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The play tears apart both marriages: the middle aged couple, who seem to hate each other and in the end turn out to be much more devoted to each other as it would seem. The young, seemingly perfect couple, who turn out to have lots of problems of their own. In three heart-breaking scenes, using dialogue that cuts like a knife, Edward Albee has written a masterpiece. He manages to give a clear-cut, honest picture of the reality of marriage, the reality of love, and the fears that go hand in hand with love and intimacy. At some point, in act three, Martha talks about her husband- and it's probably one of the best pieces of literature I've read:
"...George who is out somewhere there in the dark...George who is good to me, and whom I revile; who understands me, and whom I push off; who can make me laugh, and I choke it back in my throat; who can hold me, at night, so that it's warm, and whom I will bite so there's blood; who keeps learning the games we play as quickly as I can change the rules; who can make me happy and I do not wish to be happy, and yes I do wish to be happy, George and Martha: sad, sad, sad."
What more can I say? just read the play, and if you get the chance, watch it performed in the theatre, too.
A quick summary of the story without giving too much away: This is the story about an elderly couple who seem to hate each other with a passion. They're rude, loud, offensive, and insulting. When they invite a younger couple to their house, things quickly start to get out of control, while the elderly couple use their guests as sheilds and pawns in their brutal arguements and such. The story ends with a shocking resolution that will catch you off guard.
The dialogue in this play is so beautifully written. It reads like the way people actually talk. That is why I enjoyed it so much. It also enriched the characters that much more. Edward Albee did a magnificent job of weaving a tale that seems so realistic it's as if we are there at that house on that very night. There are no minor characters; everyone is important in a very significant way. It is refreshing to be able to get to know each character and the hopes, dreams, ambitions, and the conflicts that lie within.
I really enjoyed reading this wonderfully structured play. Much so that I have already read it at least seven times. It is a very easy read. And since it is mostly dialogue, it really doesn't take long to read. You could easily finish it in a day or two if you really put your heart to it. Even if you don't enjoy reading novels, maybe this is the solution. There is no lengthy descriptions of what color the characters' eyes are or what they're wearing. Just good old dialogue that will have you hooked from the very beginning. "Who's Afraid of Virginia Woolf?" is an outstanding play that will forever remain a true classic in American Literature.
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show business chronicler, it is definitely for those with enquiring minds who want to know.
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Michener does a great job introducing a reader to a region of the world. In this case, I learned enough about the last several centuries of Poland's history by reading Poland, that I can now look at specific points in time in context of the greater history of the area. For instance, my personal interest in WWI and WWII history is now deeper, having read Michener's descriptions of Poland being the running ground for conquerors headed West, or for conquerors headed East. In my ignorance, I didn't consider the importance of the land of Poland in European history before reading this book.
In addition to teaching me about Poland's history, the book was a joy to read. It was a classic Michener page-turner (I am a Michener fan). Michener doesn't let the weave of his characters get corny. The novel builds on itself, as well it should, given the history upon which it is based. I recommend the book for those interested in European history.
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-away on a ship called Endeavour.The crew on this ship go to islands botanizing.(study of plants and animals.) Nicholas and the crew are on this ship for two years ,and a lot of adventures and surprises.I hope you read this book because it is the most exciting,adventurousand surpising book I have ever read!!!!
Mr.Bootie doesn't like Nick because he has a soft heart(Mr.Bootie doesn't).Nck throws over there food that is meat.
Captain James Cook's ship was named The Endeavour but it was fist named The Prembroke.
Ihope you will enjoy this book.
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Who was Samuel Johnson? He was, in one sense, the first literary celebrity. His fabled dictionary of the English language was, a few years down the road, superceded and greatly improved upon by the dictionary written by Noah Webster. His tour of Scotland and the book that ensued from it hardly rank with the other literary giants of English. And his essays, indisputably brilliant, remain sadly that: forms of literature seldom read, and lacking the artistic force of the play, the novel, the poem.
