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There is nothing but water in the holy pools,
I know, I have been swimming in them.
All the gods sculpted of wood or ivory can't say a word,
I know, I have been crying out to them.
The Sacred Books of the East are nothing but words,
I looked through their covers one day sideways.
What Kabir talks of is only what he has lived through.
If you have not lived through something, it is not true.
-- Kabir, translated by Robert Bly (p. 282)
This eclectic offering of verse reminds the reader of what he has lived through. It illuminates forgotten & ignored experiences through rhythms and images of people who have made their lives' works out of committing the unconscious to the written page. These nuggets of truth find value as they elicit Truth from the reader's experience.
DON'T trace out your profile
forget your side view--
all that is outer sutff.
LOOK for your other half
who walks always next to you
and tends to be who you aren't.
-- Antonio Machado, translated by Bly, (p. 366)
It's difficult to flip at random through these pages, and not find an echo of something stirring deep, writhing in forgotten darkness. These words shine from the page to cast the shadow of that "Other" in sharp relief upon your mind. This is not a book of pretty verse, not poetry to read to grandma during the Christian Ladies Tea Party in the rose garden. These are words to sever the bondage to dysfunctional social programming: "We have been busy accumulating solace / Make us afraid of how we were." (Rumi, p. 135)
Although the subtitle says "Poems for Men," I'm certain women will find power & freedom in these words, too. Some poems specifically name masculine woes, sorrows & challenges. Where these do not apply directly to the lives of women, perhaps they will open a portal into men's souls for the other gender.
I've nearly worn mine out and will soon be getting another copy. If I only had one book of poetry to take to a desert island, this would be the one.
I found this book back in '92 when it was first published. It spans the centuries and the continents; but has a healthy dollop of contemporary writing that is stunning. It's quite possible to imagine that all greatness belongs to ages past; this book proves that a lie by nestling examples of past excellence with their contemporary heirs.
My favorite pieces especially include "Becoming Milton" (p. 81), "The Colonel" (p. 89), "A Story About the Body" (p. 266), and "What Happened During the Ice Storm" (p. 249); which I have redubbed "A Sack Full of Ears," "Entombed in Tanks," "A Bowl Full of Bees," and "Frozen Pheasants," respectively. I just read the last one at a poetry reading in New Hampshire on the first Wednesday in January 2001. A third of the way into the poem, the entire room audibly gasped and tensed. At the end, I felt a tremendous sense of redemption and relief overcome the SRO room as they burst into applause. No credit is due to myself; it's entirely the power of Jim Heynan's words. If you believe, or need to believe, in good poetry, you should own this anthology and read from it frequently, as I do.
And the search continues ...
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I never knew who WROTE the book, but from time to time, remembered the story of the blind boy, Jimmy, and his faithful guide dog, whom I now know was named "Leader"...This is the kind of story which can capture a child's imagination, and stay with them for a long time to come. I highly recommend James B. Garfield's "Follow My Leader" (with illustrations by Robert Greiner) to any parent who desires that their child read a book that will inspire a young person to overcome whatever obstacles or challenges which life may deal unto them.
This book touched my life over 33 years ago, and it's lessons of courage, inspiration, faith, and determination to succeed can and will leave a lasting impression in a child or young adult, even in our world of today.
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The book begins by telling of the commanding rule of SMERSH. The leader of this organization is General Grubozaboyschikov. Also working is Colonel Rosa Klebb and director of planning Kronsteen, who treats real people as if they were chess pieces. The muscle of the group is a homicidal madman, who follows orders, and is in practically perfect physical shape, Donovan "Red" Grant. These evil minds have planned the perfect way to destroy the life and reputation of James Bond. Their plan is to lure 007 with the beatiful Tatiana Romanova and a Spektor cipher decoding machine as bait. Then Grant will meet up with them eventually and kill them both. However, SMERSH will take it a step further to lie to the public that Bond and Tatiana were in an affair, and that Bond commits suicide. It's a perfect plan.
