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After we read this, I and the children in the library learned to write our names in Arabic, and then we *had* to get some rosewater ice cream, in order to fully immerse ourselves in the book. If you can get ahold of it, I would highly recommend!
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With this graceful book, Coleman and Masheris offer children the best reason to cherish both nature and poetry--for the sheer beauty of it. Coleman's twenty-one poems open with an invitation.
"Bicycle Trip
A poem
is like an
unplanned
trip by bicycle.
The wind of Words
blows in your ears.
Jack-in-the-pulpits.
Lady Slippers
become the handlebars.
You begin to understand
fireplugs shining in the sun,
the wild toss of bachelor buttons.
The limits of the street change, shrink--
two lane highways, a country road.
Then with an unexpected lurch
thought turns into a side dirt path
where stones and pine straw lie
and hickories grow, shaggy and gray.
A lake opens, a mountain roars.
Surprised, you're part of the landscape.
The movement of short lines to long reflects an gradually widening view, both visually and imaginatively, and the illustration that envelopes the poem also extends it across the page into a delicately tinted jungle if wildflowers. Various animals, plants, and habitats figure in the poems and pictures that follow, all bearing a close complementary relationship to one another and to the reader. This is a book that poetry buffs will want to linger over and that readers new to poetry will find alluring.
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Akhmatova is one of the premier 20th century poets, and it is a shame that her reputation is still only establishing itself among English speaking countries. This volume should help in that regard. However, it must be strongly emphasized that readers who hear Akhmatova only in English are really missing most of the beauty of her poems. Russian poetry is musically beautiful, and this is NOT carried over into the Enlglish, although it must be granted that Hemschemeyer does make some pretty valiant attempts to do just this.
So the reason for the four stars is that there is no Russian in this edition. Granted, the size of it would hardly permit it. So I would ask that people complement it with an edition of Akhmatova's poems in the original, and either learn cyrillic or get someone who can read them to read them to you! You will hardly recognize them, they are so beautiful. She is a master of alliteration, assonance and rhyme... all of these being so important to her lyricism.
I actually bought this edition, and when I found there was no Russian, I returned it and got Hemschemeyer's "Selected Poems of Anna Akhmatova" instead, which only has 100+ poems but has the Russian on the opposing pages. It was sad to have to do this, but after I sat down and read through some of the poems, I realized I had made the right decision. What I miss most are the pictures...
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Dana Weisz is no ordinary protagonist. She shoulders the seemingly herculean task of being a child of survivors, one a proud, defiant mother whose integrity provides strength to Dana, the other, a once-aristocratic, now-humbled father whose quiet, "mysterious" love provides comfort and identity. At once, Dana senses her very existence as a replacement for her murdered half-sister but feels guilty even living a "normal" life, perceiving her own "normal" concerns as superfluous to her parents, given the trauma they have experienced.
To be Jewish under these circumstances produces its own internal ambivalence. "What good had it brought any of them being Jewish...[Name] one time it ever proved an advantage to be Jewish." When her parents aggressively promote academic prowess in her older sister, Lillian, they claim: "With your brains...there is nothing you can't do." Dana responds that anything is easy "if your standard was being gassed, tortured or stripped of everything you hold dear; the rest would seem a breeze." Kalman is at her best when she describes Dana's devastating encounter with contemporary Jewish indifference (circa 1965) to the Holocaust. Dana's experiment in Sabbath school results in her being profoundly insulted by her Jewish classmates who make crass jokes about the Holocaust when they examine a Life magazine twenty-year retrospective.
Judith Kalman's stirring narrative alone, which encompasses three generations of history and three distinct geographic settings, distinguishes this novel. But Ms. Kalman peppers her stories with sentences about the Holocaust that hit home very, very hard. This rather compact novel has unbelievable impact. It is not an easy or quick read; it forces the reader to stop, to ponder, to question, to try to understand. The author serves both history and memory admirably.
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For myself, I picked up this book several years ago and started my math re-education. There are numerous margin exercises that are to be completed immediately after a new concept is introduced in a section plus 50-70 section end exercises. These exercises directly reinforce what you have just studied. There are numerous sections in each chapter. This layout is really nice because as a self study, it normally took me several days to complete a chapter and if I had to wait to do exercises at the end of each chapter, I am positive my retention would have been much lower and my frustration higher, leading to a consequent lowering of motivation. Fortunately, just the opposite happened with this book. Every time I completed a section I was motivated to learn more which reduced the time required to complete each chapter. Finally each chapter has a chapter review then a comprehensive chapter test. If you miss a question in the chapter review, the answer section point to the relevant section for review.
Every margin, chapter review and chapter test exercise has the answer in the back of the book. The section-end exercises have only odd answers in the back of the book, but this is not a significant problem. I noticed several things about these exercises at the end of each section. The exercises are not just "make work" but increasingly challenge the reader. The exercises are such that they catch and expose deficiencies in math manipulation skills. If you are weak in some area of algebraic manipulation, it becomes readily apparent in the exercises. The even numbered exercises are variations on the odd numbered exercises. If you can do the odd exercises, you'll be able to do the even exercises and so not require the answers in the back. If you messed up the odd exercise and understand the nature of the mistake, you can still do the even numbered exercise with confidence.
The Trig section is short (3 chapters) and dense. Again problems are uniformly excellent. The chapter on trigonometric identities makes the book worth its price by itself and pays off handsomely when studying calculus and you are attempting to solve integrals via trigonometric substitution. There are three additional chapters introducing linear algebra, conic sections and sequences.
The book makes use of decent artwork and has technology sections utilizing graphing calculators, but is comprehensive without having such a calculator. Despite the hefty cost for a large format paperback, this book is definitely worth it. The binding has proven to be extremely durable. I just wish I had this book so many years ago. My college math courses would have been so much more enlightening.