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It is a simple book, on one page it has a name of God such as "I am the friend of sinners" and one bible quote to back up the name, yet so powerful. I must be invoking something spiritual when I verbalize the names of God. I don't get it, but who cares, I simply delight in the presence of God.
When I learned that the book was available, I could hardly wait to read it. I regularly walk through my home, reading the names of God. As I do, I am aware that He comes to fill the spaces of my daily life as personally and powerfully as He did that Saturday night in Chicago.
I love to meditate on the names of God, because I am aware that as I do so, He is smiling and keeping a record of it. It is such a simple way to bring joy to the heart of my Heavenly Father. For me, it brings an immense awareness of His love, strength to my spirit, focus for my mind, and an increase of faith.
The author has identified 365 names of God and suggests that the reader meditate on a different one each day. When I pick up the book and begin to read, I cannot stop with just one. I usually do not put the book down, until I have read them all.
Five stars seem too few to rate how highly I esteem this author and I AM.
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1. What makes Dubliners so amenable to an annotated edition is that it is essentially an immediately accessible work of fiction - Joyce's only one, (the Portrait's a little trickier).
The multiple place and character references make up a significant portion of the narratives - lose these settings, and you're not left with the virtuoso, stand-alone subtle psychological complexities of either the Portrait or Ulysses to gnaw on.
2. Is it "Margaret Mary Allicott"? I forget the spelling. Apologies. A reference is made to her in Dubliners... Buck Mulligan refers to her in Ulysses as "Margaret Mary ANYcock".
Without annotations, what can you make of that? Who was she?
The annotated Dubliners points out that MMA was a figure of considerable religious veneration in Dublin at the time. Icons of her were to be found in many homes. She would drink only dirty washwater, and ate only the pus from her numerous sores:
Neglecting the body = Sanctity = turn of the century Dublin morality [! ]
The annotations permit you to enjoy not only the bizarre character of the Zeitgeist, but also appreciate the Buck's nasty pun.
3. My point here is that you can only appreciate these sorts of references WITH annotations. And you can easily imagine that the instances are numerous.
The pictures & annotations are not "a key"; rather they breathe life into a good collection of early Joycean tales.
4. A fun copy. And remember, these stories were originally read by people who DID understand the references and allusions.
The only readable version of Dubliners and heartily commended to all wishing to enjoy and appreciate these heartwarming yarns of a city's moral and psychological twilight: paralysis, disillusionment, and collapse.
Survey sez: "Marvellous".
The drawings, photographs, and newspaper clippings provide a first hand sense of what Joyce's Dublin was like then. Like a mail order fountain pen, whose newspaper advertisement from Christmas 1903 is reproduced in the book. Maybe Gabriel Conroy bought one. I've never used a fountain pen - to me the advertisement is a subtle reminder of how distant Joyce's Dublin is from us now.
Warning - It's tempting to spend more time reading the notes and annotations than reading Joyce himself.
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One has to tip his hat to the author for the level of detail and the research performed, especially his good fortune in being able to interview all three of his wives. Reading this after reading most of Steinbeck's major works, gave insight into what drove JS to write each one of his works and helped dispel any misconceptions about his political tendencies and whether he was trying to write "political message" books or not.
Most appalling was to find out how little regarded Steinbeck was among the literary critics in the last 25-30 years of his life, to the point that they questioned the Nobel Prize Committee's decision-making process once JS was honored with the award.
There is a lot to learn in this book. I wouldn't have minded reading a little less detail on some of the progress (or lack of) on some of his lesser works and some of his travels. But for the Steinbeck fan, this is a must-read.
Benson must have started with near a mountain of research to draw together such a complete picture of Steinbeck's life. It's a task that could have caught lesser writer's struggling much like Steinbeck did with the translation of Morte D' Arthur in an unfinishable Pandora's Box of a book. But Benson sees it through with apparent love for the writer and care for the detail. In such a private life of a fiercely guarded private man, it's amazing that Benson adds such a degree of minute detail along the way. You realize some of the details have to be largely anecdotal and especially anecdotes loyally told carry a good degree of fiction with them. That's just what makes this book so magical and passionate...a life well told and lived carries a large freedom of fiction along with it. I think that John Steinbeck would have had it no other way. Actually, he probably would have hidden away from anybody trying to capture his life in words. It would have been a horror for him, but thank God we have this book from Jackson and are left with Steinbeck's writing.
I made the Haj to Salinas on Steinbeck's 100th Birthday and heard John Jr. speak about his Father and had a little birthday cake to boot. I played a game with the neighbor's kid as he held Benson's paperweight of a book and ran from me as I chased him down. I responded with horror as he launched it flying over the fence landing splayed on the ground. The adult in me told him, we don't throw rocks and we especially don't throw books. But as I wiped the dirt and dust off of the book and later finished the last fifty pages with grass stains burned into the leaves of pages...I was glad. A little California earth to go with Steinbeck. A book well worn is so more sacred than one pristine. I should have thanked the neighbor's son for the unintended connection. Rocks against the earth will never grow, but books picked up from the ground...now that's a different thing. For all those Steinbeck-philes don't miss this book. For those who have hardly heard of Steinbeck, there's a good deal of life in this book. I urge you not to miss out on that life.
Now I'm off to chase my neighbor's son around the back yard as he carries "The Grapes of Wrath" to the end zone...spike and score.