What Boswell shows us about Johnson is that he was the sharpest conversationalist of his time in a society that cultivated the very finest of witty speakers. Living off the beneficence of friends, off a royally-provided pension, and leading what he readily acknowledged to be a life of idleness, Johnson was a sought-after personality invigorated by one of the brightest literary minds ever.
Boswell introduces the genius, his pathos, his melancholy, his piety, his warmth, and most of all his stinging wit. That he loved and respected Johnson, and sought to honor his memory, can only be doubted by an utter cynic or someone serving a lifetime of durance in academia.
"All intellectual improvement arises from leisure..." "You shall retain your superiority by my not knowing it." "Sir, they [Americans] are a parcel of convicts and ought to be thankful for anything we allow them short of hanging." "He was dull in a new way, and that made people think him great." "...it is our duty to maintain the subordination of civilized society..." "It is wonderful, when a calculation is made, how little the mind is actually employed in the discharge of any profession." Boswell: "...you are an idle set of people." Johnson: "Sir, we are a city of philosophers." "We should knock him down first, and pity him afterwards."
And best of all, and immortal to boot, is this: "No man but a blockhead writes, except for money."
Buy this book. Read it. It's humanity at its wittiest and most complex.
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Like all other Robert Crais' books, it had the compelling power which made it impossible for me to put the book down. I have always believed that for a book to be likeable, we must like the characters in the book and really feel for them. This is precisely the reason which I enjoy this book so much. I was rooting for Elvis and Joe all the way as I followed the story which simply took my breath away.
Private investigator Elvis Cole is hired by overactive director Peter Alan Nelson to find his divorced wife and young son. His search takes him to a small town in Connecticut, where the ex-wife has taken on a new identity as a bank manager. Simple enough? Not for Elvis! It turns out that she has been laundering money for one of the largest organized crime families in New York, and she wishes to get out, but fears for the lives of herself and her son, Toby. The story becomes even more complicated, as the money laundering appears to be isolated to one mob family member, as he seems to be back-stabbing the rest. To make matters worse, the deep-pocketed Nelson turns up as he wants to re-enter their lives, a step that they are just not willing to make yet.
Cole's partner, Joe Pike, is back along for the adventure, adding that ever-so-serious, vigilante-type background. Pike's character is the perfect compliment to Cole, making for a much more complete storyline. As always, Cole's witty dialogue and his well-detailed actions lead to a very entertaining thriller.
Robert Crais does a masterful job of covering all aspects of the mystery, and keeps the reader guessing as to how Elvis and Joe can rescue this family from the mafia. The book is one excellent page-turning novel that culminates in an amazing, explosive ending. This is definately one Elvis Cole adventure that you will not want to miss.
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In FREE FALL, a beautiful young woman hires Elvis Cole to find out what her L.A.P.D. boyfriend is hiding from her. He claims that it is an affair, but she thinks that there is more to it. Upon his investigation, Cole stumbles upon a group of crooked cops, a wrongful death in South Central, and a druglord that seems to be unstoppable. To make matters worse, Cole and his aviator-sunglasses-wearing partner Joe Pike are arrested for murder.
Regulars Cole, Pike, and Lou Poitras are back in this thriller, and Crais does an fine job of adding in other interesting, well-developed characters. The snappy dialogue and intricate, cohesive storyline make for truly entertaining reading. His short, fast-paced chapters make this a page-turning, suspense-filled thriller that culminates with an amazing ending. This book is a can't miss.
Anyway, this novel takes place in Los Angeles. It finds Elvis Cole sitting in his office, just another normal day. In walks an innocent looking young woman named Jenifer Sheridan. She tells Cole that she has a problem: She thinks her fiancee, Mark Thurman, is involved in something illegal. Willingly, unwillingly? It is Cole's task to find out the answer, and just what exactly Thurman is up to. Could it be another woman? Or is it something much worse, something much deadlier?