Bond indeed does travel to Istanbul, believing that this girl wants to defect, and will give him the Spektor machine only if he personally helps her. 007 meets Darko Kerim, and a wonderful gypsy fight adds to the fun of the story. Bond and Tatiana travel on a train back to Europe, where he meets Red Grant and is told of the plan to kill him. An extremely bvrutal gun and fist fight breakes out between the men with 007 shooting Grant. 007 goes to Paris with Tatiana to catch Rosa Klebb in a meeting. However, Klebb releases a poison knife from her shoe and kicks 007 in the leg, before being taken away by the police. The story ends with 007 lying on the floor of the hotel room...
Perhaps the finest story of Ian Fleming, filled with the excitement and adventure to give this book it's reputation as on of the best 007 novels ever!
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There are two failings, and they are minor: (1) there are still plenty of obscure words and phrases that aren't annotated (the introduction acknowledges this) and conversely (2) there are a number of things that don't need annotations that get them (particularly galling are the annotations that simply tell you that they don't know what Joyce is talking about either).
Still, an essential reference, and pretty entertaining in its own right (like flipping through an encyclopedia or Brewer's Phrase & Fable).
Also recommended: REDEFINING THE 'SELF': SELECTED ESSAYS ON SWIFT, POE, PINTER, AND JOYCE by John Condon Murray
Introduction, prefaces and notes explain how to use this book, and how it was compiled. Each episode is preceeded by a map of where the action takes place helping the reader to visualize the movements of Bloom and Stephen. Each entry is preceeded by the Chapter Number and Line Number according to the Gabler edition of "Ulysses". In addition, a fairly comprehensive index cross-references all entries. If the reader wants to find all allusions pertaining, for example, to the Book of Luke, these can be easily found. I found this Index quite useful.
Personally, I found the following method best for using the book. First, to skim through the allusions, marking those of particular interest, and then laying the book side by side with the Novel and reading the Episode.
As for realiability, I took Gifford and Seidman up on their offered Short Title List, and was able to find almost every reference, including "Thom's Official Directory of the United Kingdom and Great Britain and Ireland for the Year 1904", and have found them to be reliable in their entries.
This Book should suffice for reading, and understanding Ulysses, though many a reader may get caught up by Joyce, as I did, so that the following may be useful: Weldon Thornton: "Allusions in Ulysses", Richard Ellman: "James Joyce", Harry Blamires: "The New Bloomsday Book", Stuart Gilbert: "James Joyce's Ulysses", and of course "The Riverside Shakespeare", "The Oddyssey", and the Bible.
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Clearly, the more you know about Heinlein's work the more you will find this reference work to be useful. Gifford's focus is more on detailing the background and history as well as providing critical insights into these works than in providing synopses. Granted, such synopses would make this book perfect, simply because only the most ardent scholar or fan is going to have read even half of the works that Heinlein wrote, but such an omission is certainly within the purview of a Reader's Companion. I am teaching "Stranger in a Strange Land" for my Science Fiction class this semester and picked up Gifford's book to find out useful background information to pass on to my students. But once I started researching that particular topic I quickly found myself paging back and forth pursuing various threads. Devotees of Heinlein's science fiction will find this book useful, not only in providing a fuller appreciation of what they have already read, but in suggesting other works to find and devour as well.
Since I've bought it I've consulted it hundreds of times, I couldn't do without it.
Gifford's precise, clear, and unbiased commentary on nearly all of Heinlein's works is interesting and concise. It does a great service by providing a clear chronological progression of Heinlein as a writer, which gives the reader a fuller understanding of the works produced at a given time in Heinlein's career. I often felt nostalgic when going through commentary because I could remember the work and the period of my life that I read it, and the enjoyment that it brought me at the time.
This book is indeed a companion for Heinlein fans.
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The weirdest thing though, was that shortly after I had read Fuel Injected Dreams, I read "Be My Baby", by Ronnie Spector with Vince Waldron. That was a scary experience. Where one is fictional, the other is true, painfully true. Read them both.
