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This is fast to learn, easy to play and great replayability. Many characteristics lacking in many of today's ordinary games.
Other interesting games to play are Settlers of Catan, Street Car, Formula De, EuroRails, Dragon Rails, Tekal, Once upon a time and Robo Rally. Try them all.
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1. That he hosted the show,
2. That 's also notorious for his "Pyramid" duo, which had been short-lived but is till aired here in New York,
3. And that on every New Years' Eve, he comes to New York to do I-bet-you-know-what.
Despite factual errors (putting "All You Need Is Love" on "Sgt. Pepper" shows as much Beatle knowledge as Jackson claimed Clark had) and unneeded 60s-70s rehash, Jackson's biography adddresses its subjects accurately and engagingly. Jackson sees Clark not as money-grubbing villain but driven, opportunistic businessman who "within the bounds of propriety - followed the dollar wherever it took him."
Clark fought to cult!ivate, keep, and wield a pleasant national image to his advantage. Jackson succeeds most in showing how that image served, even saved Clark's career. Clark's soft-spoken, "nice guy" image eased the transition from the scandalous, tragic tenure of original "Bandstand" host Bob Horn. It softened and widened (some said, despite Clark's objections, "whitened") rock and roll's ease into daily life and the youth buying power enjoining it. Mostly, it masked the clear-eyed, hard-charging figure who not only stood up to federal regulators and network bosses, but parlayed his "Bandstand" success into music-related (torn by 1959-60's "payola" scandal, covered in depth here despite little Clark participation), then rebuilt into complete media-based success.
Fans of early rock will enjoy Jackson's musical side trips. He looks at the "Bandstand" dancers' quick fame, the synergy and rivalry between the show, Philadelphia promoters, and disc jockeys, the rise of small record labels whi!ch (with Clark's involvement throughout) recorded national hits (Jackson tells fresh versions of the making of "At The Hop" and "The Twist"), and, finally, Clark's move to California which closed Philly music dominance (and, to believe Jackson, did little for "Bandstand," either). Figures like musician Charlie Gracie, producer Tony Mammarella, and songwriters Kal Mann and Bernie Lowe, today unknown outside Philadelphia music, are remembered either as villain or victim. The last chapters, describing Clark's adjusting the "Bandstand" image to changing musical times, are among the book's most intriguing.
The result makes "American Bandstand" unflinching, unfawning yet high-minded critique that Clark, generally no friend of critics, could support. The epilogue essays Clark's motivations, how he achieved and maintained fame and riches yet still promotes, produces, and hosts. Jackson concludes that it's what Clark enjoys doing and does best. That, and the dearth of harsh word!s for Clark by anyone in the book, makes this an incisive, fun read for pop culture fans.
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Well, this book does live up to its single reputation - difficult. But reading through the text not once, but twice or more times, I eventually get the idea. Furthermore, the text in my opinion, tries to word concepts as precisely as possible. I can't imagine how much attention Dr. Jackson gave to the little details, which is essential in sending the right message to the readers.
Therefore, I feel that this book is exceptional. The author has a strong sense of responsibility on the concepts he would like to convey to the reader.
Finally, concerning the homework problems in this book (thorn to many readers), I found out that if one actually reads Jackson carefully (not randomly browsing through looking for equations) and understanding, he gives hints to many problems. There are some problems that are really hard, but usually its due to the complexity in the math, therefore a math reference or two (e.g. Arfken and Weber) would be very helpful.
I still can't do the problems...
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In earning a national reputation as a war hero in the Battle of New Orleans, Jackson credited God with the victory and saw himself as a chosen instrument in His hands.
A city-wide religious ceremony was held in the aftermath of that victory. All New Orleans acknowledged humble thanksgiving to God for the successful defense of the city.
Riding the crest of this military popularity Jackson was elected president and the masses who turned out for his inaugural events were unlike any other before him. His administration was a shift from the elite to a populous approach to government. Ward includes helpful anecdotes to keep the readers abreast of some of the details of the time and places covered.
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Instead of presenting the evidence and steps of reasoning that led up to the concepts and principles in a clear and simple way, the student is given a succession of unmanageable assertions encoded in jargon-filled terminology, to be retained as frozen dogma.
The style and flavor of the writing is extremely artificial and pedantic (at times I found myself asking whether the book was written by a human or generated by a computer). Consequently, most students end up trying to memorize the content without understanding what it actually means or how it applies.
The only positive quality I can attribute to this book is that it presents the phases of systems analysis and design in logical sequence. What it fails to do is explain how each of the principles was discovered by reasoning from observation in a clear, comprehensible and conversational way.