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Magee, an American born in China, went to school in England, joined the Canadian air force and died in a training accident in England just four days after the Japanese attack on Pearl Harbour launched the United States into World War II. Like all great timeless literature from the realm of combat -- the Funeral Oration of Pericles, Lincoln's Gettysburg Address, and McCrae's In Flanders Fields -- it is about ideals instead of ideology.
In 114 words, dated Sept. 3, 1941, he celebrated the sheer joy of flight. He could have had a scholarship to Yale in the fall of 1940 to study the classics; instead, that October he went to Canada. By then his father was assistant minister at St. John's Church in Washington, D.C., popularly known as "the church of the presidents." His parents hadn't been thrilled about his decision to fly instead of going to Yale, but they gave him their reluctant support.
The poem, written on the back page of one of his letters from England, may have been his explanation of "this is why I like to fly" to his parents. Having spent hours in the cockpit of many aicraft, from sailplanes to bush planes, and executive jets to a Flying Fortress, I understand the feeling. I can't say "share," because the single engine fighters of World War II created a brief era in flight that will never be repeated. Today's jets are pure power, simply point and go anywhere; World War I aircraft were sadly limited by a lack of power. Magee flew when the sheer joy of piston engine power matched but didn't eclipse the nerve and ability of a pilot's feelings, reactions, skills and dreams.
In only 28 pages, superbly illustrated by Toronto artist Michael Martchenko, Linda Granfield book tells how the spirit of a young man -- somewhat rebellious and undisciplined to start -- soared like the high flight he describes so memorably. I first found the poem when I was in the seventh grade, some 50 years ago, and memorized it as part of the 200 lines of memory work that were required every school year. It's the only poem from those years that stayed with me.
This book is the first account I've read that describe's Magee's background, and how the poem came to be written. In school, we were told it was "written on the back of an envelope." The real story, admirably told by Granfield, is more inspiring. Truth is always better than fantasy or imagination.
It's called a children's book. Don't be fooled. It's too good just for children. Anyone who understands the soaring adventure of the human spirit will love it. Magee made his dream come true. Very few of us get to live a more perfect life.
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Baby Your Child
Put Your Marriage Last
Push Your Child INto Too Many Activities
Ignore Your Emotional or Spiritual Life
Be Your Child's Best Friend
Fail to give Your Child Structure
Expect Your Child to Fulfil Your Dreams
I rated it 4 stars because I felt that the topics weren't throughly discussed on how we can avoid falling in one of the 7 traps.
Chapter 1: The Seven Worst Things Parents Do
Chapter 2: The Rules of the Game
Part 2: The Seven
Chapter 3: Baby Your Child
Chapter 4: Put Your Marriage Last
Chapter 5 Push Your Child into Too Many Activities
Chapter 6: Ignore Your Emotional or Spiritual Life
Chapter 7: Be Your Child's Best Friend
Chapter 8: Fail to Give Your Child Structure
Chapter 9: Expect Your Child to Fulfil Your Dreams
Part III: Go For It
Chapter 10: If Rats Can Do It, So Can You
Chapter 11: The Best Things About Parents Who Choose to Grow: A Typical Success Story
Chapter 12: Some Final Parenting Thoughts
In this book, I agreed much of what the authors wrote about how to avoid the 7 mistakes. There was a few tips of advice that I disagreed with such as putting your child to bed at the same time everynight with NO exceptions such as watching fireworks.
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The essays that are included are a wonderful assortment of old, tried-and-true and newer pieces from authors of varying backgrounds, ethnicities, and creeds. Students usually enjoy the readings I give them (I'd say 80% approval per piece), and with the average length being 5 pages, reading an essay for class and completing a journal entry is not too heavy of a burden any night of the week. The readings vary from "perfect" examples of what the text describes to even a few "what not to do when you write your own" essays that my students never fail to identify as such.
I feel that this is, by far, the best reader I have used while teaching Freshman English (this is my fourth text), and I plan on sticking with it for years to come. The price is moderate, the readings enjoyable, and the "educational" chapters stated in a way that both the slowest and most advanced student in the class can come to the same understanding of what "good writing" is.
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First we find out that not only was she his sister in a past life, but also a spirit guardian, first violin during his Mozart incarnation, his mother, a slave owner who adored her nanny Gracie/John, a son, a daughter, a soulmate, a twin soul, a lover, and on and on. If so connected, why wasn't Keen a member of a certain rock n' roll band from Liverpool during his last incarnation, of which she readily dismisses in her book with nary a mention of Paul, Ringo, or George. In fact, when it's her time to attend a fan function on his 50th birthday, she insists the fans themselves are intruding on her own private Idaho with John, as she is forced to heal him of all those annoying projections that keep getting in their way.
The most appalling moment in this book occurs when "John" states he visits his murderer Mark David Chapman in jail, loving and forgiving him and claiming that the two of them fit together like hand and glove. Pleeze. I don't think even the great JL is godlike enough to come to this unthinkable conclusion.
When all is said and done, Keen's dialogue is most likely a lively and spirited conversation with herself, the character of John Lennon merely a manafestation of some aspect of her own spiritual yearnings or connections that take the form of JL. If she had only taken a less literal tack to the story, it would have been a delightful read with interesting, enlightening and witty insights. Instead, it flounders in a sea of self promotion.
Did Coyotito get cure?
Did Kino sell the pearl or did they throw it back to the sea?
Read the book and find out.
As an ESL student I give this book 3 star and recommend it.
The Pearl is an easy book to read because it has many similes, metaphor and is easy to understand.
Also I leaned that money change people no matter what need You have.
As a high school student,I'll rate this novel 4 perfect stars.It is interesting and exciting.It has some actions and scenes that will surprise you.It's good because it talks about a foreign nation with a diffrent culture.I recommend this book for children to listen and teenagers to read.
In my opinion it is a fascinating book. Steinbeck has a big ability to describe the story, the places, the feelings of the characters and the situations; as a result, readers can travel in the story with the characters.
The setting of the story is in a small village in Mexico's Peninsula. The main characters are Kino, Juana, Coyotito, Juan Tomas, his wife Apolonia and of course, the pearl. Around them there is a conflict between the evil and the good. The simple life of the characters is interrupted when they find the pearl. Finally, they discovered the true meaning of the pearl.
I recommend this book because it is a good example of human values, the importance of family, the culture and the community. Also, I recommend this book to other ESL students because it is a very good story, it has a lot of vocabulary to learn and it is a short book.
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A long meditative piece on the coming of age of artist Linda St. John this book never really produced a true feeling of empathy from me and instead made me feel I was listening to someone paint a picture of exagerated victimization. Her family is abusive poor white trash but some how it escapes that both her and her father are PhDs. In my opinion most people have messed up families but it takes an artists ego to write an extended whine about it and think that half of america doesn't live some version of that . . .