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Take his interview with Gwyn, Steinbeck's second wife. For me, what clearly emerged during the author's confrontation with her storytelling ability, her extraverted extravagance, and her occasional bullying, was that Benson was being made to feel exactly how Steinbeck would have felt, especially toward the end of the marriage. And the same with getting lost at times in New York, and feeling "out of touch" here and there, and worrying about bad reviews: I think the biographer actually became the subject of his biography a little, sharing from his own rather humble and introverted point of view what Steinbeck couldn't or wouldn't bring himself to write publicly about regarding his own private struggles, doubts, confusions. What a gift, all the way around.
Jackson Benson spent fifteen years writing the definitive biography of John Steinbeck that originally began as a scholarly critique of his works. He was a young professor of American literature at a provincial university in 1970 and felt it part of his job to write about American authors: "I had no idea of writing a biography or of spending a major portion of my life doing so. No one in his right mind sets out to spend fifteen years researching and writing a book-it just sneaks up on you." With this confession the reader is drawn into a wonderful account of his efforts to "save" Steinbeck from what he saw as unjust criticism and general academic denigration.
The book is unusual for a variety of reasons. First, it is highly readable which is rare given the authors scholarly and academic credentials. Benson has a marvelous sense of humor and doesn't hesitate to spell out his own shortcomings and lapses that many times resulted in dire consequences of his own making. His original naivete and ill defined writing plan led to a variety of incidents that are described in a humorous and candid manner.
Second, the author doesn't hesitate to candidly reveal the myriad fears, frustrations, doubts and ever-present economic problems that dogged him throughout the writing process. In reading of his countless setbacks I am amazed he completed the book. His dedication, perseverance, resourcefulness and integrity are both amazing and heartening.
Third, this is a rare instance in which a biographer writes about himself. It is actually an autobiography of the biographer and is done with such grace and candor and style that it is as artful as the biography. This book stands alone as a masteful literary accomplishment notwithstanding its sister biography.
The book is a must have for writers, wannabe writers, researchers, or readers interested in biography, authbiography or the art and craft of writing. It is a unique insight into the writing of the definitive biography of a world literary figure whose centennial birthday is being celebrated throughout this year. The Joads would have been proud.
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I have read many excellent books on the subject, but this really is an absolute must read!
Spiritual warfare is an aspect that cannot be avoided by Christians, and wisdom in such matters is absolutely paramount to prevent us from unwittingly falling into Satan's snares and to protect us from Satan's onslaughts.
John Paul Jackson examines the parameters of our spiriutal authority in facing Satan and his demonic realm, together with the practical guidelines that need to be followed to proceed in such matters on a Biblical basis.
A number of real-life stories are referred to in what is a highly recommended read. All Christians need to access the information provided in this book. Kindest regards.
You will find the material within is well written and easy to understand with timely prophetic words for the body of Christ in this season.
John Paul is a transparent servant of Christ, often highlighting his own mistakes, in order to teach us the right path to walk.
There is good fruit from this tree.
Now my prayers are not only more effective, but my relationship with the Father is more intimate. As I focus on staying under God's cover and listening for His instructions, He can send me on "strategic" intercessory assignments of His planning and not my presumption.
This book has actually saved many ministries and lives, who, like myself, had unknowingly thrown themselves directly in the sights of the enemy's artillery. I have given this book to many ministers and intercessors. They have thanked me for it.
Thank you, John Paul. Thank you! Thank you! Thank you!
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I couldn't put the book down and have only been surprised that it has received so little publicity beyond the professional ranks of conservation biologists. It's useful also for those considering a visit to areas where tigers still occur.
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As most of those who follow cosmology probably already know, Stephen Hawking is afflicted with a serious neuromuscular disease. Amyotrophic lateral sclerosis, ALS or Lou Gehrig's disease (after the baseball player who died of the disorder) had confined Hawking to a wheelchair by the writing of the book and has since put him on a portable ventilator. Having worked with people suffering with this disorder earlier in my career, I can attest both to the seriousness of the malady and to my surprise that the gentleman has survived as long as he has. Both facts make his intellectual achievements, the dedication of his caretakers, and his own personal tenacity for life very real to me and very impressive.
John Boslough, the author, is a scientific journalist. He appears to understand physics at least well enough to describe it for the layperson, and does so in a readable style. He also creates a biography that is flattering to the subject without diminishing the contributions of others to the field. The book is, however, extremely simple, more of a history of the development of the theory of the big bang and black holes than a thorough explanation of them, and the interested reader would do well to look at Hawking's own popular writings on the subject for a more thorough and professional point of view. My only complaint about the book would be that it does not contain any form of bibliography, a resource I always consider one of a book's most valuable assets. It helps the reader to find material for further study, and it also provides a measure of the preparedness of the author on his topic!
I'd recommend the book to any beginner who is curious about the Big Bang Theory, about black holes, the Theory of Relativity, the Theory of Quantum Mechanics, or about Stephen Hawking. I would also say that any person from junior high level or above would be able to understand the material.
Firstly, on a personal level, Hawking admitted already at that time that "As far as theoretical physics are concerned, I'm already ... quite far over the hill'.
Secondly, it gives an excellent explanation of Hawking's contribution to theoretical physics (black holes and their similarities to the beginning of time).
Thirdly, Hawking has outspoken opinions about the anthropic principle (against), the universe of Eastern mysticism (an illusion), the many universes theory (not meaningful) or determinism ('Even if we do achieve a complete unified theory, we shall not be able to make detailed predictions in any but the simplest situations').
This booklet offers also excellent examples for the theories of relativity and quantum mechanics and contains Hawking's Inaugural Lecture 'Is the End in Sight for Theoretical Physics?'
Although this book is, from a theoretical point of view, out of date (no superstrings), it should not be missed.