, coming of age, or life through offspring.
"Rita Hayworth and the Shawshank Redemption" takes place over decades, as a prison inmate retains his spirit and soul, while breathing life into a dark institution, and whose patient nature finally leads him to freedom. The story is told in first person from the point of view of old Red, the guy who can get you things, about Andy Dufresne, a young banker jailed for the murder of his wife and her lover.
One of King's great strengths is creating a believable voice for his characters, and as you read this tale, it is like Red is talking to you. Other King strengths are providing back story and creating a world in which these characters live, one with a past, present and future, and it makes them three dimensional. One of King's flaws is going off on tangents and digressions a bit too often, but he always comes back to the story.
'The Body' (basis for 'Stand By Me') is a coming of age story about four small town boys on the cusp of entering Junior High School. On the Friday before Labor Day, they set off to find the body of a missing boy. One of the four boys, Vern Tessio, overheard his brother talking to a friend about the dead body.
The characters fall into several categories: Gordon LaChance, who narrates the story as an adult, is the dreamer/writer whose older brother died earlier that year. Chris Chambers is athletic, tough but smart. wise beyond his years and the white sheep in a family of black sheep. Teddy Duchamp is the psycho wiseguy who wears thick glasses and hearing aids as the result of his war veteran father putting his head to a stove. Vern Tessio is the least intelligent, but plays a key symbolic part as the one tells the others about the body and also is the first to spot it.
Along their journey, the boys encounter adventures, such as Milo Pressman the junkyard operator and his dog, Chopper. There is a run across a high trestle as a train bears down on them, a swim in a culvert full of leeches, and a night in the dark woods with screaming wild animals. When they eventually reach the boys, they have a run in with a group of teenage hoods from their town. A major difference from the movie, is that this story details the aftermath of the confrontation after the boys return to town.
King does a nice balancing act with his adult narrative and pre-adolescent dialogue, making each voice unique and fleshing out each boy's character to make them multi-dimensional. All four experience growth, but Gordon and Chris take this growth with them as they get older. Don't let people drag you down. There's a lot more to this story than just kids looking for a dead body.
My bumps here are again that King goes off on tangents and digressions, some to fill in background and history for the characters, but sometimes really straying far from the course. At one point he takes nearly a page to say that someone is dead, where 'The kid was dead. The kid wasn't sick, the kid wasn't sleeping.' Would probably have sufficed.
I won't go into a lot of detail about the other two stories. 'Apt Pupil' is about a boy who discovers a Nazi war criminal living in his town, and blackmails the old man into telling him stories about the war in exchange for not blowing the whistle on him. The stories the boy hears slowly lead him into senseless acts of violence. In 'The Breathing Woman' a 'disgraced woman is determined to triumph over death.'
These four stories combine to make an interesting cycle, and demonstrate that Stephen King has writing talents that stretch beyond his horror work.
So I have read King--in hardback--for years. I always buy his books as soon as they are published. Then I buy them in paperback for tote-ability. They don't weigh as much, and therefore don't load me down when I'm walking mile-long concourses, nor hurt my stomach when I am (re)-reading them on the beach.
To me, all of his books are marvelous. But SHAWSHANK REDEMPTION is his best story EVER.
This story is actually one of four in King's book, DIFFERENT SEASONS. And it is actually entitled "HOPE SPRINGS ETERNAL RITA HAYWORTH AND THE SHAWSHANK REDEMPTION." Preceding the story, there is a single page with a single sentence which says, "It is in the tale, not he who tells it." Oh, and this tale does tell itself, but if King had not put it down for us, (pen to paper, so to speak) we would never have had the gift of this masterpiece to even consider.
When you realize the King of Horror has written a work that would catapult most authors into the galaxy of writers' stardom, and that it is just one of his many, many works, you just have to appreciate what a great WRITER King is. Sound silly? Well, as we all know, there are best-selling authors out there who are not particularly good writers. King sets this story down with a writing skill so superior that it is difficult to imagine something more perfectly written.
Of course I saw the movie, and it was fairly true to the book. But not until you let the actual words of this story envelope you and enthrall you do you get the full-tilt emotional fulfillment of reading a thoroughly engrossing story.
King does a beautiful job of giving us the substance of the characters, both in the realm of the facade a prisoner must maintain to survive, and of the inner anguish a prisoner struggles against to stay whole. We get to know the two main characters -- Andy and Red -- inside and out, and this is what makes the book so very compelling.