Cole and his partner, Joe Pike, find themselves up against rogue cops, South-side gangsters, and a haunting mystery. Oh, yeah: They're also wanted by the cops for murder.
Only Crais could weave a novel this complicated and powerful. You'll be loving every minute of "Free Fall", I promise you. I would know: I've been there.
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You will notice the increased use of SI units. Section 1, of thirty Handbook sections, "Conversion Factors and Mathematical Symbols", provides a rescue line for those of us much more accustomed to U.S., British, and older Metric units and who are not fully conversant with S.I. units. The first one-third of the Handbook lays the theoretical groundwork for a fuller understanding of its final two-thirds.
Section 2 provides physical properties data, including tables of constants for properties' correlations covering wide temperature ranges. Methods for the prediction and correlation of physical properties are explained. Section 3 summarizes mathematics through differential equations and statistics. Sections 4 through 7 may be considered short texts on "Thermodynamics", "Heat and Mass Transfer", "Fluid and Particle Dynamics", and "Reaction Kinetics".
In its eighty-four double column text pages, Section 8 covers the "Fundamentals of Process Dynamics and Control". It includes model predictive control, process optimization, unit operations control, process measurements, and concludes with controllers, final control elements, and regulators. Section 9, "Process Economics", takes the reader through calculations involved in investment and profitability decisions, cost control, and cost estimation. Starting with Section 10, "Transport and Storage of Fluids", and for most of the following twenty sections, the chemical engineering unit operations, details of more specialized theories and operating practices, calculation methods, interface studies between chemical engineering and other disciplines (i.e., Biochemical Engineering and Waste Management), and data specific to the topic being presented are given.
As previously stated, these latter sections, about two-thirds of the book, build upon an understanding of the fundamentals presented earlier. For example, Section 10; Section 11, "Heat Transfer Equipment"; Section 12, "Psychrometry, Evaporative Cooling, and Solids Drying"; Section 13, "Distillation"; Section 14, "Gas Absorption"; Section 15, "Liquid-Liquid Extraction"; Section 16, "Adsorption and Ion Exchange"; Section 17, "Gas-Solid Operations and Equipment"; and Section 18, "Liquid-Solid Operations and Equipment"; build on an understanding of Section 4, "Thermodynamics", Section 5, "Heat and Mass Transfer", and Section 6 "Fluid and Particle Dynamics". However, the book sections are all prepared to be rather self-sufficient so that readers without the earlier fundamental background can still gather useful working information.
The final twelve sections complete the review of unit operations and add important interdisciplinary studies. The sections are: "Solid-Solid Operations and Equipment"; "Size Reduction and Size Enlargement"; "Handling of Bulk Solids and Packaging of Solids and Liquids"; "Alternative Separation Processes"; "Chemical Reactors" (building on Section 7 "Reaction Kinetics"); "Biochemical Engineering"; "Waste Management"; "Process Safety"; "Energy resources, Conversion, and Utilization"; "Materials of Construction"; "Process Machinery Drives"; and "Analysis of Plant Performance";
Actually, a reasonable understanding of the contents of Perry's, including how to find and use the voluminous data, is equivalent to the text-based learning at the completion of a Master's degree in chemical engineering.
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This book explains how the bodies of alcoholics metabolize liquor differently from those of non-alcoholics, and the changes in the brain that take place over years of continued drinking. (It confirms, for example, the observation that many late-stage alcoholics' function deteriorates as they go without liquor for a number of hours). After a complete description of the stages of alcoholism, it provides some insight on intervention and treatment, and some valuable information about treating the physical aspects of the disease in sobriety, with proper diet and rest in addition to AA attendance.
Nothing in Under the Influence will replace the role of the experience, strength and hope of other alcoholics in helping alcoholics recover. Yet this book provides valuable information, especially about the often-overlooked physical aspects of the three-fold disease of alcoholism.