I could not do this work justice in review. My feelings are split between wanting the whole world to read the book and wanting to keep it to myself for fear that mass appeal will take something of the magic away. During the first reading, I found myself imagining it as a film, complete with score, sets and director's shouted instructions. Now that I hear a film is in the offing I'm nervous for the 3 reasons. 1. As with the book, will the magic disappear when it is exposed to the masses 2. Will justice be done or will essential parts, phrases and above all the screenplay in my mind be blown away by it's adaptation 3. Will it bomb and JRB be held to ridicule
If you're involved with the making of this film please, please, PLEASE do it straight and keep the faith.
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'According to many Sufis, the essential truths of Sufism exist in all religions. The foundation for all mysticism includes the outer forms of religious practice, plus a life based on moral and ethical principles. The roots of the tree of religion are founded in religious law.... The branches of the tree are mysticism.... The fruit of the tree is the Truth, or God.'
Edited by James Fadiman and Robert Frager, this book reaches from the very beginnings of Sufi practice to the present, and pulls together materials that are luminous and spirit-provoking, from prayers that have survived a millennium to contemporary poetry. Writers such as Ibn al-Arabi, Ahmad al-Ghazzali, Hafiz, Rumi and Attar fill this book with an enchanting sense of a divine presence in the curiously distant yet all-to-present reality.
Many of the teachings of Sufi are very basic and practical, much moreso than one would think a mystical framework would be. And yet, God is practical in many ways. God particularly expects those with wisdom to impart the wisdom, and this is best done practically for many hearers. Action is the final essential component of wisdom.
The task of the Sufi is to recognise the Truth, to learn and remember it, and secondly, to help others to the Truth as well. As the task evolves, it becomes one process, which infiltrates daily life, worship, and all of existence. Nothing is apart from God. The Sufi strives to recognise this wholeness.
'Oh heart, sit with someone
who knows the heart;
God under the tree
which has fresh blossoms.'
- Rumi
For many of the Sufi, the path to Truth is the path of Love. 'Whatever we wish to know well, we must love.' Yet, there is resistance and fear in this love. Love can transform us, make us unrecognisable even to ourselves, and this is worrisome. Yet God will always know who we are.
Sufi literature also has a humourous aspect to it; the Hodja stories of Turkish collections is illustrated here. These are interesting, because they always illumine more upon closer examination.
'I can see in the dark,' boasted Hodja one day while sitting in a tea shop.
'If that's true,' said his friends, 'why do we sometimes see you carrying a light at night?'
'Well,' he replied, 'I only use that lamp to prevent other people from bumping into me.'
Ultimately the goal of all mystical practice, and perhaps most especially the Sufi, is the experience of knowing God. The paths to God are as numerous as the seekers, the Sufi believe, which is why the path through other religious faith is not discounted. Through prayer, remembrance and service, the Sufi comes to know God, and join with God.
One day a man asked a sheikh how to reach God. 'The ways to God,' the sheikh replied, 'are as many as there are created beings. But the shortest and easiest is to serve others, not to bother others, and to make others happy.' - Abu Sa'id
The call of God is powerful, and Sufi practice is one of the most powerful responses to this call in the world. Sufi are an impatient lot, who long to see God now. May your journey be enlightened by walking some of their paths.
This book does an excellent job of explaining the Sufi path. Prior to reading this book I knew literally nothing about the subject. Now I understand Sufism to be a deeply personal path and one that is based on love of God, a dedication to service, a search for spiritual knowledge, and uncovering one's pure self. The wisdom of Sufism is learned through art, prayer, poetry, stories, readings and rituals, all of which is guided by a Sufi teacher.
The history of Sufism is traced in this book and the beliefs and path of the faith are thoroughly explained. Discussed are: Sufism's four great books (Jesus' Gospels, the Quran, Moses' Torah and David's Psalms), the Five Pillars of Islam, the four stages of Sufi practice, transforming the self, the importance of a Sufi teacher and much more. After reading this book I feel I have a sound knowledge of the basics of this faith and an understanding of why my friend has found such peace in following it. I highly recommend this book to anyone wishing to learn about Sufism or who is on a spiritual path that is open to new discoveries.