And I have never, ever, read a story in which the last sentence takes my breath away, causes my heart to beat faster, and makes my eyes tear, as this story does.
Some of the scenes are hard to take--particularly the prison rape scenes--but they are necessary for us to understand just what makes the wrongly-incarcerated Andy Dufresne so unique. And if he were not so unique, if his character were not so brilliantly disected in King's writing, there would be no story at all. Events happen around Andy, but what happens inside Andy is what gives this story wings.
I hope you will read this tale. I hope you will be inspired by it. I hope you will be as enthralled by the writing as I am. I hope you will love it, for your own sake.
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Unfortunately, that is also where its weakness comes in. The book is quite clincial and could use a few more anecdotes and stories -- more "colour" if you will. I'd like to hear more interviews with musicians who worked with Sinatra and from Sinatra himself to get a better idea of the people making the music, because I feel that that the force of Sinatra's personality counts for something in his performance. I personally think that "chemistry" counts as much as technique in music and would like more of that brought out in the book.
This is not enough of a flaw to stop you enjoying the book, it is very engaging and will appeal to anyone who loves Sinatra's records. I still highly recommend the book.
I hestitate to add one more criticism -- Obviously one can not go into exhaustive detail about every single Sinatra recording, but I found it odd that Sinatra's greatest album "Songs For Swingin' Lovers" is barely mentioned while an entire chapter is devoted to the out of print (in US) "Close To You". I realise this is a personal preference, but I found it disappointing.
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fun to read, with a layout that mixes photos, anecdotes, drawings, and personal reminscences - almost like a magazine. Reading this book makes you realize that Woolworth's was everything Kmart and Wal-Mart are not - charming, inviting, and much more than a place to get a bargain. Author Karen Plunkett-Powell captures the Americana, the nostalgia, and the details that make us all smile when we remember Woolworth's. For me, it was about recalling the malted milks my aunt used to buy me at the counter when I was small, and the quick gifts I used to pick up for friends and my children from the Woolworth's that used to be located downstairs from an office building where I worked for many years. So many of our everyday experiences nowadays are empty -- do yourself a favor and travel back to a simpler yet more meaningful time by reading this book or buying it for a friend. It's not a typical boring history book -- and it makes a GREAT gift for the senior citizen in your life who you never know what to get for a present -grandma, a relative in a nursing home, a neighbor who signs for your packages or whatever - even if that person is not the type to sit down and read a book, they'll have so much fun leafing through it.
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This book is a text book and a study guide all in one book. I would recommend this book for student & practicing architects and interior designers.
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This book is absolutely fascinating! The introduction (biography) is brimming with many wonderful photos, and even several of Baum's maps. As might be expected of the notes for the book, I found many long-winded and/or irrelevant, while others completely tickled my fancy. This, though, probably merely reflects my own tastes; another reader would probably cherish some notes I disliked and vice versa. Overall, I think that this book is a wonderful resource for anyone who is interested in the Wizard of Oz, and I highly recommend it.
His exhaustive, extensive research illuminates this classic, and brings us into the life of L. Frank Baum in connection with his writing of this story. I also loved the reproductions of the the original color plates from the first printing, which Baum painstakingly wanted.
As a true devotee of the film, and a casual devotee of the book, I now considered myself converted and find joy equally in both, due to the reading of this new classic.
Take advantage of this low price while you can still get it!
Of course, this interpretation has been around for years and you can certainly make up your mind after reading what Michael Patrick Hearn has put together in this wonderful Centennial Edition of "The Annotated Wizard of Oz." For starters, we have all of the original illustrations by W. W. Denslow, reproduced in their correct colors. That alone is worth having, but this volume also includes lots of rare drawings, photographs, and maps having to do with Baum's classic tale. Hearn's annotations focus not only on where Baum got his ideas but where "The Wizard of Oz" fits into the grand scheme of folk tales and children's stories as well as Baum's collective writings. Obviously, Hearn knows about a lot more than just Baum's career and writings, but he avoids sounding like a scholar speaking from an ivory tower.
Obviously, "The Annotated Wizard of Oz" is not for the first time reader. I would contend that an annotated edition of this, or any other beloved book like "Anne of Green Gables," "Alice in Wonderland," or "The Hobbit," is for those who are in double-figures when it comes to the number of times they have read the book in question. This is a chance to discover new levels of meanings. There is really no need for persuasion here: if you know how you feel about this story and you see what is collected in this annotated version, that should be more than enough to convince you this is worth getting for yourself (or someone you love) even if you do not find it under the tree on Christmas morning.